Jameson Marvin Choral Series-Written for the professional choir The Jameson Singers this moving text by Phillis Wheatley unfolds in long vocal lines with broad dynamics and liberal use of rubato. This is the convergence of visual literary and musical art and offers tremendous room for discussion among the performers as they uncover the depth of this work. Composed for the Boston-based professional choir The Jameson Singers this choral work by Jameson Marvin sets a moving text by Phillis Wheatley that unfolds in long vocal lines with broad dynamics and liberaluse of rubato. This is the convergence of visual literary and musical art and offers tremendous room for discussion among the performers as they uncover the depth of this work.

Score- St. Lawrence Suite was commissioned by the Power Authority of the State of New York and the Hydro-Electric Power Comission of Ontario for the ceremony September 5 1958 marking the delivery of commercialhydro-electric power from the joint Robert Moses Power Dam and Robert H. Saunders St. Lawrence Generating Station. At this opening of the great St. Lawrence Power Project the composer conducted the Royal Canadian Ordnance Corpsmilitary band in the first performance of this music. St. Lawrence Suite consists of four commemorative movements. Although folk tunes are not used literally the idiom of the work is simple and folk-like incharacter. I. Dedication: lyrical and atmospheric evoking the open country and waterways. II. Quickstep: gay and implying movement and development. III. Chansonette: simple and song-like with an 'old-world' touch. IV. Commemoration March: vigorous and driving culminating in a transformed exposition of the opening 'Dedication' theme. Throughout the work the composermakes use of two solo Trumpets whose antiphon calls serve to introduce and comment on these movements. They symbolise in a general sense the two host countries on either side of the United States-Canadian border. In the finalmovements these Trumpets blend with the band in fanfares that bring the work to a close.

Dale Warland Choral Series-This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favorite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian style with undulating musical phrases shaped in the ancient style but with contemporary harmonic structures creating both a familiar and yet unsettling new requiem. This work is dedicated to the memory of the legendary choral director Paul Salamunovich and his favourite musical genre of Gregorian chant. The composer has written an original chant in the Gregorian style with undulatingmusical phrases shaped in the ancient style but with contemporary harmonic structures creating both a familiar and yet unsettling new Requiem .

For Electric Violin Amplified Piano and Percussion.

Craig Hella Johnson Choral Series-Written to be sung in unison or in hymn-style harmony this heartfelt work can be sung on any number of occasions in which the gathered community wishes to sing an expression of gratitude. Perform it as a tribute to a significant individual or for the many gifts we experience as a part of the progression of life. Craig Hella Johnson 's Song Of Gratitude for SATB choir with Piano accompaniment. Written to be sung in unison or in hymn-style harmony this heartfelt work can be sung on any number ofoccasions in which the gathered community wishes to sing an expression of gratitude. Song Of Gratitude would make an excellent choice for a tribute to a significant individual or could beperformed to celebrate personal achievements or life events.

Originally commissioned by Chorus America for Unison/ 2-part choirs the powerful and socially conscience work is now available for SATB choirs. Merging a Christina Rossetti text with words from choir students in Flint Michigan composer Ramsey lifts up the horrific water crisis situation in Flint Michigan. This was the personal revelation for the composer that there was something she could do to affect in a positive way the tragedy in Flint. This is also a vehicle for you and your students to positively affect this tragedy as half of the profits from the sale will go directly to Rlint Rising a coalition of community organizations and allies. There is a QR code in the musicfor the audience to make a donation and the web site is also included.

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog including songs by Samuel Barber John Duke Lee Hoiby Charles Ives John Jacob Niles William Schuman and others. Includes works from Ernst Bacon: Its all I have to bring • Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shining night • Paul Bowles:Cabin; Heavenly Grass; Sugar in the Cane • Theodore Chanler: The Lamb • Ernest Charles: When I Have Sung My Songs • John Duke: Loveliest of Trees • Richard Hageman: Do not go my love • Lee Hoiby: Where the Music Comes From • Carles Ives: In themornin; Serenity • Herbert Kingsley: The Green Dog • Charles Naginski: The Pasture • John Jacob Niles: Black is the color of my true loves hair; Go way from my window; The Lass from the Low Countree • Gladys Rich: American Lullaby • William Roy: ThisLittle Rose • John Sacco: Brother Will Brother John • William Schuman: Holiday Song; Orpheus with his lute. Selected art songs by prominent American composers in the G. Schirmer and AMP catalog including songs by Samuel Barber John Duke Lee Hoiby Charles Ives John Jacob Niles William Schuman and others. Includes worksfrom Ernst Bacon: It's all I have to bring • Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shiningnight • Paul Bowles: Cabin; Heavenly Grass; Sugar in the Cane • Theodore Chanler: The Lamb • Ernest Charles: When I Have Sung My Songs • John Duke: Loveliest of Trees • Richard Hageman: Do not go my love • Lee Hoiby: Where the Music Comes From • Carles Ives: In the mornin'; Serenity • Herbert Kingsley: The Green Dog • Charles Naginski: The Pasture • John Jacob Niles: Black is the color of my true love's hair; Go 'way from my window; The Lass from the Low Countree • Gladys Rich: American Lullaby • William Roy: This Little Rose • John Sacco: Brother Will BrotherJohn • William Schuman: Holiday Song; Orpheus with his lute .

With tongue firmly planted in cheek the composer has set this 17th century text describing how children should behave in church. The music is light and allows lots of space to color this very funny probably ineffective and colorful text. This willlighten the mood of any concert. With tongue firmly planted in cheek the composer has set this 17th century text describing how children should behave in church. The music is light and allows lots of space to color this very funny probably ineffective andcolorful text. This will lighten the mood of any concert.

Composed in 2001 Ben Moore 's The Lake Isle Of Innisfree sets the poem by W.B. Yeats for Tenor soloist and Orchestra. This 2016 arrangement is for SATB choir with Piano accompaniment. 'I will arise and go now and go to Innisfree And a small cabin build there of clay and wattles made: Nine bean-rows will I have there a hive for the honey-bee; And livealone in the bee-loud glade'

Dale Warland Choral Series-California composer Dale Trumbore is quickly becoming one of America's leading young composers. Commissioned by Brandon Elliott and the Choral Arts Initiative the music begins softly with soft and energetic excitement and ends serenely following the powerful statement I am the instrument of God as the choir whispers I am music. ScorePlay - click to view score with recording. California composer Dale Trumbore is quickly becoming one of America's leading young composers. Commissioned by Brandon Elliott and the Choral Arts Initiative the music begins softly with soft and energeticexcitement and ends serenely following the powerful statement 'I am the instrument of God' as the choir whispers 'I am music'.

Great Performer's Edition. Contents: Moment Musical (Schubert) œ Abendlied (Schumann) œ Sicilienne (Faur?) œ The Swan (Saint-Sa?ns) œ Hungarian Rhapsody (Popper) œ Tarantelle (Popper). Encores For Cello is a compilation of wonderful pieces for the Cellist to keep in reserve for encores. It offers an excellent opportunity to display their technique whilst entertaining the crowd at the climax of a concert! This Great Performers Edition has been expertly arranged and edited by the Cellist Janos Starker. With popular works by Schubert Schumann and Saint-Saens these are guaranteed crowd-pleasers!

This famous Schirmer edition now newly engraved displays the simple line and homophonic textures for which de Victoria is known. Available separately the VoiceTrax CD offers part-predominant tracks that are ideal for rehearsal and individual practice. Duration: ca. 3:00.

Jameson Marvin Choral Series-This delicate and sensitive new arrangement of beloved American classic arranged for the Harvard Glee Club by its former director Jameson Marvin is worthy of any fine men's choir. With counterpoint for all voices a melody that is passed between voices and a chance to feature a baritone soloist this is a welcome addition to the male chorus library. This delicate and sensitive new arrangement of Stephen Foster 's beloved I Dream Of Jeanie is arranged for the Harvard Glee Club by its former director Jameson Marvin . This Americanclassic is worthy of any fine men's choir. With counterpoint for all voices a melody that is passed between voices and a chance to feature a Baritone soloist this is a welcome addition to the male chorus library.

The traditional Scottish folk tune O Jeanie There's Naething To Fear Ye arranged by Gregg Smith for SATB choir a cappella.

Jon Washburn Choral Series-This haunting introspective plea for relief begins as a near-whisper and rises to an intense clangor. Through the mantra-like repetition and gradual transformation of the words from this timeless Psalm we enter and experience a world of intense spiritual conflict and resolution. ScorePlay - click to view score with recording. This haunting introspective plea for relief begins as a near-whisper and rises to an intense clamour. Through the mantra-like repetition and gradual transformation of the words from this timeless Psalm we enter and experience aworld of intense spiritual conflict and resolution.

Ryan Nowlin has created an especially intimate and delicate arrangement of this classic Adolphe Adam carol. Tastefully arranged for SATB choir and harp our focus is drawn to the holy meaning of Christmas. Ryan Nowlin assistant director of The President's Own United States Marine Band has created an especially intimate and delicate arrangement of this classic Adolphe Adam carol. Tastefully arranged for SATBChoir and Harp our focus is drawn to the holy meaning of Christmas.

From The Four Seasons RV315 Op.8 No.2-From The Four Seasons. Transcribed for Flute and Piano by James Galway. Vivaldi's depiction of Summer is here arranged by for James Galway for Flute and Piano. It begins with begins with everyone wilting in the burning sun. The cuckoo dove turtledove and goldfinch sing loudly as the gentle breezessigh. The North Wind suddenly appears and a storm begins with fierce lightening and terrible thunder making a frightened shepherd weep in fear. Grain and fruit are destroyed.

Art song duets compiled by master artists Evelyn Lear and Thomas Stewart. Contents: Abendlied (Mendelssohn) Ai-Doo-Doo (Gretchaninov) Hard Times Come Again No More Kolibelnaya (Gretchaninov) Maiglockchen und die Blumelein Mignon und der Harfner (Schubert) Moznost (Dvorak) Pastorale (Saint-Saëns) Schon Blumelein (Schumann) Slavikovsky Polecko Maly So wahr dieSonne scheinet Weg der Liebe (Brahms).Evelyn Lear and Thomas Stewart have been giving duo recitals together for over 30 years and they present in this book just a sample of the repertoire they have explored in this time. The selection includes brief dramatic andinterpretive suggestions for each song.

The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the colorature and embellishments found in the works of our great composers. They are intended to be for the singer what Czerny's school of Velocity is for the pianist.

Piano Sonata No. 4-For solo Piano. Xiayin Wang premiered Libi Bamizrach at New York City's Lincoln Center in May 2011.