A setting of the Benedicite for SATB Choir (or Unison Voices) and Organ.

Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches. Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches.

For SATB Mixed Chorus. For SATB Mixed Chorus.

Sing We Merrily Unto God Our Strength is a work described as 'a choral fanfare for festival use.' It's a piece for unaccompanied double choir (SSAATTBB) composed by Martin Shaw .

Arranged by Walter Emery for two pianos.

Donald Hunt's Mass is scored for upper voices (SSA) and organ. Latin Text.

Orchestral Version-John McCabe 's Psalm-Cantata (Orchestral Version) . Vocal score for Soprano Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bach cantatas with two soloists (soprano and baritone).The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe John McCabe 's Psalm-Cantata (Orchestral Version) . Vocal score for Soprano Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

An anthology of Carols and Anthems by Kenneth Leighton one of the most distinguished of the British post-war composers chiefly regarded today for his choral output. This anthology includes many pieces that are less well known and find themselves in no other collection. Arranged for mixed voice choir SATB and organ.

Arranged by Bothwell Thomson for piano solo.

Vocal Score for John Henry Maunder's Olivet to Calvary arranged for Tonic Sol-fa.

For Soprano Baritone and Piano. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Shady grove my true love Shady grove I know Shady grove my true love I'm bound for the shady grove. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Andrew Motion/Traditional For Soprano Baritone and Piano. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Shady grove my true love Shady grove I know Shady grove my true love I'm bound for the shady grove. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Andrew Motion/Traditional

Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes . Edited by Donald Burrows.

Commissioned by Bradford Grammar School first performed by the Bradford Grammar School Choral Scholars directed by James Griffett on 9th May 2007 in the Price Hall Bradford Grammar School.

For Solo Soprano SATB Choir and Organ. For Solo Soprano SATB Choir and Organ.

Contemporary English composer and Organist Valerie Collison has written several popular modern hymns. This carol is a sprightly seasonal song that is within reach of amateur or church choirs.

For solo Viola and Ensemble. Stuart MacRae's Equilibrium was commissioned by the Kreisler Ensemble with support from the PRS Foundation the RVW Trust the Britten-Pears Foundation and Christoph Trestler. It was first performed at the Abbey at Sutton Courtenay Oxfordshire 18th July 2012 given by Martin Outram (solo Viola) and members of the Kreisler Ensemble conducted by Matilda Hofman. For solo Viola and Ensemble. Stuart MacRae's Equilibrium was commissioned by the Kreisler Ensemble with support from the PRS Foundation the RVW Trust the Britten-Pears Foundation and Christoph Trestler. It was first performed at the Abbey at Sutton Courtenay Oxfordshire 18th July 2012 given by Martin Outram (solo Viola) and members of the Kreisler Ensemble conducted by Matilda Hofman.

The traditional Catalan carol Fum Fum Fum has here been arranged by William Llewellyn for SA chorus with Piano accompaniment. Originally published in Merrily on High (NOV032121). The traditional Catalan carol Fum Fum Fum has here been arranged by William Llewellyn for SA chorus with Piano accompaniment. Originally published in Merrily on High (NOV032121).

Version for SATB Choir and Organ (or Piano).

For SATB Choir and Organ. Composed for the Choir of Leeds Parish Church. For SATB Choir and Organ. Composed for the Choir of Leeds Parish Church.

Written for unaccompanied SATB choir. Words by Shelley.