Collected by Cecil J. Sharp. Arranged for SATB Choir A Cappella.

Justorum Animae is an anthem for the offertory on the Feast of All Souls scored for five voices. Written in 1607 by William Byrd it has been edited by Barclay Squire and is presented here with a Keyboard reduction for rehearsal purposes. William Byrd (c. 1540-1623) was an English renaissance composer who wrote several well-known works in both the Catholic and Anglican traditions many of which are still highly popular today. He studied under Thomas Tallis at the Chapel Royal before becoming Organist and Master of the Choristers at Lincoln. He later returned to the Chapel Royal as Gentleman and Organist.

Xicochi is an Aztec carol arranged here for Unaccompanied SATB Choir by Gaspar Fernandes . The lyrics are in the original Nahuatl language but a brief pronunciation guide is included. Xicochi is an Aztec carol arranged here for Unaccompanied SATB Choir by Gaspar Fernandes . The lyrics are in the original Nahuatl language but a brief pronunciation guide is included.

Single sheet music arranged for SATB with piano accompaniment.

A setting of the Evening Canticles for SSS (or SSA) Choir and Organ. Composed for the First Festival of the London College for Choristers 1909.

For Soprano solo and SATB chorus unaccompanied. 'The Spirituals represent an extraordinary religious social and musical legacy. They are among the most enduring examples of all vernacular art and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality.' - Richard Allain For Soprano solo and SATB chorus unaccompanied. 'The Spirituals represent an extraordinary religious social and musical legacy. They are among the most enduring examples of all vernacular art and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality.' - Richard Allain

A Spotless Rose by Welsh composer Paul Mealor arranged for unaccompanied SSAA divisi chorus. The sublime harmonies of this piece were released on the album 'A Tender Light' that also featured his piece composed for the Royal Wedding. The moving melodies and dramatic dynamics of the vocal parts in A Spotless Rose create a subtle solemnity in the wash of the beautiful soprano and alto parts. Featuring a Piano part for rehearsal only the unaccompanied soaring of the choir will make a truly lasting impression on any audience. In the September 2015 issue of the Organists' Review DavidLindley writes that this piece 'encompasses a wide dynamic range and some high tessitura for sopranos as the music celebrates 'Mary purest maid' contrasting with the slow-moving chordal setting of the rest of the text.'

For SATB Chorus with Organ or Piano accompaniment. For SATB Chorus with Organ or Piano accompaniment.

O gladsome radiance- Svete Tikhiy (O Gladsome Radiance) is a work by Sergei Rachmaninoff for Unaccompanied SATB Choir. From the 'All-Night Vigil ' this is the Vocal Score featuring a pronunciation guide and an explanation of the transliteration and translation. The lyrics are in the original and a phonetic transliteration.

Anthem for SATB Choir and Organ.

Full Anthem setting the Collect for the Sixteenth Sunday after Trinity. For SATB Choir and Organ. Edited by David Gedge. Full Anthem setting the Collect for the Sixteenth Sunday after Trinity. For SATB Choir and Organ. Edited by David Gedge.

Hymn-Anthem on the Tune Moseley-For The Beauty Of The Earth is a work by John Joubert for SATB Choir and Organ (or Piano) Accompaniment. Subtitled Hymn-anthem on the tune 'Moseley' the work sets text by F.S. Pierpoint with a full performance lasting around 3 minutes. For The Beauty Of The Earth is a work by John Joubert for SATB Choir and Organ (or Piano) Accompaniment. Subtitled Hymn-anthem on the tune 'Moseley' the work sets text by F.S. Pierpoint with a full performance lasting around 3 minutes.

Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Violin part in Love's Echo and a Harp part in Many Waters and Faint With Love . Full Score for Soprano Solo SATB chorus and String Orchestra with an extra Violin part in Love's Echo and a Harp part in Many Waters and Faint With Love .

Jonathan Battishill's Behold How Good And Joyful for SSATB Choir and Organ accompaniment. Arranged for the ceremonial of the Re-inauguration of King Henry VII's Chapel Westminster Abbey as the chapel of the most honourable order of the Bath July 22 1913 by Sir Frederik Bridge C.V.O M.A. Mus. Doc. Organist of Westminster Abbey. Jonathan Battishill's Behold How Good And Joyful for SSATB Choir and Organ accompaniment. Arranged for the ceremonial of the Re-inauguration of King Henry VII's Chapel Westminster Abbey as the chapel of the most honourable order of the Bath July 22 1913 by Sir Frederik Bridge C.V.O M.A. Mus. Doc. Organist of Westminster Abbey.

Verse Anthem for Soli ATTB SATB Choir and Organ. Edited by Edward J. Dent.

With words from Robert Burns and Music by Thea Musgrave A Winter's Morning was written for Dennis Stevenson.

For The Fallen is a work for Unaccompanied SATB Choir by David Terry a setting of the famous poem by Laurence Binyon. For The Fallen is a work for Unaccompanied SATB Choir by David Terry a setting of the famous poem by Laurence Binyon. A review in the June 2016 edition of Organist's Review states that this 'would make a fitting introit on Remembrance Sunday.'

Commissioned by the Swaledale Festival for a performance by the Royal Holloway Choir and Acoustic Triangle in Richmond North Yorkshire on 26th May 2012. Sir Thomas Brown (1605-1608) always used this his own poem as a 'dormitive' to lull himself to sleep. The composer is grateful to his sister Meg Peacocke for her help in editing the poem. Commissioned by the Swaledale Festival for a performance by the Royal Holloway Choir and Acoustic Triangle in Richmond North Yorkshire on 26th May 2012. Sir Thomas Brown (1605-1608) always used this his own poem as a 'dormitive' to lull himself to sleep. The composer is grateful to his sister Meg Peacocke for her help in editing the poem.

For SATB Choir. For SATB Choir.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel 's For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah's words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'. As an individual piece this song arranged for SATB Voices with Piano accompaniment is perfect for Christian settings especially during the Christmas season.