Pour Tuba (Ou Trombone-Basse Ou saxohorn en sib) et piano-Claude Pascal's Sonata In 6 Minutes 30 for Tuba (or Bass Trombone or B-Flat Saxophone) and Piano accompaniment. Includes score and pull-out parts.

pour flûte ou violon et piano-Saint-Saëns completed the Romance in D Flat Major on 25 March 1871. If in his concertos for solo instrument and orchestra Saint-Saëns freed himself from the Viennese classical model (reconfiguring it with originality but in the light certainly of the formal experimentations of Schumann and of Biedermeier virtuosity) in the Romance opus 37 and other works of similar form (opus 27 36 and 48) he adopted the Romantic ternary Liedform (A–B–A) – in particular that of Schumann’s Stücke and Mendelssohn’s Lieder ohne Worte – and transcended the idiomaticity of the respective solo instruments now interchangeable ad libitum (flute or violin in the case of opus 37) therebymaking the pieces more widely usable and emphasizing their cantabile quality. Camille Saint-Saëns completed the Romance in D Flat Major on 25 March 1871. If in his concertos for solo instrument and orchestra Saint-Saëns freed himself from the Viennese classical model (reconfiguring it with originality but in the light certainly of the formal experimentations of Schumann and of Biedermeier virtuosity) in the Romance opus 37 and other works of similar form (opus 27 36 and 48) he adopted the Romantic ternary Liedform (A-B-A) - in particular that of Schumann's Stucke and Mendelssohn's Lieder ohne Worte - and transcended the idiomaticity of the respective solo instruments nowinterchangeable ad libitum (Flute or Violin in the case of opus 37) thereby making the pieces more widely usable and emphasizing their cantabile quality.

révision de Claude Debussy- Frederic Chopin 's Scherzos Et Fantaisies . Revision by Claude Debussy for solo Piano.

Pour voix moyenne ou grave et piano-“For as long as there are poets there will be songs. If someone was to put on my tomb: ‘Here lies Francis Poulenc musician to Apollinaire and Éluard’: that really would be my finest claim to fame ” the composer declared in 1945. Right from boyhood his attraction to poetry was practically equal to his love of music. And in fact the young Poulenc took to song-writing quite naturally starting in 1919. Poulenc compiled a catalogue of 150 songs a body of works of consistently high quality containing great diversity that marks him out as the last major exponent in this genre. This volume is a selection of Poulenc’s best-known titles in both original and transposed key for highand low voice with new engravings it includes original poems and English translation. This edition belongs to “Musique vocale française” a series devoted to French vocal repertoire – both in original and transposed key – designed for students and teachers as well as professionals. “For as long as there are poets there will be songs. If someone was to put on my tomb: ‘Here lies Francis Poulenc musician to Apollinaire and Éluard’: that really would be my finest claim to fame ” the composer declared in 1945. Right from boyhood his attraction to poetry was practically equal to his love of music. And in fact the young Poulenc took to song-writing quite naturally starting in 1919. Poulenc compiled a catalogue of 150 songs a body of works of consistently high quality containing great diversity that marks him out as the last major exponent in this genre. This volume is a selection of Poulenc’s best-known titles in both original and transposed key for highand low voice with new engravings it includes original poems and English translation. This edition belongs to “Musique vocale française” a series devoted to French vocal repertoire – both in original and transposed key – designed for students and teachers as well as professionals.

pour chant & piano-This monograph collection contains art songs by Francis Poulenc for voice and piano in the original tonic key on poems by Paul Éluard. This collection in chronological order uses Poulencs original lyrics published in the Durand Salabert Eschig catalogue. Preface in English and French by Nicolas Southon. Contents: CINQ POÈMES (Peut-il se reposer Il la prend dans ses bras Plume d´eau claire Rôdeuse au front de verre Amoureuses). TEL JOUR TELLE NUIT. NEUF MÉLODIES (Bonne Journée Une ruine coquille vide Le Front comme un drapeau perdu Uneroulotte couverte en tuiles À toutes brides Une herbe pauvre Je n´ai envie que de t´aimer Figure de force brûlante et farouche Nous avons fait la nuit). MIROIRS BRÛLANTS (Tu vois le feu du soir Je nommerai ton front). CE DOUX PETIT VISAGE. MAINDOMINÉE PAR LE COEUR. LA FRAÎCHEUR ET LE FEU. SEPT MÉLODIES: (Rayon des yeux Le matin les branches attisent Tout disparut. Dans les ténèbres du jardin Unis la fraîcheur et le feu Homme au sourire tendre La Grande Rivière qui va). LE TRAVAIL DUPEINTRE. SEPT MÉLODIES (Pablo Picasso Marc Chagall Georges Braque Juan Gris Paul Klee Joan Miró Jacques Villon). UNE CHANSON DE PORCELAINE.

For SATB chorus.

Score for Les Offrandes Oubliees (Meditation Symphonique) by Olivier Messiaen.

pour voix élevée- Melodies Francaises Du Xxe Siecle (Kimball) for High Voice and Piano accompaniment.

révision de Claude Debussy- Frederic Chopin 's Berceuse Barcarola Variazioni Piano . Revision by Claude Debussy .

3 Improvisations for Organ.

Poeme De Guillaume Apollinaire

12 songs for Medium Voice and Piano by Poulenc.

pour orchestre- Claude Debussy 's Jeux for Orchestra. Study score.

I. Danse sacrée / II. Danse profane – transcription pour harpe et piano- Claude Debussy 's Danses (I. Danse Sacree - Ii. Danse Profane) for Harp with Piano accompaniment.

Partition d'orchestre- Claude Debussy 's Pelleas Et Melisande . Partition D'Orchestre.

Suite Pour Piano A 4 Mains- Claude Debussy 's Boite A Joujoux - Ballet Pour Enfants . Suite for Piano four-hands.

Reduction pour Chant et Orgue par l'Auteur-Vocal score of Durufles Requiem Op.9 for Chorus with Orchestra and Organ. This score features a reduction of the orchestral material. Vocal score of Durufle's Requiem Op.9 for Chorus with Orchestra and Organ. This score features a reduction of the orchestral material.

extrait du - excerpt from Série II Vol. 3- Claude Debussy 's Nuits Blanches for Voice with Piano accompaniment.

extrait du - excerpt from Série I Vol. 1- Claude Debussy 's Nocturne for Piano.

en quatorze morceaux pour piano- Claude Debussy 's Six épigraphes Antiques for Piano 4-hands.