Latin/English. Gallia is a Motet for Soprano Solo and SATB Choir with Piano Accompaniment. The text is printed in both Latin and English.

A set of character pieces that preceeded the better-know set Carnaval Op.9.

Sheet Music In the Key of C.

Mostly known for his symphonic poems such as The Fountains of Rome and The Pines of Rome Respighi was a versatile composer who translated into music powerful visual experiences and feelings of deep attachment to cherished places. This is a slow and moving work for piano solo.

This setting of the John Jacob Niles classic is simply stunning. Ideal for Christmas concerts and services. This setting of the John Jacob Niles classic is simply stunning. Ideal for Christmas concerts and services.

Sheet Music In the Key of B Minor.

Johann Sebastian Bach 's Here Yet Awhile from 'St. Matthew Passion' for SSAATTBB choir with Piano or Organ accompaniment. Edited by H. W. Nicholl .

Anthem for Christmas and general use with for Soprano Solo SATB Choir and Organ.

Low Voice in C-Sheet Music A beautiful song set to a poem by Joyce Kilmer composed by Oscar Rasbach. This is a version for Low Voice and Piano accompaniment.

For Violin and orchestra (piano reduction). Violin/Piano reduction for this work for Violin and Orchestra.

TTBB with piano or organ-An arrangement for Men's Voices (TTBB) with Piano or Organ accompaniment of one of the most renowned choruses. Stimulating rousing and uplifting the Hallelujah Chorus from Handel's Messiah truly is a classic in the repertoire. This version has been arranged by F. Heath.

Contents: Sonata in Bb Major œ Sonata in C minor œ Sonata in F Major œ Sonata in G Major. Edited by Milton Wittgenstein with figured bass realised by Thomas Wilt.

Edited by Carl Mikuli.

Easy to Intermediate Level / G. Schirmer Instrumental Library-An ideal collection for a student performing in a contest or recital after 3-4 years of study. Contents: Sheep May Safely Graze (J.S. Bach) o The Daisies (Barber) o Polovetzian Dance from Prince Igor (Borodin) o Trumpet Voluntary(Clarke) o Orfeo's Lament from Orfeo ed Euridice (Gluck) o Minuet from L'Allegro il penseroso ed il Moderato (Handel) o Minuet from Music for the Royal Fireworks (Handel) o Siciliana from L'Allegro il penseroso ed il Moderato(Handel) o To a Wild Rose from Woodland Sketches Op.51 No. 1 (MacDowell) o A Lover and His Lass (Morley) o Trumpet Tune (Purcell) o The Pirate King from The Pirates of Penzance (Sullivan). An ideal collection for a student preparing for exams and/or looking for performance repertoire after 3-4 years of study. The books in this collection present literature appropriate for recitals or contests in threedistinct difficulty levels: Easy to intermediate; Intermediate; intermediate to advanced. Historical information is included on each piece and each volume includes access to online audio tracks featuring performances and Pianoaccompaniments recorded by Mark Niehaus Principal Trumpet of the Milwaukee Symphony Orchestra and pianist Laura Ward.

Composed by Wolfgang Amadeus Mozart (1756-1791) and revised phrased and fingered by Giuseppe Buonamici.

Will C. Macfarlane 's Ho Every One That Thirsteth for SATB choir with Piano accompaniment.

With piano accompaniment. Revised and edited by Estelle Liebling.

The text by an anonymous 15th century poet is illuminated by the legato and expressive phrases of this evocative work. From the Craig Hella Johnson Choral Series. Performance Time: Approx. 6:00 The text by an anonymous 15th century poet is illuminated by the legato and expressive phrases of this evocative work. From the Craig Hella Johnson Choral Series. Performance Time: Approx. 6:00.

Contents: Consolations Nos. I-VI œ Liebestraume (Dream of Love). Edited by Rafael Jossefy.

Morton Gould 's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall. The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.' After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'