Arranger Sijtze van der Hoek made a contemporary arrangement of the hymn The Pilgrims Way.

Attractive choral arrangement by arranger Wim Dollekamp.

A suite in three movements by Ray Steadman-Allen based on the Norwegian folk song P? Kl?rfjell der kvelver seg borgi sa rein. The work opens with the melody in the flugel horn and the theme is then developed and varied with many nuances throughout the work. The 2nd and 3rd movements are played continuously. The piece was commissioned by Manger Musiklag in 1988 and bears all the marks of the composer's masterly instrumentation. Een suite in drie delen door Ray Steadman-Allen gebaseerd op de Noorse folk song P? Kl?rfjell der kvelver seg borgi sa rein. Het werk opent met de melodie in de bugel en het thema wordt vervolgens ontwikkeld en gevarieerd met veelnuances door het hele werk. Het tweede en derde deel worden zonder onderbreking gespeeld. Het stuk werd geschreven in opdracht van Manger Musiklag in 1988 en draagt alle kenmerken van de componist zijn meesterlijke instrumentatie.

In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire the county which lies north ofLondon. 1. The Journey. Although on arrival the area looks peaceful and friendly the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour which starts with an Allegromovement we are shown the vitality energy and freshness of the Cambridgeshire countryside. Short themes swift and sudden motifs and rhythmical patterns supported by the drive of percussion instruments give expression to this image. Thefirst part is concluded by two Calmo movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely whichwas built in 1109 has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of thecathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These “public houses” which may be open until the earlyhours of the morning offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words the moment of departure has come sooner than one would havewished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.

A simple melody with accompaniment in blue becomes a wonderful expressive piece. There are opportunities for improvisation but the indicated solos have been composed. Select your favourite instrument and soloist or will all soloists be featured? Enjoy playing and listening to A Sentimental Song!

Hear the beat of horse hooves and feel the blistering heat of the prairie. In this medley of five well-known songs arranger Dagmar Kildevann has truly captured the atmosphere of the Wild West. An attractive feature of this piece is the various comic effects that Kildevann has included in the arrangement of the folksongs Home on the Range Deep in the heart of Texas Clementine Skip to my Lou and Polly Wolly Doodle. A guaranteed winner!

In a suite of three parts arranger Dagmar Kildevann makes a bridge between starting musician and classic composer. You hear the following parts: Grand march from Aida - Verdi. Aria from The Marriage of Figaro - Mozart. Can-Can from Orpheus in the Underworld - Offenbach.

Work and enjoyment go hand in hand in these ten fabulous compositions which provide educational and varied material for youth bands. The ten practice pieces together in one book (with comic illustrations) incorporate widely diverse tunes such as Ceremonial Prelude and The Verger's Favourite Song. The book also includes numbers that require singing stamping and shouting out (Chirpy Cha Cha and Ramble Bamble Rock). Pull out all the stops!

Solo for Baritone Saxophone or Eb Bass with high humorous content. The soloist tries in an entertaining dialogue with the orchestra to prevail. During the work in a musical way appears an conflict with the xylophone the orchestra makes an end to the debate with a melodious final chord. A must for your concert! Solowerkje voor Baritonsaxofoon of Es Bas met een hoog humoristisch gehalte. De solist(e) probeert in een onderhoudende dialoog met het orkest de boventoon te voeren. Gedurende het werk ontstaat er een muzikaal conflict met de xylofoon het orkest maakt een eind aan de discussie met een welluidend slotakkoord. Een aanrader voor uw concert!

The pilgrim's song Deilig er Jorden can be called an international carol. The Norwegian text was written by Danish poet Inge Bernhardmann on a melody of Polish origin. A majestic carol! Therefore particularly suitable as an opening work for your Christmas concert. Optional with organ.

Carl Wittrock's wide interest in global folk-music resulted in this concert-piece based on original African rhythms. Obviously the percussion section has a conspicious role to play but the band too may indulge itself in moments of thoroughly delightful excitement. The introduction depicts the awakening of nature and develops into a dance. The (main) motif of this dance is from a dance entitled Apollo and comes from Gambia. Its accompaniment consists of an ostinato pattern by balaphon-master Maudo Susa. The quiet middle movement is based on the rhythm of the 'gigbo' : a traditional dance from Ghana. In the final movement -which also bears a slight resemblanceto a theme from 'The Lion King'- the so-called 'Kono' rhythm is used. The work is played most advantageously using djembes. Challenge and please your percussion section with 'The African Connection'.

In ‘Land of Legends’ German composer Andreas Ludwig (what’s in a name) Schulte takes you along to the fictional world of legends myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the scene of action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate a lot of hustle and bustle appears to be going on in the courtyard. Pages squires and soldiers are busy attending to their arms. Beer is being brewed flax is being spun cattle are being tended and some craftsmen fromneighbouring villages are busily at work. In the upper chamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities some of them sober others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets the bride makes her entrance at the hand of her father. Afterwards at the party there is dancing to the music played by minstrels and of course a plentiful banquet follows.

The Light of the World is an emotional and versatile piece based on the well-known hymn tune Aurelia. This arrangement by Dean Goffin will leave a deep impression on both musicians and listeners.

In Lord Tullamore composer Carl Wittrock shows us his vision for Irish folk music. The result is a diverse three-part composition of rousing Irish folk with a continental touch. Lord Tullamore reflects the full variety of the folk music of the Emerald Isle featuring not only brilliant technical passages but also tranquil sections of lyrical calm.

In this work the Dutch composer Marc van Delft attempts to bring together two parties (former friends) after they have grown inexplicably apart. For this reason he calls in the help (Invocation) from the medium of music. At first 'Invocation' radiates a sense of serene calme from which the composer gradually creates an atmosphere resembling a conversation. Half-way there is an increase of suspense ending once again in calm. The listener remains uncertain however regarding the finish. In dit werk probeert de Nederlandse componist Marc van Delft twee partijen samen te brengen (vroegere vrienden) nadat ze op onverklaarbare wijze uit elkaar zijn gegroeid. Daaromroept hij de hulp in (Invocation) van het medium muziek. In het begin straalt 'Invocation' een gevoel van serene rust uit waaruit de componist geleidelijk een sfeer creëert die lijkt op een gesprek. Halverwege is er een toename van de spanning die weer in rust eindigt. De luisteraar blijft echter onzeker over de afloop.

Chester's musical pursuit has been depicted so well that it is a feast to perform and to listen to this composition. In his typical manner Blackstone succeeds in transforming an apparently musical phenomenon into a valuable orchestral piece which is attractive to everyone. Full recording : Introducing the Fanfareband

The heat of South America radiates from this delightful cha cha which incorporates the exotic sound of Latin-American percussion instruments. This light and sparkling work will be the hit at your next concert!

In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words which makes it easy to understand. The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers however this is a misconception – the author is unknown. In England ‘Away in a Manger’ is sung to a different melody than in the USA for example. The ‘English’ melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the ‘English’ melody which suits the tender lyrics perfectly.

The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities. It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

The weather inspired Albert Dam to compose Weather Report. The three parts Windy (rock) Misty (ballad) and Sunny (calypso) want to make us believe that the weather will be changeable. Stable or not the music is solid as a rock. Het weer inspireerde Albert Dam tot het schrijven van Weather Report. De drie delen Windy (rock) Misty (ballad) en Sunny (calypso) willen ons doen geloven dat het weer afwisselend zal zijn. Stabiel of niet de muziek staat als een huis! Dit werk is opgenomen in het Klein repertorium harmonie - 5e divisie