Written for organ solo.

A setting of the Evening Canticles for SATB Choir and Organ.

Written for SSA choir and piano.

But Stars Remaining was written in 1970 for the English soprano Jane Manning. It sets lines from two poems by Cecil Day-Lewis bringing them together to create a scena lasting some seven minutes. It is an aubade or dawn love-song; it begins with outward extravert energy and moves to an inward intimate centre. It closes as the imagery moves out again to the expanse of the sky at first light.

Settings of five poems by Gregory Corso. For Medium Voice and Piano.

Marian Montgomery with Richard Rodney Bennett in words music and pictures. Compiled by M Easton.

For High Voice and Piano. In the key of E flat. For High Voice and Piano. In the key of E flat.

Three Saints In One was commissioned to celebrate the centenary of St Swithun's School Winchester and first performed on 4 May 1984 conducted by Michael Strand. Scored for upper voices and Piano. The Interludes have been scored for Flute but can be played on another suitable instrument.

Twelve songs from Handels' Oratorios edited by Alberto Randegger for Soprano.

The Heart of Darkness was composed in 2011 by Tarik O’Regan . The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre London by Opera East Productions. Here it was conducted by Oliver Gooch with production directed by Edward Dick and design by Robert Innes Hopkins . The Heart of Darkness was composed in 2011 by Tarik O’Regan . The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre London by Opera East Productions. Here it was conducted by Oliver Gooch with production directed by Edward Dick and design by Robert Innes Hopkins .

G. F. Handel 'S Twelve Songs From The Oratorios For Tenor Voice And Piano. G. F. Handel 's Twelve Songs From The Oratorios for Tenor voice and Piano.

Linda Perry's hit single arranged for Upper Voices (SSA) and Piano by Hywel Davies.

Six part-songs for SATB Choir A Cappella with divisions.

A collection of evergreen pop favourties for SSA choir with piano accompaniment arranged by Berty Rice. Includes Baby One More Time A Woman In Love (Something Inside) So Strong and Stop . The collection is intended for younger voices and is ideal for all school choral groups assemblies and concerts.

Tarik O'Regan 's The Ecstasies Above was commissioned by the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music and was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. The string quartet and the two solo vocal quartets should be placed in front of the chorus. The vocal quartets should be spatially separated from each other. Depending on thevenue and the size of the chorus the string quartet may need to be amplified.

Songs For A Winter's Evening to poems by Robert Burns. Arranged for soprano and piano. Duration 21 minutes.

The Prince of Sleep to words by Walter de la Mare is a languid setting capturing masterfully the absent-minded sentiments of the words; imagery of dreams and the natural world (especially woodland) always seemed to inspire Elgar . In the Summer of 1925 Elgar produced two songs The Prince of Sleep and The Herald and both were on the subject of death like their immediate predecessor from the year before The Immortal Legions and The Wanderer of the year before that. Michael Kennedy refers to the de la Mare setting as being “in the raptmanner Elgar reserved for special moments of vision” a view with which it is difficult to disagree. The part-song for SATB unaccompanied Voices is now available as part of the Elkin Choral Series. Performance time approximately 5 minutes. Piano accompaniment for practice only.

The Double Bass part for Michael Hurd’s Swingin’ Samson an enormously fun pop cantata. Divided into six sections this lively and toe-tapping show is fabulous for schools or amateur performance. Highlights of the cantata include the scene in a barber’s shop with a background of snipping scissors. This is followed by a splendid music-hall song where the whole audience can join in! The finale describes the Philistine’s party - set as a square dance - at the end of which Samson pulls down the whole building! Bring the house down with this wonderful 10 minute cantata!

This version of Richard Allain's Welcome All Wonders composed in 2010 is scored for SSAATBarB. The original version for AATTBarBB (available with code NOV200827) was first performed during a live broadcast from King's College Chapel Cambridge.

Songs for infants and lower juniors to sing and play based on the popular story of The Three Billy Goats Gruff. The songs come with a simple piano part guitar chord symbols and suggestions for pitched and unpitched percussion accompaniments.