For SATB Choir with Organ or Piano accompaniment. For SATB Choir with Organ or Piano accompaniment.

This verse anthem with organ was probably Handel's first contribution to English church music and possibly his first setting of an extended English language text. As pants the Hart is undated and there is no historical record of the anthem's first performance though evidence from the appearance of the autograph itself suggests it proceeded the Te Deum and an estimated composition date is from November-December 1712. Arranged for soprano alto tenor and bass soloists SATB chorus and organ. Words from Psalm 42 edited by Donald Burrows.

An Operetta for 2 Treble voices and Piano. The scene is set in fifteenth century Bruges when the city was at the height of its prosperity. Franz son of the old bellmaker is in love with Nita the Baron’s daughter but her ambitious father wants her to marry a Count instead. To bribe her the Baron offers to give her anything she wants. She chooses a peal of bells for her father’s belfry insisting that they must ring louder and sweeter than any in Bruges. Scuppering the Baron’s plans to have the bells made in France Franz provides him with some which his father had made years before and the Baron is forced to let him marry Nita.

Herbert Howells' Te Deum And Jubilate (Collegium Regale) was composed for King's College Cambridge and is written for SATB Choir with Organ accompaniment. Herbert Howells' Te Deum And Jubilate (Collegium Regale) was composed for King's College Cambridge and is written for SATB Choir with Organ accompaniment.

Gethsemane is a work for Unaccompanied SATB chorus by Adam Harvey . The song is a setting of a poem by William Bingham Tappan and the entire piece lasts around 2 minutes. Listen to a performance of Gethsemane by the Professional Choir of The Brick Presbyterian Church in New York City on 2nd April 2015 conducted by Keith S. Tóth: Gethsemane is a work for Unaccompanied SATB chorus by Adam Harvey . The song is a setting of a poem by William Bingham Tappan and the entire piece lasts around 2 minutes. Listen to a performance of Gethsemane by the Professional Choir of The Brick Presbyterian Church in New York City on 2nd April 2015 conducted by Keith S. Tóth: A review in the June 2016 edition of Organist's Review states that 'if your choir may like a change...foryour Passiontide offering next time this would make a good alternative and in a differing style.'

Eight pieces based on the popular rhyme 'Tinker Tailor Soldier Sailor. Rich Man Poor Man Beggar Man Thief'.

A Thin Place is a work for Unaccompanied SATB choir with words and music by composer Jonathan Wikeley . A Thin Place is a work for Unaccompanied SATB choir with words and music by composer Jonathan Wikeley .

Basso Continuo part for Henry Purcell's O All Ye People Clap Your Hands.

Anthem for SATB (unaccompanied) commissioned by Christ's Hospital Horsham for a service of thanksgiving in Westminster Abbey on October 7 1966.

An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar they are all masterly. Designed to appeal to choirs of various levels the collection includes a Kontakion and Ikos for the funeral service anthems by Great Russian Romantics: Tchaikovsky Rachmaninov Grechaninov; andcomposers from our age: Stravinsky Schnittke or Arvo Part speaking for a tradition outside the Orthodox Church as well as settings of the Lord's Prayer in both Russian and English by John Tavener.

Orchestral Version-John McCabe 's Psalm-Cantata (Orchestral Version) . Full score for Soprano Baritone SATB choir and small Orchestra. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bach cantatas with two soloists (sopranoand baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe John McCabe 's Psalm-Cantata (Orchestral Version) . Full score for Soprano Baritone SATB choir and small Orchestra. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalentto the Bach cantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

A choral setting of 'Nimrod' from the Enigma Variations for SSAATTBB Choir as arranged by John Cameron. Piano for rehearsal only.

The Twenty-third Psalm by Patrick Hawes for SATB divisi chorus unaccompanied. Written for the inaugural concert of the Winchester Consort. The Twenty-third Psalm by Patrick Hawes for SATB divisi chorus unaccompanied. Written for the inaugural concert of the Winchester Consort.

Single sheet music arranged for SATB with piano accompaniment.

Single sheet music arranged for SATB with piano accompaniment.

In Greek mythology Niobe was the daughter of Tantalus and wife of Amphion King of Thebes. She unwisely boasted to Leto about her many sons and daughters. Leto who only had two children Apollo and Artemis was angered. As punishment Apollo slew Niobe's sons and Artemis her daugters. Out of pity for Niobe's inconsolable grief the Gods changed her into a rock in which form she continued to weep. In this work for solo Oboe and tape the solo Oboe takes the part of Niobe bitterly lamenting her murdered children. The tape with the distant high voices and the slow tolling bells (and later gong) is intended to provide an evocative and descriptiveaccompaniment. Niobe was commissioned by the Park Lane Group. The first performance took place at the Park Lane Concerts in January 1988. In Greek mythology Niobe was the daughter of Tantalus and wife of Amphion King of Thebes. She unwisely boasted to Leto about her many sons and daughters. Leto who only had two children Apollo and Artemis was angered. As punishment Apollo slew Niobe's sons and Artemis her daugters. Out of pity for Niobe's inconsolable grief the Gods changed her into a rock in which form she continued to weep. In this work for solo Oboe and tape the solo Oboe takes the part of Niobe bitterly lamenting her murdered children. The tape with the distant high voices and the slow tolling bells (and later gong) is intended to provide an evocative and descriptiveaccompaniment. Niobe was commissioned by the Park Lane Group. The first performance took place at the Park Lane Concerts in January 1988.

Written for flute or oboe or clarinet and cello.

The Nash Ensemble commissioned Richard Rodney Bennett to write Sonata After Syrinx for Flute Viola and Harp. The work was inspired by Debussy's Syrinx for Solo Flute and the score directs that Sonata After Syrinx should always be preceded by a performance of the Debussy work. Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist. On his move to the United States the two sponsors for hisgreen card (work permit) were Leonard Bernstein and Stephen Sondheim.

Clark's setting of Praise The Lord O Jerusalem is for mixed chorus a capella.

Daniel Francois Esprit Auber's Hear Holy Power from his Opera Masaniello for SATTB Choir with Piano accompaniment. Words by James Kenney.