Ten popular movie hits from 'Can't Fight The Moonlight' to 'Take My Breath Away'. The music book contains piano and voice arrangements with lyrics and guitar chord boxes. The accompanying CD contains full backing tracks for use in rehearsal or at auditions.

Alexander L'estrange's Love's Philosophy for Voice and Piano accompaniment.

The Second Book Of Clarinet Solos continues the natural progression established in the first book. The sixteen pieces are arranged in approximate order of difficulty and provide a wide range of music for both study and performance. The notes at the end of the book provide a background to each piece and some ideas for interpretation. Second Book Of Clarinet Solos is an excellent repertoire source for Clarinet with Piano Accompaniment edited an arranged by John Davies and Paul Harris and is ideal for soloists preparing for concerts festivals competitions and auditions. The solo clarinet part is also included in a separateinsert.

15 Rock 'n' Roll Classics arranged for easy keyboard. Each song features melody line vocals chord displays suggested registrations and rhythm settings. Includes the hits 'All Shook Up' 'Jailhouse Rock' 'C'mon Everybody' and 'Rock Around The Clock'.

Seven of Parry’s most appealing partsongs for unaccompanied SATB choir: My Soul there is a Country/ O Love they Wrong Thee Much/ You Gentle Nymphs/ Love is a Sickness/ Music when Soft Voices Die/ Since Thou O Fondest/ My Delight and Thy Delight.

The Full score to George Benjamin's A Mind Of Winter for Soprano voice and Orchestra. '. . .a beautifully wrought soundscape of crystalline bleakness out of which a soprano voice emerges. Its continuation delights by its unfailing inventiveness.' The Independent (David Wright) 20 March 1990

These exciting gospel arrangements by Gwyn Arch are directed at the young or developing choir. The pieces are also fun and straightforward allowing young singers to experiment with different styles. They have been specially chosen to enable successful programme planning and a manageable piano accompaniment is also provided. An optional third line is included and is suitable for boys with newly changed or unstable voices. Gospel Rock is sure to be a hit with both choir and audience alike.

On of the greatest singers and interpreters of song Dusty Springfield recorded and performed many memorable classic hits. Play ten classics as originally recorded and performed by Dusty Springfield arranged for Voice Piano and Guitar with an accompanying CD of professionally recorded backing tracks.

Who Killed Cock Robin is a dramatic characterful setting by one of Britain's most talented young composers Jonathan Dove. With a flawless feel for choral and vocal textures Dove fully exploits the drama and wit of the text to produce an immensely rewarding and approachable work. Arranged for unaccompanied SATB choir. Faber New Choral Works introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array ofvaried styles.

Written for the St. David's Cathedral Festival 'Jubilate Deo' (for SATB with organ accompaniment) is an appropriately exuberant and joyful setting.

The first performance was given by the London Sinfonietta conducted by Oliver Knussen in the Barbican Hall London on 11 February 1994.

The material of this work is drawn from the sixth of William Blitheman's varients on the plainsong Gloria Tibi Trinitas which is to be found in the Mulliner Book. This piece appears in its original form at the beginning of the score.

These two pieces were written by Britten in 1935 for the oboist Sylvia Spencer who had played in early performances of his Phantasy Quartet Op.2 . the first performances of The Grasshopper and The Wasp did not take place until 1979 when they were performed by Janet Craxton and Margot Wright as part of a memorial concert for Sylvia Spencer at the Royal College Of Music Manchester.

The matching folio to Snow Patrol’s fourth album Eyes Open including the singles You’re All I Have and Chasing Cars arranged for Guitar Tablature with melody line lyrics and chord symbols.

Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest is inspired by Shakespeare’s play rather than literally being based on every aspect of it. There are key images from the play as well as new material. From among the play’s many themes and possible interpretations the opera focusses on the difficulty and the necessity of mercy. The libretto uses contemporary vocabulary. Its lines are short rhythmic and rhymed or semi-rhymed echoing Shakespeare’s strophic songs more than his blank verse. This choice reflects the play’s magical ritual childlike elements and acknowledges the traditional power of incantation in song. The operatic Prospero is the passionately vengeful man seen in the play more than the wise disconnected actor also seen there. Despite his near-omnipotence he finds things out as he goes along and experiences contradictory emotions to the end. Please note: Full Score and Parts are rental material. Please contact hire@fabermusic.com

The 20 bands at the Royal Albert Hall will perform Simon Dobsons evocative portrait of Hungarian composer Bela Bartok - whose own journey in life was marked by a sense of isolation and singularity. Journey of the Lone Wolf was commissioned by Prof Nicholas Childs in 2013 for the Black Dyke Band and received its UK premiere at the 2014 Festival of Brass. It has subsequently been used as a set-work as well as own-choice selection throughoutthe banding world. The composition explores the complexities of a troubled soul; from Bartoks work in recording the disappearing folk songs and musical culture of the Balkans to his loveless isolation in America and rather cold fascination with jazz. He was repulsed by the evils of fascism yet was unable to develop or maintain relationships even with those who shared his political and cultural outlook. He died a lonely man isolated and almost forgotten - his funeral attended by a handful ofpeople. Journey of the Lone Wolf tells the story of the hungarian composer Béla Bartok. It was commissioned by Dr. Nicholas Childs for Black Dyke Band who gave the first performance on Sunday 26 January 2014 at the Bridgewater Hall Manchester as part of the Royal Northern College of Music Festival of Brass. The composer's programme notes for each movement: 1. Capturing the Peasants Song After the upheaval of moving to Budapest the young Béla Bartok meets Zoltan Kodaly and the pair embark on summertime adventures throughout the Hungarian countryside to collect and catalogue theastonishing variety (both harmonically and rhythmically) of gypsy and folk music heard in the Balkans. The arrival of WW1 plunges Bartok's beloved Hungary into chaos. 2. Night Music Bartok was at times a cold man aloof and lonely. The odd moments of tenderness he showed are portrayed here in a series of evocative solos. His brief but intense affairs speak of a love he could only long for. Jazz is my night music and here there are hints of what Bartok may have heard in the USA later in his life. 3. Flight and Fight Having been forced by the world's evils to leave his homeland of Hungary for America Bartok the anti-fascist felt isolated and angry. In this movement we hear his longing for a simpler time of gypsy folk dances as well as his maturity and depth as a composer finally exploring deeper colours and darker themes.

A compilation of the best Grade 3 piano pieces ever selected by the major examination boards. Selected & edited by Anthony Williams. Features the works of - Anon; CPE Bach; JS Bach; Bartok; Beethoven; Cornick; Dieupart; Handel; Iles; Kabalevsky; Maikapar; Mayer; Merath; Mozart; Rameau; Rebikov; Schumann; Seiber; Tchaikovsky.

The book contains carefully selected and edited arrangments with chord symbols in concert pitch. The accompanying CD includes full backing tracks and demonstration recordings to help you learn the songs.

Colin Matthews' The Angels Carol for SATB.

. . .a stunning palette of orchestral colour which transforms the 16th-century material without abusing its essential character.'Michael John White The Independent 1 April 1988