Instrumental Accompaniment Set-Includes: brass quartet

Traditional French Carol-Here David Moore sets this popular traditional French carol for mixed voices a cappella works well for small or large advanced choirs.

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices keyboard and optional cello and violin._x000D_Sung in either Latin or to an English adaptation the piece could be performed by youth or adults alike.

Editor Maribeth Yoder-White indicates in her notes that this work is an accessible exciting selection that works well with a variety of ensembles including festival and massed choirs. _x000D_The text is taken from Psalms 24 and 98 and is arranged for two-part treble voices with piano.

This festive hymn anthem for mixed voices congregation and organ works great on Pentecost baptism or general use.

A beautiful easy arrangement for unison choir and congregation an optional brass quartet can be added for special occasions.

In this thought (and discussion) provoking modern folksong the flute and clarinet (representing the winds of hope and change) provide a counterpoint to the vocal line.

Spiritual-The third of Trinkley's spirituals for secondary choir a rhythmic piece with a driving piano accompaniment

One of the greatest modern composers for the church Lloyd Pfautsch adapts Psalm 51 for Ash Wednesday Lent Communion or general use.

A longtime sentimental favorite in many churches try this SATB arrangement with a special touch by David Schwoebel

Instrumental Accompaniment Set-Instrumentation: Flute Oboe Bb Clarinet Bassoon F Horn Harp Timpani Percussion (Cymbals Maracas Tambourine Bongo) Strings and Full Score

Sandra Ford writes such accessible and engaging works for the small church choir. Here she sets the familiar baker text for SAB mixed chorus with piano and optional flute. It is a great anthem of praise for almost any Sunday.

In Winters Keeping employs a number of sonic & stylistic devices reminiscent of Japanese traditional music as well as textures that that define a sense of stasis and suspended time. It is challenging but highly effective. _x000D_Sound available on Chanticleer's CD Sound And In Spirit

This work by Carl Nygard is set to Isaiah 43:1-4. For mixed voices and piano try it for the baptism of Christ the baptism of an infant confirmation or general use.

Instrumentation-Instrumentation: 2 Tpt 2 Hrn 3 Tbn and Timpani

Scottish Folk-Canadian composer Stuart Calvert is a master with folk settings. This is no exception. Here we have a traditional Scottish melody arranged for mixed chorus with a beautiful piano accompaniment. Notice the pronunciation instructions.

Peter Anglea sets the liturgical text from Psalm 100 for mixed chorus and piano. The energetic rhythmic texture makes the piece quite appealing to high school voices and puts the audience on their feet works well in worship or concert settings.

This piece is basically a hymn anthem that utilizes the tune sale. With limited divisi the piece is scored for mixed voices with organ and optional congregational participation. It is a great piece when you are emphasizing evangelism and/or missions. Powerful!

Many both inside and outside of Methodist circles know the covenant prayer of John Wesley. With settings already available for mixed voices (either a cappella or accompanied) this voicing is for SSAA chorus with organ or piano. Try it with the women of your church choir for stewardship commitment ordination or mission emphasis. Available for mixed chorus a cappella (divisi) or in this accompanied version (no divisi) Dan Forrest sets the well-known text by Methodist founder John Wesley. The piece is excellent for any service of renewal covenant or stewardship.

The Prayer of St. Richard of Chichester is a lovely 13th century prayer. In this setting Don McCullough captures the haunting and moving textual meaning with mixed voices keyboard and oboe. It is also available for oboe harp and strings.