from Three Folk Carols-A rich rendition of the French carol. With French and English lyrics and piano or chamber orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 3:45. A rich rendition of the French carol. With French and English lyrics and Piano or Chamber Orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately.Performance Time: Approx. 3:45.

Two Pianos Four Hands-Orchestral reduction and solo part arranged by Ch?vez for Two Pianos Four Hands. 2 Copies needed to perform. Eugene List who premiered this work in New York as 'the most difficult composition I have ever tackled. It is a piece of immense rhythmic complexity great technical difficulty and unrelenting thrust and pressure. It requires tremendous concentration strength and stamina. The learning process was torture' Please note: two scores needed to perform.

Edited and fingered by Carl Deis.

From the ballet Le Cid composed by Jules Massenet (1842-1912).

An arrangement for a four-part SATB Choir of mixed voices with Piano accompaniment of this wonderful traditional English folk-song. Arranged by Margaret Vance.

Low Voice in C and Piano-Sheet Music For Low Voice in the key of C Major.

A star was His nightlight His quilt was the sky; And soft sang His mother in case He should cry. This tender setting is a lullaby to the Child in the manger and is equally effective in church or concert performances. Availablefor SATB SAB and 2-Part. Performance Time: Approx. 2:45

(from Requiem for Peace)-Part of a larger work Requiem for Peace this piece was built on a cantus firmus melody by Kuni Murai and honors the suffering civilians of the world who have been caught in the cross fire between warring nations. Duration: ca.5:00. Recording used by permission of Larry Nickel.

Celius Dougherty's songs are standards in the solo voice repertory. Now available in a well-crafted choral setting this cowboy classic makes an excellent feature for choirs of all levels. Available for SATB TTB and SA. Performance Time: Approx. 2:00 Celius Dougherty 's songs are standards in the solo voice repertory. Now available in a well-crafted choral setting this cowboy classic makes an excellent feature for choirs of all levels. Available for SATB TTB and SA.Performance Time: Approx. 2:00.

Contents: Romance sans paroles Op. 17 No. 3 * First Barcarolle Op. 26 * Third Impromptu Op. 34 * Fourth Nocturne Op. 36 * Fourth Barcarolle Op. 44 * Sixth Barcarolle Op. 70 * Clair de Lune Op. 46 No. 2 * Improvisation Op. 84 No. 5 * Berceuse Op. 56 No. 1. Study version by Isidor Philipp.

From Amahl and the Night Visitors-Amahl and the Night Visitors was the first opera to be commissioned especially for television and was premiered in 1951. With this well-crafted setting by Lloyd Conley string orchestras can enjoy the charming stage music from this enduring holiday production. Gian Carlo Menotti (July 7 1911 – February 1 2007) was an Italian-born American composer and librettist who wrote the classic Christmas opera Amahl and the Night Visitors among about two dozen other operas intended to appeal topopular taste.

This pieces are a departure from the norm for composer Ernest Bloch but the change is a truly challenging and wonderful one. For Solo Piano.

This is Kinesias's aria from Adamo's recent opera Lysistrata. For baritone and piano. This is Kinesias's aria from Adamo's recent opera Lysistrata . For Baritone and Piano.

Contents: Sonata No. 1 in C Op. 1 Sonata No. 2 in F Sharp Minor Op. 2 Sonata No. 3 in F Minor Op. 5 Variations on a Theme by Robert Schumann Op. 9 Variations on an Original Theme Op. 21 No. 1 Variations on a Hungarian Song Op. 21 No. 2 Variations and Fugue on a Theme by Handel Op. 24 Variations on a Theme by Paganini Op. 35.Includes Piano Sonatas Op.1. Op.2 and Op.5.

With Hammond Registrations. (Fr/Eng) Arranged by T. Tertius Noble. (With Hammond Registration).

For violin and piano. Piano reduction by Alojz Srebothjok. Violin part edited by Rok Klopcic.

The beautifully expressive Ave Verum Corpus arranged here for SAB with Piano accompaniment for rehearsal purposes.

Morton Gould 's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall. The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.' After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

Beethoven's Piano Sonata in G Major which has been revised and fingered by Hans von Bulow and Sigmund Lebert.

Louis Kohler's Short School Of Velocity Without Octaves Op.242 for solo Piano.