Sunleif Rasmussen 's Nordisk Messe for Orchestra and SATB. Full score. Sunleif Rasmussen 's Nordisk Messe for Orchestra and SATB. Full score.

For clarinet bassoon trumpet trombone perussion violin + double bass. Sports Et Divertissement by Erik Satie expertly arranged for Ensemble by Karl Aage Rasmussen (1984). Instr.: Clarinet Bassoon Trumpet Trombone Percussion Violin and Double Bass. Parts are available on hire: hire@ewh.dk

Fanfare-Polonaise. Piano Duet. BVN125 Fanfare-Polonaise. Piano Duet. BVN125

Koraludgave-Salmeskat 2 - 30 nye danske salmer af Carina Wøhlk og Hans Ole Thers (2016). For sang med orgel- eller klaverakkompagnement. Findes også i udgave for blandet kor a cappella (WH32779A). Forord: I 2011 udkom Salmeskat - 30 nye danske salmer (WH31339). Nu følger Salmeskat 2 som føjer endnu 30 dugfriske salmer til produktionen. Nogle af salmerne er skrevet til bestemte søndage i kirkeåret. Andre indfanger særlige stemninger sæsoner eller situationer. Musikken til Salmeskat 2 foreligger i to nodeversioner - som koralsatser og som firstemmige satser for blandet kor. Salmer skal måles på deres brugsværdi og slidstyrke. Vi håber at kirkens syngende menighed vil tage Salmeskat 2til sig - og at præster organister og korledere i satserne kan finde inspiration til både menigheds- og musikliv. Oktober 2016 salmedigter Carina Wøhlk og komponist Hans Ole Thers Salmeskat 2 - 30 nye danske salmer af Carina Wohlk og Hans Ole Thers (2016). For sang med orgel- eller klaverakkompagnement. Findes ogsa i udgave for blandet kor a cappella (WH32779A). Forord: I 2011 udkom Salmeskat - 30 nye danske salmer (WH31339). Nu folger Salmeskat 2 som fojer endnu 30 dugfriske salmer til produktionen. Nogle af salmerne er skrevet til bestemte sondage i kirkearet. Andre indfanger saerlige stemninger saesoner eller situationer. Musikken til Salmeskat 2 foreligger i to nodeversioner - som koralsatser og som firstemmige satser for blandet kor. Salmer skal males pa deres brugsvaerdi og slidstyrke. Vi haber at kirkens syngende menighed vil tage Salmeskat 2 til sig - og at praester organister og korledere i satserne kan finde inspiration til bade menigheds- og musikliv. Oktober 2016 salmedigter Carina Wohlk og komponist Hans Ole Thers

Lille Kvartet-Ribe tidlig Morgen (Lille Kvartet). Instrumentation: 2 tpt tbn tba. BVN386 Set of parts for Ribe Tidlig Morgen (Lille Kvartet) (1949) BVN 386 by Rued Langgaard. For 2 Trumpets Trombone and Tuba. Score: WH32519

Prelude [koncertversion]-Forspil til Antikrist 'Fortabelsen' [koncertversion]. Instrumentation: 4.3.3.4/4.4.3.1/2 timp/3 perc/arpa/pno/cel/org (harm)/str. BVN192 Forspil til Antikrist 'Fortabelsen' [koncertversion]. Instrumentation: 4.3.3.4/4.4.3.1/2 timp/3 perc/arpa/pno/cel/org (harm)/str. BVN192

A Fairytale Opera In Two Acts-Vocal score for The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15).Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by The Twelve Brothers by the Brothers Grimm. Vocal score for The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm.

Aftenklokker. Instrumentation: Baritone solo/2.2.2.2/4.2.3.1/timp/perc/str. BVN235 Aftenklokker. Instrumentation: Baritone solo/2.2.2.2/4.2.3.1/timp/perc/str. BVN235

15 Salmer Og Kirkelige Sange - 15 hymns and church songs by Lasse Lunderskov (2016). Melody line lyrics and chords. 15 Salmer Og Kirkelige Sange - 15 hymns and church songs by Lasse Lunderskov (2016). Melody line lyrics and chords.

For Solo Piano. For Solo Piano.

Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it has obviously given me an alternative focus on the whole piano literature and has given me a closerelationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements &ndash in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans Abrahamsen 2015 Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my le

Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini's famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate but its inherent simplicity and logic just grow on you almost to the point ofdistraction - and the secret behind it being hauled through the wringer by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what I'll call with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune it'll always be recognizable and just there however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner and everybody was happy. But the story didn't end there and it must be the ultimate proof of the durability of the theme not to mention the flexibility and far-sightedness of David Starobin when he 14 years later suggested why not transcribe the solo part for piano?. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it the one-and-only the real thing if you like. The orchestral score remains exactly the same in both cases. Both versions the two Paganini Variations are comparable to a set of twins not quite identical but almost. And both each others's equal. Poul Ruders Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend American guitar virtuoso David Starobin wanted me to write a concerto for guitar and orchestra. It quickly dawned on me that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganinis famous 24th Caprice for violin solo a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated orintricate but its inherent simplicity and logic just grow on you almost to the point of distraction - and the secret behind it being hauled through 'the wringer' by composers as disparate as Liszt Brahms Rachmaninoff and Lutoslawski is perhaps found in its - what Ill call with a quick nervous look over my shoulder: brilli

April Op.43/2 for Male Choir TTBB by Poul Rovsing Olsen (1959). April Op.43/2 for Male Choir TTBB by Poul Rovsing Olsen (1959).

Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2014). Libretto by Rasmus Zwicki . Commissioned and premiered by Den Fynske Opera in April 2015. Andre Bygninger - a Chamber Opera in 2 acts by Andy Pape (2011-2014). Libretto by Rasmus Zwicki . Commissioned and premiered by Den Fynske Opera in April 2015.

Af Sommernattågernes Spind - Six songs by Carl Nielsen and Ludvig Holstein expertly arranged for Mixed Choir SATB and Wind Quintet by Per Drud Nielsen (2015). Af Sommernattagernes Spind - Six songs by Carl Nielsen and Ludvig Holstein expertly arranged for Mixed Choir SATB and Wind Quintet by Per Drud Nielsen (2015).

Rereprise for large Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1967. Rerepriser for large Ensemble was composed by Pelle Gudmundsen-Holmgreen in 1967.

Hjärtats Nycklar is a Chamber Opera composed by Peter Bruun with libretto by Ylva Eggehorn(Martin Lönnebo). Hjärtats Nycklar is a Chamber Opera composed by Peter Bruun with libretto by Ylva Eggehorn(Martin Lönnebo).

For Solo Alto SSAA Choir (Upper Voices) and Piano. For Solo Alto SSAA Choir (Upper Voices) and Piano.

Version 2014-Fatamorgana Invention by Karsten Fundal is based on Bach's 12th Invention. It was originally composed in 2008 for 2 Flutes. This version is for Violin Bandoneon and Flute. Fatamorgana Invention by Karsten Fundal is based on Bach's 12th Invention. It was originally composed in 2008 for 2 Flutes. This version is for Violin Bandoneon and Flute.

Work for String Quintet (2 Violin 2 Viola Cello) composed in 1960. Parts available: WH48105 Work for String Quintet (2 Violin 2 Viola Cello) composed in 1960. Parts available: WH48105