Score for String Quartet. Commissioned by the BBC Radio for the Proms concerts 2010. Dedicated to the Meta4 Quartet. Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92 . Commissioned by the BBC Radio for the Proms concerts 2010. Dedicated to the Meta4 Quartet . Parts available: WH31197A Programme note: My former experience in writing string quartets has made me used to the idea that a piece of mine in this genre lasts close to half an hour and consists of several movements with different characters. This time the commission clearly stated a duration of 12 minutes and this naturally brought about lots of thinking and orientating. Eventually I luckily found out that I actually can alter mybasic string quartet philosophy so that such a short piece became an existing option. In the music itself there is nothing very much to explain. The quartet is for the most part quite lively flowing music in fast tempi. In the very beginning there is something haunting in the atmosphere but soon joyful for the most part delicately light at times maybe also dance-like characters take over. But in terms of dramaturgy the music has a tendency to grow more weighty and harsh and these quasi-violent elements gradually threaten the sunny unproblematic flow. Closer to the end we come to a point where nothing is easy anymore. This brings about a slow section of quite different nature and after that the former hilarious swing tries to make a comeback - but does not really succeed. The run goes on but the overtones are now more shadowy and the mood on the scary side. The subtitle comes from the novel The Camomile Lawn (1984) by Mary Wesley of which Ken Taylor made a wonderful TV series adaptation for Channel 4 (1992) where a marvellous casting of great actors supports the colourful beautiful and delightful story. In this novel young Sophie (gorgeously played by the 10-year-old Rebecca Hall) has eagerly waited for her older cousins to arrive to her aunt's house at the

Munkespøgelset - fra musicalen 'Klokkeren Fra Notre Dame'. Becifret melodilinie med underlagt tekst Tekst og musik: Sebastian Munkespogelset - fra musicalen 'Klokkeren Fra Notre Dame'. Becifret melodilinie med underlagt tekst Tekst og musik: Sebastian

Looking On Darkness for Accordion solo was composed by Bent Sørensen in 2000. Programme note: It is in the attempt to recreate a lost world without any illusion of its feasibility that we find the Danish composer Bent Sørensen's beautiful and melancholic music. Sørensen one of the most frequently performed contemporary Scandinavian composers has taken the title Looking on Darkness from Shakespeare's Sonnet No. 27. The thematic and intellectually clearly constructed form in which the inherent emotion is centrally placed and which characterises the sonnet also forms the basis of Sørensen'scomposition which is dedicated to Frode Haltli. As in Shakespeare's sonnet the past memory arises in Sørensen's music as it were out of nothing out of the darkness the silence; the concrete rattle of the accordion buttons and the sensitive dripping notes in the opening section vibrate on the borderline between the concrete and the hereafter. Loss and mourning for that which is lost and will never come again flow into the fleeting and poetic tones and meld together; the music oscillates lingers holds tightly to the absence slackens its grip tries again moves carefully onwards like the fragmentary memories in Samuel Beckett's late prose before the sorrowful voice of the piece just as beautiful and unobtrusive withdraws again and leaves us to the silence to what used to be.

Aage Stentoft s Kys Hinanden arrangeret for blandet kor og klaver af Erik Bjorn Lund . Tekst af Epe.

Text: Rückert Arrangiert für Solo und achtstimmigen Chor onBo Holten Gustav Mahler's Ich bin der Welt abhanden gekommen expertly arranged for Baritone solo and 8-part Choir (SSAATTBarB) by Bo Holten (2010). Text by Friedrich Ruckert. Programme note Gustav Mahler: Ich bin der Welt abhanden gekommen (arr.: Holten 2010) is an arrangement for baritone soloist and 8-part choir of one of Mahler's Ruckert-Lieder. There is already an often performed arrangement for 16-voice choir by Clytus Gottwald which Holten has himself conducted a few times. But Holten does not really think that Gottwald does justice toMahler's song; among other things it lacks a soloist who can express the Ich that is so central to the text. Holten takes his cue from Mahler's piano setting but with Mahler's own sublime orchestral setting firmly in mind. The choir thus functions as an (orchestral) accompaniment for the soloist. Holten has taken pains to stay as close to the model as possible within the constraints of what in fact can be sung by a choir. And he has striven to function solely as an arranger and as far as possible to avoid mixing his own personality with Mahler's. (Klaus Moller-Jorgensen 2012)

Set of parts for String Quartet No.6 'Tintinnabulary' by Per Norgard (1986). Study score available: WH30118B

Concerto For Flute And Orchestra Op.126 by Vagn Holmboe. Piano reduction and solo part: WH29417C Parts are for hire: hire@ewh.dk Concerto For Flute And Orchestra Op.126 by Vagn Holmboe. Piano reduction and solo part: WH29417C Parts are for hire: hire@ewh.dk

Hvorfor Er Lykken Sa Lundefuld af Karen Jonsson (1909-42) arrangeret for blandet kor SATB af Erik Bjorn Lund. Tekst af Carl Vigggo Meincke.

Work for Percussion and Two Pianos dating from 1990. Work for Percussion and Two Pianos dating from 1990.

Zenevera Sesio for Chamber Ensemble was composed by Anders Nordentoft in 1992. Commissioned by the Danish Radio. Zenevera Sesio for Chamber Ensemble was composed by Anders Nordentoft in 1992. Commissioned by the Danish Radio.

String Quartet No.11No Ground2012Parts = WH31465ADuration 14 min. String Quartet No.11 'No Ground' (2012) by Pelle Gudmundsen-Holmgreen. Parts: WH31465A New Ground - No Ground - Green In 1986 I wrote Ground for the Kronos Quartet. I used the principle of the baroque ground and created a series of chords - going up and going down symmetrically. The material formed the basis for the quartet. In my next collaboration with Kronos I wrote the darker Last Ground - at the time supposed to be my last composition of the kind. After some years this seemed a bit pathetic and I decided to write a new - lighter ground -New Ground. To disappoint mylisteners as much as possible I based this piece on a very old and very well-known ground: Pachelbel's Canon. The piece is tonal and that suggested another -atonal - composition - No Ground (based on another string quartet - no. 7 Parted from 1984 first performed by Kronos). I am very fond of the elaborated constructivism of the medieval or early renaissance music so in my view the two new quartets needed to be connected and combined. The two quartets can be performed in combination with the four-part vocal piece Green. The text is from medieval England. The pieces are written for the Kronos Quartet and Theatre of Voices.

Work for Clarinet and String Quartet. Parts available: WH49201 Work for Clarinet and String Quartet. Parts available: WH49201

for blandet kor a cappellabaseret på Paulus’ Første Brev til KorintherneKapitel 13 om KærlighedenOm jeg så taler med menneskers og engles tunger s. 3Kærligheden er tålmodig s. 8Størst er kærligheden s. 11Når én mann kan forårsake så mye ondt –tenk hvor mye kjærlighet vi kan skape sammen.Helle Gannestad Oslo på Twitter den 23. juli 2011 For mixed chorus a cappella. Based on Paul's First Letter to the Corinthians Chapter 13 on Charity. Though I speak with the tongues of men and of angels Love is patient The greatest is love Tre Motetter Til Kaerligheden for blandet kor a cappella baseret pa Paulus' Forste Brev til Korintherne Kapitel 13 om Kaerligheden.

Recall (1968) - Concerto for Accordion and Orchestra by Per Norgard. I. Cantico Antico II. Villanesca III. Rondino. Programme note Recall was composed as a tribute to my recollections of the vitality of Balkan folklore - as perceived by an urban Scandinavian. So the listener will listen in vain for any Authencity of material. The slow introduction and the fast main movement unfold freely in their own way which never is far from adopting sounds melodies and rhythms which are far more 1960s in Denmarkthan perennial folklore: it is an entertainment (recall) based on childhood memories seen (heard) through a grown ups eyes (ears). Anyway so I remember Recall today… Per Norgard (1990) Parts are available on hire: hire@ewh.dk Reduced version: KP00318 Concert version for Accordion and Piano available: WH30062

Arne Nordheim 's 1993 piece Vevnad for Trombone Cello and Disklavier/Electronics.

Set of parts for String Quartet No. 13 'Mutual Ordering' by Pelle Gudmundsen-Holmgreen (2013). Commissioned by the Kronos Quartet. Set of parts for String Quartet No. 13 'Mutual Ordering' by Pelle Gudmundsen-Holmgreen (2013). Commissioned by the Kronos Quartet.

Parts for String Quartet No. 5 'Step By Step' by Danish composer Pelle Gudmundsen-Holmgreen. Parts for String Quartet No. 5 'Step By Step' by Danish composer Pelle Gudmundsen-Holmgreen.

A setting of the text of William Blake for SATB Choir a cappella. A setting of the text of William Blake for SATB Choir a cappella.

Opus 165-Niels Viggo Bentzon: Kvartet VII: Opus 165 is a superb String quartet composition by Niels Viggo Bentzon expertly written for Violin Viola and Cello. Set of parts for Kvartet VII Opus 165 /String Quartet No.7 by Niels Viggo Bentzon.

Og Det Skete I De Dage is a brilliant Choral piece using SSA SATB Choir Soprano solo and accompanying Organ. This grand Choral was expertly composed by Søren Birch . Og Det Skete I De Dage for SSA - from Kantate til Jul by Soren Birch. Score: WH31076A Kantate Til Jul : WH31076