This is one of Handel's most well known and love choral works. Here Andre Thomas provides a practical modern edition making the piece more useable for our choirs and audiences. The long introduction has been shortened and the keyboard part is a reduction of the orchestration(not a continuo part). This edition can be performed with piano two oboes and bassoon. This is a great festival piece for high school voices.

Separate Large Size Piano Score-Larger-size score formatted for clarity and ease of page turns for the pianist. This is the same piano part in HMC2355a.

This Palm Sunday anthem is filled with imitative counterpoint typical of George Frederic Handel. Great for church choirs but also successful with high school voices the work could be used on any festive occasion. This is a great teaching piece that will help you develop independence in all voice parts.

A really fun novelty number based on various sayings about time a good one for the encore Time Flies And So Must We.

Scored for mixed chorus with organ this festive anthem could be used generally or on a number of occasions-music ministry Sunday baptism of Christ festival of Christ the king world communion Sunday or any festival.

The accompanied version of this prayer has been very popular with choirs since first introduced in 1986. Here Robert Delgado arranges the original Allen Pote composition for mixed voices a cappella (minimal divisi).

Many composers have arranged Psalm 47. Here Stephen Hopkins gives us a work for divisi mixed chorus with piano. The mixed meter provides a constant energy and complementary rhythmic texture that truly illuminates the text. Use it in contest concert or worship settings.

Instrumental Accompaniment Set-Includes: Flute Oboe 2 Clarinet Bassoon 2 Horns 3 Trumpets 3 Trombones Tuba Timpani Cymbals 2 Violins Viola Cello and Bass

Spiritual-The ever-popular Go Tell It On The Mountain is set here for unaccompanied mixed chorus optional soprano or tenor solo with percussion a real winner for this year's holiday concert!

In this very powerful exquisite setting of the traditional Gaelic prayer Elaine Hagenberg vividly presents the initial image of longing and unrest to the ultimate resolution of assurance that though I may stumble in my going you do not fall.

Six-minute concert or festival piece for SATB with brass quartet timpani and organ beautiful textParts available (HMC231a)

Edited by Richard Hynson for the Choral Tradition Series this would be a good Christmas concert piece for an advanced high school chorus.Written for a cappella double choir

This text by John Henry Newman and Edward Bickerstith was made famous by inclusion in a number of hymnals to a tune by John B. Dykes (Lux Benigna). Here Dan Forrest gives us a masterful original work for large mixed chorus (divisi) with a substantial piano accompaniment.New light is truly shed on the text.

Fourteenth Century-The text for this lovely work is taken from an anonymous 14th century manuscript. Set for SATB chorus and piano or small orchestra the work is accessible for many church choirs but also may have a place in programming for other ensembles. Try it for your lessons and carols.

Looking for service? Here you get three in one: Introit Kyrie (or prayer response) and Benediction. The brief pieces are simply scored for SATB voices with keyboard and optional handbells. Very effective!

Looking for a work for advanced treble chorus? This a cappella work for SSAA (div) is successful in worship or concert settings alike. The thought provoking text is set to lush harmony with well-crafted part writing.

This lyrical composition provides many opportunities for developing musical and non-musical skills and understandings. It was commissioned for the 2014 North Carolina Elementary Honors Chorus but is also suitable for adult women.

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch with selah as the keystone. Each piece represents a different aspect of eternal life in heaven. The pieces are exceptional as a group but are equally successful standing alone.

Robert Schumann was a master at composing lovely partsongs for chorus. On an exciting text by Heinrich Heine the editor gives us a modern edition for use with school or community chorus male ensembles.

Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. Based on a text by Elizabeth Barrett Browning the piece is scored for SSAA treble voices with piano.