I Would That My Love (Op.63 No.1) is a popular song by Mendelssohn published in 1845 as the first in a collection of six duets for upper Voice with Piano accompaniment. It has been translated hereinto English. The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also made severaltrips to Scotland inspiring some of his best-known and most evocative works. He is also remembered for his choral works such as the ever-popular Hear My Prayer .

Part song for the upper voices based upon a text by Kathleen Boland.

This short benediction set to familiar words from Corinthians Thessalonians and the first book of Peter is an enduring favourite. Informally known as the Navy blessing or the Scottish blessing the words are sensitivelyenhanced by Shaw’s tune and harmonies and can create an inspiring meditative finale.Composer conductor and producer Martin Shaw was of the Holst and Vaughan Williams generation of composers that was key in reviving publicinterest in the work of Purcell and was also a co-founder of the Royal School of Church Music. He once toured Europe as conductor to dancer Isadora Duncan and was briefly engaged to the daughter of theatrical star Ellen Terry.His works number more than three hundred published pieces.

The Wraggle Taggle Gipsies O! is a traditional British folk song (Roud Index No. 1) which has become popular throughout the British Isles and North America. It tells of a lady who ran away from her richhusband to join the gypsies and today it is one of the best-known folk ballads in the world. It has been arranged for SATB choir with Piano accompaniment. Leslie Woodgate (1900-1961) was an English composer conductor organist and chorus master. He studied at the Royal College of Music before becoming Musical Director of many choral societies most notably the BBC Chorus and the BBC Singers.

Song for Unison Voices and Piano. Arranged by Mary Sanders.

POD-Christ Hath A Garden is a work by Heathcote Statham for Treble Voice and SATB Chorus with Organ Accompaniment. Christ Hath A Garden is a work by Heathcote Statham for Treble Voice and SATB Chorus with Organ Accompaniment.

For Unison Voices and Piano.

With A Voice Of Singing was composed by Martin Shaw arranged here for Unison Voice with Piano Accompaniment.

Aria from Cantata No.15. Unison Song arranged by James Easson

Handel 'Silent Worship' arranged for mixed voice choir SATB with piano accompaniment.

A beautiful rarely performed motet for Alto Solo and divisi SATB Choir.

The Shepherd's Cradle Song is a German lullaby based on the 1817 work Des Hirten Wiegenlied by Karl Leuner . It was published in 1912 with music arranged by Charles Macpherson andEnglish translation by Arthur Foxton Ferguson . It is presented here in Tonic Solfa notation. Charles Macpherson (1870-1927) was a British organist and composer. He was a chorister at St Pauls Cathedral andlater became organist there. In between he studied at the Royal Academy of Music where he later served as Professor of Composition. Arthur Foxton Furgeson was a British translator and singer. He founded the FolkSong Quartet for whom the Shepherd's Cradle Song was written.

From the Christmas Cantata 'The Flower of Bethlehem' Music by Eric Thiman and Words by Irene Gass.

Dunhill's setting of a pastoral and tranquil text by Irene Gass arranged by Jacobson for a chorus of Soprano voices with Piano.

Nicholas Nye is a poem for young children written by Walter De La Mere (1873-1956) in 1931. It was to set to music for Unison Voices with Piano accompaniment by Llifon Hughes-Jones in 1942. Dr. Llifon Hughes-Jones (1918-1996) was a British composer conductor and teacher. He studied at the Manchester Music college (now the RNCM) and Trinity College London and later taught music for many years atSalford Grammar school. He wrote many works for the National Eisteddfod competitions in which he also adjudicated. He was one of the few composers who regularly wrote in Welsh and the musical culture of Wales is still indebtedto his contributions.

The setting of a poem by Kathleen Boland for Unison voices (or soloist) with Piano.

For SATB Choir A Cappella. For SATB Choir A Cappella.

Matyas Seiber (1905-1960) was a Hungarian composer who lived and worked in the UK from 1935 until his death. He was born in Budapest and studied with Kodaly and toured the country to collect folk songs. Someof these were later published in 1949 as Three Hungarian Folk Songs with English words by the singer musicologist and self-styled “Folklorist” A. L. Lloyd (1908-1982). Three Hungarian FolkSongs have been arranged for SAB choir with Piano accompaniment by the pianist and composer Maurice Jacobson (1896-1976). They are individually titled: The Handsome Butcher - Apple Apple - The OldWoman .

For Unison Voices and Piano.

The Woman of Samaria (Op. 44) was a sacred cantata written for the Birmingham Triennial Music Festival in 1867. It was written in the style of Medelssohn’s Elijah which had premiered at the same festivaltwenty years earlier. The chorus Abide With Me is a setting of the poem by Henry Francis Lyte for SATB choir and Piano accompaniment. Sir William Sterndale Bennett (1816-1875) was anEnglish composer pianist and conductor. He entered the Royal Academy of Music studying Violin Piano and composition. He spent time in Germany with Mendelsohn and Schumann before becoming Professor of Music at the Universityof Cambridge and later Principal of the RAM.