75 Sange af Peter Abrahamsen

Recorder-Blokfløjten Og Mig - a Recorder tutor for music or school classes by Ylva Pehrsson Birgitta Stjärneback og Jens Due.

Organ Solo

Si J'Etais Roi

Piseq - Player'S Score

Strain Kopi

Voice and piano

Af Tre Aandelige Sange

Roses Are Falling - 5 songs for Mezzo-Soprano and Piano by Bent Sørensen (1998) with lyrics by Selima Hill. Programme note: Roses are Falling had its origin in a small opera sketch I created with the English poet Selima Hill in just under a week during an opera workshop in the south of England in the autumn of 1998. After the workshop I was asked to make a song cycle out of the material. The opera sketch begins with a woman and a man sitting alone in a room. They have drawn aside from the rest of a large party and they have just decided to finish their love affair. The other guests at the party come into the room and amidst the crowd the man leaves the room. The women is leftthere alone among all these inconsequential people: alone singing her own thoughts and torment. The first three songs were all taken from this part. In the fourth song which was written late the text is taken from one of Selima Hill's poetry collections. The fifth and last song comes partly from the beginning of the opera where the man and the women sit alone (she knows what is coming) partly from the end of the story where despite the gab in time and space they touch each other with their dreams. His voice is heard as a whisper that merges with hers: He takes me in his arms like the moon that turns and take the evening from the sun. Roses are Falling was premiered in 2000 in London by Loré Lixenberg and Domenic Saunders. Roses Are Falling - 5 songs for Mezzo-Soprano and Piano by Bent Sorensen (1998) with lyrics by Selima Hill. Programme note: 'Roses are Falling' had its origin in a small opera sketch I created with the English poet Selima Hill in just under a week during an opera workshop in the south of England in the autumn of 1998. After the workshop I was asked to make a song cycle out of the material. The opera sketch begins with a woman and a man sitting alone in a room. They have drawn aside from the rest of a large party and they have just decided to finish their love affair. The other guests at the party comeinto the room and amidst the crowd the man leaves the room. The women is left there alone among all these inconsequential people; alone singing her own thoughts and torment. The first three songs were all taken from this part. In the fourth song which was written late the text is taken from one of Selima Hill's poetry collections. The fifth and last song comes partly from the beginning of the opera where the man and the women sit alone (she knows what is coming) partly from the end of the story where despite the gab in time and space they 'touch each other with their dreams'. His voice is heard as a whisper that merges with hers: 'He takes me in his arms like the moon that turns and take the evening from the sun'. 'Roses are Falling' was premiered in 2000 in London by Loré Lixenberg and Domenic Saunders

18 English Christmas Songs

All roads lead to Rome as the saying goes - but do all roads also lead to Ixtlan perhaps at another time? Ixtlan being the city of the highest aspirations of the Mexican sorcerer Don Genaro (according to Carlos Casteneda the anthropologist publishing a series of books on Don Juan Don Genaro's col-league). There was no final outcome to Genaro's journey and there will never be one. I will never reach Ixtlan he said so Genaro is still on his way there.(Ixtlan may perhaps be interpreted as the inner goal of your heart).In any case: in these three movements the three points of departure are utterly different: still they unanimously move towards just one melodic outcome akind of musical centre of gravitation. All roads lead to Rome as the saying goes - but do all roads also lead to Ixtlan perhaps at another time? Ixtlan being the city of the highest aspirations of the Mexican sorcerer Don Genaro (according to Carlos Casteneda the anthropologist publishing a series of books on Don Juan Don Genaro's col-league). There was no final outcome to Genaro's journey and there will never be one. I will never reach Ixtlan he said so Genaro is still on his way there.(Ixtlan may perhaps be interpreted as the inner goal of your heart).In any case: in these three movements the three points of departure are utterly different; still they unanimously move towards just one melodic outcome akind of musical centre of gravitation.

Volume 3 in a great collection of Studies and Exercises for Violin. Volume 3 in a great collection of Studies and Exercises for Violin.

2 Recitativer for Alto and Cello (1955-56). Text in Swedish by Pär Lagerkvist.

Twenty-five short studies for piano. Twenty-five short studies for piano.

For Violin and Piano 'Chant Veslemoy'-For Violin and Piano. For Violin and Piano.

Sange Til Dem Som Tror - Messe for os alle af Peter Bruun (2017) med tekst af Terje Dragseth. For blandet kor SATB (SSAATTBB). Værket er skrevet til DR VokalEnsemblet. Sange Til Dem Som Tror - Messe for os alle af Peter Bruun (2017) med tekst af Terje Dragseth. For blandet kor SATB (SSAATTBB ). Vaerket er skrevet til DR VokalEnsemblet.

14 Udvalgte Salmer af Klaus Brinch og Lars Busk Sorensen (2018) - for sang med becifret klaverarrangement. Det er omtrent tredive ar siden at Klaus Brinch og Lars Busk Sorensen begyndte deres samarbejde om at skrive salmer. I dette nye haefte praesenteres 14 salmer fra hele perioden og viser pa fin vis hvordan de to ophavsmaend har bidraget til fornyelse af salmesangen i kirken som sker i disse ar. 14 Udvalgte Salmer af Klaus Brinch og Lars Busk Sorensen (2018) - for sang med becifret klaverarrangement. Det er omtrent tredive ar siden at Klaus Brinch og Lars Busk Sorensen begyndte deres samarbejde om at skrive salmer. I dette nye haefte praesenteres 14 salmer fra hele perioden og viser pa fin vis hvordan de to ophavsmaend har bidraget til fornyelse af salmesangen i kirken som sker i disse ar.

Vocal score for Te Deum for Choir SSAATTBB Brass Quintet and Organ by Sunleif Rasmussen (2015). Commissioned by The Copenhagen Chamber Choir CAMERATA. Vocal score for Te Deum for Choir SSAATTBB Brass Quintet and Organ by Sunleif Rasmussen (2015). Commissioned by The Copenhagen Chamber Choir CAMERATA.

German Chorus Score-The German chorus score for Antikrist 'Fortabelsen' / Antichrist - A 'Church-Opera' in a prologue and six scenes by Rued Langgaard (1921-23) BVN 192. Text by the composer. Crititcal edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition. The German chorus score for Antikrist 'Fortabelsen' / Antichrist - A 'Church-Opera' in a prologue and six scenes by Rued Langgaard (1921-23) BVN 192. Text by the composer. Crititcal edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Set of parts for Sunleif Rasmussen 's Three Dances for Saxophone Quartet (2010). Score: WH31375