The Divine Image is a work by Julian Marshall for Tenor Solo and Unaccompanied SATB Choir. A setting of a poem from William Blake's 'Songs Of Innocence' a full performance of this work lasts around 5 and a half minutes. The Divine Image is a work by Julian Marshall for Tenor Solo and Unaccompanied SATB Choir. A setting of a poem from William Blake's 'Songs Of Innocence' a full performance of this work lasts around 5 and a half minutes.

Arranged as a two-part song by the composer using words by Rudyard Kipling.

Benjamin Frankel's reputation is based on the cycle of five string quartets and eight symphonies which together with the powerfully beautiful concertos for violin and for viola rather overshadow many of his other fine pieces. The Violin Concerto grew from the composer's long and close association with Max Rostal a friendship which also inspired one of Frankel's perhaps best known compositions the First Sonata for Solo Violin. Frankel's exciting Concerto For Violin And Orchestra Op.24 has been beautifully arranged for Violin with Piano Reduction by Philip G. Jones. The solo violin part is also included on a separate insert.

1. EOS: The Goddess of the Dawn who travelled on the winds and sprinkled down dew upon the earth 2. PAN: The God of the countryside of flocks shepherds and animals a famous player of the syrinx or pan pipes - the shepherd’s pipe. 3. BOREAS: The God of the North Wind who had two faces - one facing where he was going the other from whence he came. He was the male counterpart to Eos. 4. CIRCE: The Enchantress who changed men into beasts. Ulysses was given a sprig from a certain plant by Hermes which allowed him to resist her charms. 5. PANDORA: When Pandora was created by Zeus he ordered all the Gods to endow her with some of their attributes. She wasalso given a box but forbidden to open it. Her curiosity about its contents overwhelmed her - she opened it and all the evils of the world flew out. Too late she closed it but she managed to prevent the escape of Hope. 6. SELENE: The Goddess of the Moon who drives across the night sky in her chariot to visit the sleeping Endymion. She was once seduced by Pan.

This book contains sumptuous new Choral versions of seven chart-topping pop songs. The arrangements are by renowned Vocal Coach and Choral Director Mark De-Lisser and are recorded by ACM Gospel Choir. The fourth pop repertoire book in the popular Sing Out! series brings you uplifting songs with positive lyrics. With such feel-good hits as Happy by Pharrell Williams Magic by Coldplay You Gotta Be by Des'ree and more this Choral collection will delight and inspire both the singers and listeners alike. Arranged for SAT Choir with the occasional solo part this pack includes a download card with performancebacking tracks full demonstrations and individual rehearsal tracks of each Vocal line recorded by members of ACM Gospel Choir. The scores feature Piano parts and chord symbols for band accompaniment. Helpful hints for performing each piece are also included in this book giving you everything you need to learn these well-loved songs. If this all sounds too good to be true it isn't! Watch Mark De-Lisser himself explaining why you need to check out the Sing Out! Series straight away:

Michael Hurd. Here is the answer for schools looking for a full length flexible show. Jazz Testament provides an ‘Introduction’ ‘Interlude’ and ‘Epilogue’ to the complete cycle of the Bible-based ‘pop’ cantatas; Adam-In-Eden Jonah-Man Jazz Swingin’ Samson and A New Nowell. Thus they tell a coherent exciting and significant story of the ways of God and Man. Hurd’s ‘pop’ setting of William Cowper’s hymn ‘God Moves In A Mysterious Way’ can be used to introduce and link the cantatas of your choice. 2 mins.

Infant Joy / Infant Sorrow is a work by Julian Marshall for Tenor Solo and Unaccompanied SATB Choir. A setting of two William Blake poems from 'Songs of Innocence' and 'Songs of Experience' a full performance lasts around 4 and a half minutes. Infant Joy / Infant Sorrow is a work by Julian Marshall for Tenor Solo and Unaccompanied SATB Choir. A setting of two William Blake poems from 'Songs of Innocence' and 'Songs of Experience' a full performance lasts around 4 and a half minutes. A review in the July/August issue of Choir and Organ magazine stated that Infant Joy / Infant Sorrow 'will please audiences with its 'crisp yet relaxed syncopation'.'

Final from 6 Pieces For Organ by Cesar Franck. Edited by Walter Emery.

(Paperback)-Part one of the Royal Welcome Songs Purcell Society Volume 15. Edited under the supervision of the Purcell Society. Full Score. Instrumental and chorus parts are available on hire from the publisher. Hardback edition available: NOV151102-01.

Royal Welcome Songs Part 2 (Paperback)-The second part of the Royal Welcome Songs Purcell Society Volume 18. Edited under the supervision of the Purcell Society. Full Score with SATB CTEN String Quartet and Continuo.

John Joubert 's Sonnet for SATB choir unaccompanied. Vocal score.

For ATB-Written for ATB choir.

A setting of the Evening Canticles for SATB Choir and Organ.

For SATB Choir and Organ. For SATB Choir and Organ.

Arranged for SATTB and piano accompaniment. Includes Awake Sweet Love composed by John Dowland for SATB.

The quintessential 70s soft rock song Feelings' first became a big hit for its Brazilian co-writer Morris Albert and French composer Louis Gasté in 1974. It was later recorded by many artists from Ella Fitzgerald to Engelbert Humperdinck and acquired a variety of lyrics in different languages over the years. Here the very definition of an international hit song has been arranged for SATB choir with piano accompaniment.

Voices and classroom instruments.

Novello Voices Choral Suite Arranged by Barrie Carson Turner. Contains: 'Good Day Sunshine' 'For No One' 'Eleanor Rigby' 'Here There And Everywhere' and 'Got To Get You Into My Life'. Fabulous SATB arrangements of popular modern songs from West End shows jazz and pop.

Work for Organ dating from 1908.

Edward C Bairstow’s compositional output was somewhat hampered by a busy and useful life and the bulk of his compositions were created for the Anglican church. His setting of Let All Mortal Flesh Keep Silence is widely performed. This setting for The Office for Holy Communion in D is one of three settings he created for the mass. It is an effective and sensitive setting and in particular the pianissimo moment created for ‘And was made man’ and fortissimo phrase just before ‘And the third day’ leading into the double choir passage for the ascension are the work of a great talent immersed in religious understanding.Organist teacher composer and conductor Edward CBairstow (1874 – 1946) spent most of his professional life happily in the role of Organist at York Minster playing teaching leading the choir giving recitals writing music and works of musical pedagogy. When offered the position of Organist at Westminster Abbey Bairstow had no hesitation in declining and remaining in his native Yorkshire. He is best known as a teacher having had a remarkable number of students and for his extreme straightforwardness and high standards for himself his singers and the composers whose work he chose to perform or present.