Libretto (Danish) Libretto (Danish)

A tremendous work for Solo Piano dating from 1916. This is number 10 in his set of 13 Pieces . Jean Sibelius’ 13 Morceaux Op.76 were all composed between 1911 and 1919 and form a fantastic set of pieces that contains much variation in tempo mood and character.

Work for Violin and Piano dating from 1916. Work for Violin and Piano dating from 1916.

Work for Piano solo. Work for Piano solo.

C.E.F. Weyse's Fire Aftensange (Four Evening Songs) arranged for Mezzo-Soprano and Orchestra by Hans Abrahamsen . Lyrics by B.S. Ingemann. Commissioned by the Danish National Chamber Orcehstra in 1998. C.E.F. Weyse's Fire Aftensange (Four Evening Songs) arranged for Mezzo-Soprano and Orchestra by Hans Abrahamsen . Lyrics by B.S. Ingemann. Commissioned by the Danish National Chamber Orcehstra in 1998.

Parts for ReTURNING by Pelle Gudmundsen-Holmgreen. Parts for ReTURNING by Pelle Gudmundsen-Holmgreen.

Våren (Last Spring Op.32 No.2) was the second in a collection of twelve songs originally for solo Voice and Piano published in 1881. It takes its lyrics from a poem by the Norwegian poet Aasmund Olavsson Vinje (1818-1870). Is has been arranged for SSAA Female Voices by Emil Nielsen . Edvard Grieg (1843-1907) was born in Bergen Norway and studied Piano at the Leipzig Conservatory. He became interested in Norwegian folksong and began to employ it as a source of musical material and inspiration in his compositions. He was soon established as a major composer. Despite his success Grieg was of a retiring disposition and spent most of his time at his house in Troldhaugen nearBergen avoiding visitors and shunning public acclaim. Våren (Last Spring; Op.32 No.2) was the second in a collection of twelve songs originally for solo Voice and Piano published in 1881. It takes its lyrics from a poem by the Norwegian poet Aasmund Olavsson Vinje (1818-1870). Is has been arranged for SSAA Female Voices by Emil Nielsen . Edvard Grieg (1843-1907) was born in Bergen Norway and studied Piano at the Leipzig Conservatory. He became interested in Norwegian folksong and began to employ it as a source of musical material and inspiration in his compositions. He was soon established as a major composer. Despite his success Grieg was of a retiring disposition and spentmost of his time at his house in Troldhaugen near Bergen avoiding visitors and shunning public acclaim.

Portrait was written in the spring 1998 at a time when I was a regular visitor in a rest home in an old back building in the town centre of Copenhagen. There I came to know an old lady whose daily life was darkened by despair. She would stand in the corridor in the grey winter light and silently knock at the window frames. Or one could hear her knock at a door at the distance - almost furiously. ’It is screaming inside me’ she said. She then could change into a little girl when I went with her into her room and stayed a little. This piece is an attempt to sketch a portrait of Caya. (Anders Koppel) Portrait was written in the spring 1998 at a time when I was a regular visitor in a rest home in an old back building in the town centre of Copenhagen. There I came to know an old lady whose daily life was darkened by despair. She would stand in the corridor in the grey winter light and silently knock at the window frames. Or one could hear her knock at a door at the distance - almost furiously. ’It is screaming inside me’ she said. She then could change into a little girl when I went with her into her room and stayed a little. This piece is an attempt to sketch a portrait of Caya. (Anders Koppel)

Masques was composed by Danish composer Ole Buck in 1969. Masques was written for a Percussion sextet. Masques was composed by Danish composer Ole Buck in 1969. Masques was written for a Percussion sextet.

Work for Flute Clarinet (or Alto Sax) Percussion and Guitar. Score available: KP00049 Work for Flute Clarinet (or Alto Sax) Percussion and Guitar. Score available: KP00049

Player's score-For cello and guitar For cello and guitar

For Two Pianos and Metronomes. Work for Two Pianos and Metronomes.

Beggars' Palace' is the name of a fictive railway station a metaphor that can evoke many associations for example as a place from which one journeys on where one is forced to stay for a short or long period or a place where one simply gets stuck and must watch others journey on. The fictive station has something worn-out and shabby about it but the worn and shabby can have its own poetry and beauty. At the end the music stands still for a minute or two while a voice talks about Beggars' Palace. 'Beggars' Palace' was composed in January 2000 for the Aarhus Symphony Orchestra. Anders Nordentoft 'Beggars' Palace' is the name of a fictive railway station a metaphor that can evoke many associations for example as a place from which one journeys on where one is forced to stay for a short or long period or a place where one simply gets stuck and must watch others journey on. The fictive station has something worn-out and shabby about it but the worn and shabby can have its own poetry and beauty. At the end the music stands still for a minute or two while a voice talks about Beggars' Palace. 'Beggars' Palace' was composed in January 2000 for the Aarhus Symphony Orchestra. Anders Nordentoft

Work for Soprano Accordion and Violin. Alternative title '...jeg har aldrig set en sommerfugl her...' Work for Soprano Accordion and Violin. Alternative title '...jeg har aldrig set en sommerfugl her...'

This is the Score and Parts edition of Jeg Ved Et Lille Hotel arranged for a small ensemble.

Hans Abrahamsen's Two Pieces In Slow Time for Brass Ensemble and Percussion from 1999. Hans Abrahamsen's Two Pieces In Slow Time for Brass Ensemble and Percussion from 1999.

In Memoriam for Organ solo was composed by Axel Raoul Wachtmeister for the 300 years birthday celebration of Gustav II Adolf in 1932. In Memoriam for Organ solo was composed by Axel Raoul Wachtmeister for the 300 years birthday celebration of Gustav II Adolf in 1932.

Viola And Piano-Figura by Niels Rosing-Schow for Viola and Piano (1985). Figura by Niels Rosing-Schow for Viola and Piano (1985).

Sonata For Violin Solo written in 1978 by Antonio Bibalo. Sonata For Violin Solo written in 1978 by Antonio Bibalo.

For wind quintet1974Parts: KP00513 For wind quintet1974Parts: KP00513