The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus Confounding the doctors the poor little Child while the fifth carries us to Calvary and a singularly lame conclusion as Mary Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd sing husheenlo. Strophically composed with small variations Warlock's tenderness seems generic. eltine . The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus 'Confounding the doctors the poor little Child ' while the fifth carries us to Calvary and a singularly lame conclusion as Mary 'Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd singhusheenlo.' Strophically composed with small variations Warlock's tenderness seems generic. eltine .

A Short Communion Service by John Nourse contains eight songs scored for Unison voices and Organ.

Matthew Martin's Psalm 150 for SATB and Organ. Duration: 4 minutes

Upon entering a painting was written in 2008/09 and it was commissioned with funding from the Britten-Pears Foundation and the RVW Trust by Piano 4 Hands (Joseph Tong and Waka Hasegawa) to whom it is dedicated. The inspiration of the piece was the kind of painting which as you gaze at it seems to draw the onlooker into the frame indeed into the very paint itself. The specific trigger for the idea of the piece was the Rothko Exhibition at Tate Modern in 2008 – Rothko has long been a favourite painter of mine even though his creative world is very different from my own. However there were one or two paintings in the exhibition in which I felt strongly this sense of beingdrawn into the inner life of the painting especially when I was able to incur the wrath of the curators and step close to the paintings and examine the surface in detail. The opening and closing sections of the piece with their gradual thickening of the harmonies and (at the end) equally gradual thinning reflect this sense of stepping forward into and backward out of the works. The inner life of the faster sections while apparently very un-Rothko-like reflects the extraordinary teeming inner life of the brush-strokes.

Eight challenging and unique pieces for Organ by contemporary composers including Thiman Lloyd Webber and Eldridge. An excellent source of unusual and less familiar repertoire for the adventurous Organist.

Three Norwegian Pieces by Edvard Grieg from '25 Norske Folkeviser og Dandser' ('25 Norwegian Folk Songs and Dances') Opus 17. Arranged for String Orchestra by Geoffrey Tomlinson. Full score.

Written for SATB choir and piano.

Ian Venables: While Shepherds Watched Their Flocks By Night is a Christmas Choral piece first published in Noël 2! beautifully composed for SATB Choir and Organ accompaniment. Ian Venables: While Shepherds Watched Their Flocks By Night is a Christmas Choral piece first published in Noël 2! beautifully composed for SATB Choir and Organ accompaniment.

Anthem for SATB and Organ composed in 1977.

Love’s As Warm As Tears was expertly composed by Paul Mealor . The piece was commissioned by the Dean and Chapter of Westminster and first performed on the 22nd November 2013 at a service dedicated to C. S Lewis by the Special Service Choir of Westminster Abbey conducted by James O’Donnell . Paul Mealor is a Welsh composer recognised for his contribution to choral music. Mealor came to the public's wider notice when his motet Ubi Caritas et Amor was performed at the wedding of Prince William watched by over 2.24 million people.

O Salutaris Hostia is a work for Unaccompanied SATB chorus by composer David Hill that sets the 'Hymn for the feast of Corpus Christi' by St. Thomas Aquinas. The piece lasts around 2 minutes. Please note the lyrics are in Latin. O Salutaris Hostia is a work for Unaccompanied SATB chorus by composer David Hill that sets the 'Hymn for the feast of Corpus Christi' by St. Thomas Aquinas. The piece lasts around 2 minutes. Please note the lyrics are in Latin. A review in the June 2016 edition of Organist's Review says that this work is 'to be heartily recomended and of use at any Eucharistic service and most especially that of Corpus Christi.'

Vocal Score Ed. Bruce Wood-A new edition prepared by Bruce Wood (2004) of the setting composed for the opening service of the 1897 Three Choirs Festival.

Anthem for SATB Choir. Organ Part added by W.H. Monk. Text: From Psalm 139

Arranged for SATB chorus and 2 Soprano soloists taken from the choir.

Anthem for Ascensiontide for SSATB and Organ transcribed and edited by Peter Aston. This anthem is No.7 from a set of eight 5-part anthems reflecting on events in the Church Year. The set was completed in 1669. It is clear uniformity of style structure and scoring and from the closely-organised key scheme that these eight anthems were conceived as a cycle.

Epithalamium was commissioned by John Sell as a birthday present for his wife Jane and is dedicated to her and to Malcolm Binns. It was written during summer 2006 and derived from the two great chords that swing to and fro during the Coronation Scene in Mussorgsky’s opera Boris Godunov. These provide a series of seven notes (heard in the quick flourishes after the opening chords) which provide the basis for the tunes and the harmonies through most of the work. The idea of bell sounds is carried through not only the chords during the piece but also some of the techniques (e.g. the gradually changing repeated patterns rather like bell-ringing changes encountered towards the end or the quiet and distant uneven tintinnabulation heard at the end of the central slow section). An epithalamium (or epithalamion) is a song or poem in honour of a bride and bridegroom – though technically a wedding piece it seemed an appropriate title for a work honouring an anniversary especially one where bell-sounds provided the original inspiration.

Robert Stone 's The Lord's Prayer for SATB.

This piece written for SATB contains solos for the soprano and tenor. Commissioned by the Rev. Dr P. C. Moore for the choir of Pershore Abbey and first performed at the Festival there in 1964 this anthem is a simple treatment of the text for soprano or tenor soloists. It appeared as a Musical Times supplement in 1964.

Inspired by his life-long interest in chant and choral music Paul Mealor’s De profundis pushes the boundaries of the human voice in a style synonymous with Russian orthodox music. In spring 2012 this piece sparked the 'Bass Hunter' competition - a world-wide talent search for the lowest human voice in existence. The note an ‘E’ (329 Hertz) is six notes below the lowest note ever written for a choral piece (from Rachmanivov’s “Vespers” – a B flat) and a whole tone lower than the Guinness World Record-holder - a sung ‘F sharp’. The piece has since been recorded featuring the winner of the competition Tim Storms (Decca 3709935).Inspired by his life-long interest in chant and choral music Paul Mealor’s De profundis pushes the boundaries of the human voice in a style synonymous with Russian orthodox music. In spring 2012 this piece sparked the 'Bass Hunter' competition - a world-wide talent search for the lowest human voice in existence. The note an ‘E’ (329 Hertz) is six notes below the lowest note ever written for a choral piece (from Rachmanivov’s “Vespers” – a B flat) and a whole tone lower than the Guinness World Record-holder - a sung ‘F sharp’. The piece has since been recorded featuring the winner of the competition Tim Storms (Decca 3709935).

The Burning Babe is a work for SATB Choir and Organ by Jonathan Wikeley . The song is a setting of a poem by Robert Southwell and lasts around 2 minutes. The Burning Babe is a work for SATB Choir and Organ by Jonathan Wikeley . The song is a setting of a poem by Robert Southwell and lasts around 2 minutes.