The Festival Toccata is relatively well-known among the works of Fletcher and is popular as a wedding piece and for encores. The brilliance of Festival Toccata’s surface disguises the fact that one does not need to be a virtuoso to play it well and effectively.Percy Fletcher was an English composer conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres including His Majesty’s Theatre for the last seventeen years of his life. He was the Orchestrator and conductor for the big budget spectacular theatre piece Chu Chin Chowwhich ran for five years a record that remained unbroken for forty years. In addition to his myriad works of light music Fletcher also wrote a serious church cantata The Passion of Christ as well as the delightful children’s work The Walrus and the Carpenter.

The Vocal Score for Finnish composer Aulis Sallinen 's Barabbas Dialogues Op. 84 arranged for five singers and a speaker. Please note that this Vocal Score is in German with German lyrics also. Commissioned by the Naantali Music Festival in Finland the premiere of Barabbas Dialogues was given at the Naantali Church on the 11th of June 2004. The main inspiration for this work in seven dialogues was the new Finnish translation of the Bible and the character of Barabbas whose fascinating story makes for a deeply interesting character. The work as a whole is comprised of: Dialogue 1: Nocturne (The Woman - Barabbas) Dialogue 2: Easter I (Judas - One of TheTwelve) Dialogue 3: Easter II (Barabbas - One of The Twelve) Dialogue 4: Easter III (Judas - One of The Twelve) Dialogue 5: Pas de Deux (The Maiden - The Youth) Dialogue 6: Passacaglia (The Woman - Barabbas - The Maiden - The Youth) Dialogue 7: Finale (all) The Vocal Score for Finnish composer Aulis Sallinen 's Barabbas Dialogues Op. 84 arranged for five singers and a speaker. Please note that this Vocal Score is in German with German lyrics also. Commissioned by the Naantali Music Festival in Finland the premiere of Barabbas Dialogues was given at the Naantali Church on the 11th of June 2004. The main inspiration for this work in seven dialogues was the new Finnish translation of the Bible and the character of Barabbas whose fascinating story makes for a deeply interesting character. The work as a whole is comprisedof: Dialogue 1: Nocturne (The Woman - Barabbas) Dialogue 2: Easter I (Judas - One of The Twelve) Dialogue 3: Easter II (Barabbas - One of The Twelve) Dialogue 4: Easter III (Judas - One of The Twelve) Dialogue 5: Pas de Deux (The Maiden - The Youth) Dialogue 6: Passacaglia (The Woman - Barabbas - The Maiden - The Youth) Dialogue 7: Finale (all)

POD-Only selected works by this publisher are included in the catalogue. O Trinity! O Unity! is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment setting text from Ave Colenda Trinitas translated by J.D. Chambers.

Commissioned by the Providence Singers with support from its Wachner Fund for New Music. Includes all parts for Percussion.

Jeremy Thurlow 's I Got Me Flowers is a setting of a poem by George Herbert for Unaccompanied SSATBB Choir. Jeremy Thurlow 's I Got Me Flowers is a setting of a poem by George Herbert for Unaccompanied SSATBB Choir.

A survey of the duties of Practical Musicians and Editors towards the Classics.

The World The Clustering Spheres by Paul Mealor for soprano solo SATB divisi chorus and optional Tibetan Singing Bowl. Part The World The Clustering Spheres by Paul Mealor for soprano solo SATB divisi chorus and optional Tibetan Singing Bowl. Part

A communion service for four-part choir and organ in C. A communion service for four-part choir and organ in C.

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at King’s Place London on 5th October 2008. The work is a short lyrical piece where an outsider [the oboe] joins the group [a string trio] and adds to their dialogue. At first the newcomer is treated with a mixture of suspicion and agitation but eventually is made welcome. The oboe is invited to share the musical theme that has been established which he then proceeds to embellish and adorn. He leads the harmonic changes that result in the theme being heard in manydifferent keys. He then introduces a new theme. The excitement grows and leads to a climax. A peaceful coda re-establishes the original theme and all ends harmoniously among the integrated quartet.

SATB and Organ. Written for the Chapel Royal at the Tower of London.

For SATB Choir and Organ. Organ part by Vincent Novello. For SATB Choir and Organ. Organ part by Vincent Novello.

POD-Only selected works by this publisher are included in the catalogue. O Salutaris Hostia is a work by Meirion Wynn Jones for Unison Voices and Organ Accompaniment. The work sets text by Thomas Aquinas translated by Edward Caswall.

Paul Mealor 's Spirit Of Hope for Treble Soloist Children’s Chorus Divisi String Orchestra amplified Piano and Percussion. Vocal score. Commissioned by Wales Millennium Centre and Only Kids Aloud (The Aloud Charity) Spirit Of Hope was premiered at the Artscape Theatre Cape Town on Friday 2nd May 2014 by Wales Millennium Centre/Only Kids Aloud Chorus and The Cape Philharmonic Orchestra in collaboration with Cape Town Opera. The commission was funded by Wales Millennium Centre with support from the Colwinston Charitable Trust. This piece incorporates words by Grahame Davies. Paul Mealor 's Spirit Of Hope for Treble Soloist Children's Chorus Divisi String Orchestra amplified Piano and Percussion. Vocal score. Commissioned by Wales Millennium Centre and Only Kids Aloud (The Aloud Charity) Spirit Of Hope was premiered at the Artscape Theatre Cape Town on Friday 2nd May 2014 by Wales Millennium Centre/Only Kids Aloud Chorus and The Cape Philharmonic Orchestra in collaboration with Cape Town Opera. The commission was funded by Wales Millennium Centre with support from the Colwinston Charitable Trust. This piece incorporates words by Grahame Davies.

A wonderful hymn anthem composed by C. Hubert Parry to a text by Whittier. Arranged for SATB and Organ by H.A. Chambers.

Herbert Howells ' setting of the Evening Canticles Magnificat And Nunc Dimittis for SATB choir and Organ.

Ubi caritas by Paul Mealor was written for the marriage of Their Royal Highnesses The Duke & Duchess of Cambridge. It was originally performed at the Royal Wedding scored for unaccompanied SATB chorus (NOV200937). Ubi caritas by Paul Mealor was written for the marriage of Their Royal Highnesses The Duke & Duchess of Cambridge. It was originally performed at the Royal Wedding scored for unaccompanied SATB chorus (NOV200937).

For SATB Choir and Organ. Arranged from the original by Basil Ramsey. For SATB Choir and Organ. Arranged from the original by Basil Ramsey.

The Call is a ten-movement cantata for solo Soprano with Piano accompaniment composed in the aftermath of the death of Diana Princess of Wales in 1997. The Call is the first movement of The Call . It is a setting of a poem by George Herbert and a petition to the various forms of the Trinity to permeate all our lives. It has been arranged here for Soprano solo and Harp. Patrick Hawes (b. 1958) is a contemporary British composer. He has been building a reputation as one of the foremost composers working in the UK today a position which was cemented when he was appointed as Classic FM’s Composer in Residence for2006-2007.

Written for SATB choir.

Jubilate! Jubilee! by Paul Mealor was commissioned by Making Music with funds provided by the British Council to celebrate the Diamond Jubilee of HM Queen Elizabeth II. Optional Drum part. Vocal score sold separately: NOV293282