Dating from the Autumn of 1828 Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three and containing the principle material for the movement - the renowned Schubert scholar Brian Newbould has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation born out of a life-long study of the composer's workings has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling pioneering style of Schubert on the threshold of his fourthdecade.

A beautiful cycle of six loosely interwoven movements for solo Harp or Piano and Upper Voices by Howard Goodall. Although the story of the Nativity lies at the core of this work- celebrating Motherhood and the different moods that might be embraced by a lullaby- it also explores associated secular issues of homelessness displacement and flight showing the relevance that this timeless story continues to have for our modern lives.

Eight classic Status Quo tracks including Rockin' all over the world with full guitar tabs.

Simply Film presents a wonderful selection of favourite movie themes superbly arranged for piano at Grades 4-5 by Barrie Carson Turner. The pieces are expertly graded and fingered and come complete with informative comments. Simply put this collection is the perfect introduction to some of the best film music ever written! Includes Greased Lightnin' (Grease) Trinity R&P recommended song Keys Grade 4.

The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions presenting a broad and balanced view of the main forms styles and composers. Within each geographical region the pieces most of which are for manuals only are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In everyvolume an informative introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration and a Critical Commentary giving detailed information on the sources.

Carl Vine’s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) ‘evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible creating a series of fleeting glimpses – what Prokofiev called visions fugitives – abstract patterns glimpsed in the half-light or imagined behind clouds.’ Carl Vine’s Concerto for Orchestra was premiered to critical acclaim by the West Australian Symphony Orchestra in October 2014. Its composer describes the way the 20-minute work (like his recent Piano Trio The Village) ‘evolves organically through a chain of episodes to create a web of melodies and harmonies that are related but not identical. This network of ideas is tied together by strong lateral bonds but remains fluid and flexible creating a series of fleeting glimpses – what Prokofiev called visions fugitives – abstract patterns glimpsed in the half-light or imagined behind clouds.’

Effortlessly combining the magic of the early-nineties baggy scene with the work of contemporary producers such as DJ Shadow Kasabian's 2004 debut album is filled with tunes that are as much at home on the dance floor as they are in the mosh. Every song from the album has been carefully transcribed here in Guitar tab including the singles Processed Beats and Reason Is Treason .

Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns euphoniums and tubas. Brass Band Grade 5: 1st Section Duration: 2.5 minutes

Matching folio to the the eponymous debut album by British pop group Scouting For Girls. All tracks arranged for Piano Vocal and Guitar.

Melodrama sentimentality and sheer cockney cheek: the Victorian era was a period of extremes. With brass bands abounding in concert halls bandstands and even street corners first the cornet and then the trumpet flourished in this heady social and musical atmosphere. This varied collection of popular Victorian solos ranges from Sullivan's The Lost Chord to Koenig's Posthorn Gallop with pieces idiomatically arranged for the intermediate trumpeter. So take a nostalgic trip and recreate the spirit of a lost age.

Choruses From Il Trovatore Nabucco & Aida is a fantastic collection of three separate choruses from the famous and well-loved operas of Giuseppe Verdi. This is for SATB divisi with Piano Accompaniment and will provide ea most enjoyable challenge to an advancing choir.

Prayers for Peace is a collection of three beautiful prayer settings by Alexander L'Estrange: God be in my head Lighten our Darkness and The Lord's Prayer . Ideal as introits anthems or in a concert programme the pieces are testament to L'Estrange's ability to write music which is simple and accessible yet at the same time full of expression and exquisite harmonies. The settings are for unaccompanied SATB but they have an optional piano/organ part to provide support if required. Prayers for Peace is part of Faber Music's exciting ChoralSignature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers offering a thrilling array of varied styles.

Single Sheet Music for Tom Jones' Try To Remember for Piano Voice and Guitar.

With a variety of original pieces and arrangements of classic carols from Europe and North America After Hours Christmas contains styles to suit any mood: Away In A Manger as a laid-back jazz waltz The Angel Gabriel and In Dulci Jubilo as wistful ballads and a bossa nova version of Ding! Dong! Merrily On High . The collection also contains a mix of piano solos and duets for you to enjoy on your own or with friends and family arranged for the grade 3-5 pianist. So conjure up the magical atmosphere of Christmas and relax with these lush harmonies and well-lovedmelodies.

'The Foggy Dew' is one of those charming Irish melodies which seem to capture the beauty and serenity of that country all of which is evoked in this delicate arrangement by Philip Doe.

Hamba Lulu is a fantastic addition to the choral repertoire. A breath of fresh air in the classroom and for any choir wanting a challenge. These stirring songs are addictive so you can tailor performances to local resources increasing the technical demand according to their experience. Easy to learn and sure to make an instant impact on audiences the songs tap into the rich seam of African culture.

Easy Jazzin' About Standards presents favourite jazz songs especially arranged by Pam Wedgwood for elementary level pianists. The selection also includes fun original pieces written by Pam and a complete CD of performances - altogether an unmissable collection of jazz!

This volume of studies is specifically selected and edited for the intermediate pianist to provide a wide range of technical challenges in pieces which also provide musical interest. Including classic studies by Heller Czerny Clementi and Bartok plus plenty more essential technical repertoire all players should have in their library.

The Tuba Concerto was composed in 1953/4 after the London Symphony Orchestra invited Vaughan Williams to write a work for inclusion in the Orchestra's fiftieth anniversary concert. The first performance was given by Philip Catelinet in the Royal Festival Hall London on 13th June 1954 with the London Symphony Orchestra conducted by Sir John Barbirolli. The brass band arrangement is by Phillip Littlemore and is a welcome addition to the brass band repertoire.

This piece is in the Baroque 'Concerto Grosso' style. The idea of The Violinists of the Pieta sprang from the tradition of the Venetian Ospedale della Pieta the orphanage that housed some of the finest musicians in Europe. The piece is in three movements with music in the style of Monteverdi and Vivaldi. It tells a story of the orphans’ lives as they grow up in the jostling city eventually finding freedom through their musical abilities.