Originally written for flute and orchestra Doppler's 'Hungarian Pastoral Fantasy' is one of the most frequently played pieces by flautists. This piece has also been arranged for flute with flute choir accompaniment. This version is for flute and piano. Edited by Moyse it includes the score and separate flute part.

The original and unedited score composed by Claude Debussy (1862-1918).

This composition was inspired and originally titled according to a romantic vision of the Far East (which Ernest Bloch had never visited). At one time the suite had a set of descriptive titles which begun with 'In the Jungle (Life in the Primitive World)'- at attempt to portray Nature in its wildest and most primitive state. The second movement was known as 'Grotesque (Simian Stage)' - it is sardonic and fantastic. The third movement was was inspired by the tales of a close friend about a night-time journey through Javanese villages from which could be heard the distant sound of wooden musical instruments. The finale originally 'Land of the Sun (China)' was Bloch said 'the most cheerful think I ever wrote.' It is based on pentatonic motives (like a common Chinese scale) and also recalls music from the other movements.

Sheet Music Sheet Music

Brazilian composer Octavio Pinto was in fact not a musician by trade but actually an architect with a thriving business throughout Brazil. He did manage however to get some Piano lessons from the well-known pianist Isidore Philipp as a young man and he issued a relatively steady stream of music – character and show pieces for solo Piano – until he died in 1950. Pinto 's most often-played piece of music is one written for and made famous by his wife the famous Brazilian pianist Guiomar Novaes: Childhood Memories (Scenas infantis from 1932). One of those five pieces for Piano Run Run! is now available in this G. Schirmer edition.This brilliant rapid piece is fun to play and listen to for young and old. The music paints a scene of running children as the title would suggest which is interrupted midway through with a calmer section as ‘The Organ-Grinder passes by’. Run Run! is a short yet effective piece.

To see other NFMC selections click here . Norman Dello Joio's Suite For Piano is about eight minutes in length and comprises four movements a soft yet expansive first movement is followed by a bright and lively second. The third movement is unusually slow and soft which is again contrasted by the ferocity of the final movement which ends ffff ! A piece of contrast and shifting time signatures. Moderate is included on ABRSM Piano Grade 6 syllabus 2017-2018

Two Pianos Four Hands. 2 Copies needed to perform-Two Pianos Four Hands. 2 Copies needed to perform. Two Pianos Four Hands. 2 Copies needed to perform.

Intermediate Level / G. Schirmer Instrumental Library-Attractive solo literature for the intermediate level student. Contents: Nina (Anonymous) Bourrée I and II from Cello Suite No. 3 BWV 1009 (J.S. Bach) St. Ita's Vision (Barber) Rêverie (Debussy) Sicilienne (Fauré) The Blessed Spirits from Orfeo ed Euridice (Gluck) Allegro from Violin Sonata in E Major Op. 1 No. 12 (Handel) Sonata No. 5 in C Major (Marcello) Minuet fromDivertimento No. 17 K. 334 (Mozart) The Swan (Saint-Saëns) Sonata No. 1 in D minor (Scarlatti) Lento from Five Pieces in the Popular Style (Schumann) Sonata No. 5 in E minor RV. 40(Vivaldi). A collection of 13 pieces by 12 composers with recordings of full performances and recorded Piano accompaniment backing tracks.

Sheet Music Albert Ellmenreich's Spinning Song from Opus 14 for Piano solo.

Work for piano solo.

William Schuman's setting of a poem by Genevieve Taggard takes as its theme the necessity of simple pleasures and the importance of each person. This version is for upper voices. The song is in a loose rondo form and the music alternates between the main jerky almost angry music and the smooth but still precise middle section with its growing self-belief.

Based on the parable from the Gospel of Luke this song for SATB choir has added drama in the shape of two soloists - one baritone and one tenor - who assume the roles of the Pharisee and the Publican. There is much interplay between parts illustrating the difference between the characters of the men.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . The orchestral accompaniment to Johann Sebastian Bach's Concerto In D Minor has been arranged for a second piano by Edwin Hughes. Please note: two scores needed to perform.

To the Distant Beloved Op. 98-Contains 6 songs. An Die Ferne Geliebte (To the Distant Beloved) arranged for High Voice and Piano. English translation by Theodore Baker.

Thirty-six eight-measure vocalises for elementary vocal teaching arranged for Baritone.

Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music. Barber's Twelfth Night from Opus 42 with text by Laurie Lee arranged for SATB chorus a cappella. A Piano accompaniment is provided for rehearsal purposes.

Version for Upper Voices.

Sheet Music The Lord's Prayer arranged for Soprano/Alto Duet with Piano Accompaniment.

Edited in Chronological order from the manuscript and earliest Printed sources with a preface by Ralph Kirkpatrick. Set for the ABRSM Piano grade 8 examination and Harpsichord grades 6-8.

One Piano Four Hands-One Piano Four Hands. Debussy 'Petite Suite' arranged for one piano four hands. Edited by Weekley and Arganbright. A French composer of piano music opera cantatas ballets and orchestral and chamber works. His most notable pieces are 'Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun)' (1894) and 'Nocturnes' (1899). Inspired often by pictorial subjects (Monet's water impressions became 'reflections in the water' for piano) and by the elusive and unnameable in nature (footsteps in the snow still leaves and the hypnotic overwhelming sensations of his rare visits to the French coastline) Debussy's music develops chords melodies and orchestration that are connected moreby a single surreal observation than by an overriding logic. For example one note is similar to another in a distantly related enharmonic chord but this brief tie is enough to follow or a single gesture will soon evolve spreading outward in all directions until a whole orchestral piece is made from a single falling line ('Afternoon of a Faun'; 'Jeux'). Not bad for a kid born over his parents' china shop who loved Lassus and Palestrina as much as ragtime and Javanese music. Blue Gene Tyranny