Miscellaneous Chorale Preludes Part I with an introduction by Ernest Newman.

Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes . Edited by Donald Burrows.

POD-Only selected works by this publisher are included in the catalogue. Xicochi is a work by Gaspar Fernandez for Unaccompanied Upper Voices. The work is a setting of an Aztec Carol arranged by Jonathan Wikeley.

Five seasonal works for organ based on appropriate hymn tunes.

Anthems and Hymns for Lent Holy Week and Eastertide for mixed-voiced choirs- The Novello Book Of Music For Lent & Easter is an exciting collection of Lent and Easter music for mixed-voice choirs from the easy to learn to the more challenging and unconventional. A book of anthems hymn arrangements and other pieces covering the period from Ash Wednesday to Easter including music for Palm Sunday Holy Week Maundy Thursday Good Friday and Easter Day. This book is in the same style as the successful Noel! series with the same balance of new and familiar pieces to ensure it appeals to the greatest possible choral market. Mixed-voice choirs of all levels will enjoy these new arrangements of favouriteHymns as well as stimulating original works for the Easter season.

for SATB unaccompanied-Kenneth Leighton's setting of the Preces And Responses for unaccompanied SATB chorus as composed in 1964. Kenneth Leighton's setting of the Preces And Responses for unaccompanied SATB chorus as composed in 1964.

A setting of Open Me To the Gates Of Righteousness for mixed chorus by Frank Adlam.

Short strophic carol both words and music by Giles Swayne for Unison Voice (with optional second part) and Piano accompaniment.

For SATB Choir. For SATB Choir.

Elgar's Enigma Variations arranged for solo Piano.

Single sheet music arranged for SATB with piano accompaniment.

For SATB Chorus and Organ. For SATB Chorus and Organ.

For Mixed Chorus suitable for performance at Easter. For Mixed Chorus suitable for performance at Easter.

Music from an old French Noel with text by the Canon JMC Crum. Written for the upper voices with a Piano part provided for rehearsal purposes.

St Peter In Westminster-Herbert Howells is a giant of 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. Over the course of his compositional life he created many settings for the Magnificat and the Nunc Dimittis. Howells made a practice of writing his settings for these texts and completed twenty services generally specifically for the church buildings or cathedrals in which they were to be performed. In this way he wrote works for the cathedrals of St Paul’s Worcester and Gloucester as well as York Minster King’s College Cambridge New College Oxford and St John’s College Cambridge among others. This setting was written forWestminster Abbey in 1957. Herbert Howells is a giant of 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. Over the course of his compositional life he created many settings for the Magnificat and the Nunc Dimittis. Howells made a practice of writing his settings for these texts and completed twenty services generally specifically for the church buildings or cathedrals in which they were to be performed. In this way he wrote works for the cathedrals of St Paul’s Worcester and Gloucester as well as York Minster King’s College Cambridge New College Oxford and St John’s College Cambridge among others. This setting was written forWestminster Abbey in 1957.

For SATB Choir and Harp (or Piano). Text: Eric Crozier. For SATB Choir and Harp (or Piano). Text: Eric Crozier.

Angela Morley's Harlequinn for Clarinet with Piano accompaniment.

For SATB Choir A Cappella. Text Richard Alison (1606). For SATB Choir A Cappella. Text Richard Alison (1606).

God Is Gone Up With A Merry Noise is an anthem for six-part SSAATB choir. It sets a passage from Psalm 47 and is presented here in the original minim version with an Organ accompaniment by Vincent Novello . William Croft (1678-1727) was an English composer organist and choirmaster. He studied with John Blow at the Chapel Royal and later became organist at Westminster abbey. He is best remembered for the tune Saint Anne which was written for the hymn O God Our Help In Ages Past and also for his Funeral Sentences which have been sung at every British State Funeral since the 1700s.

Evocation to a Friend was commissioned for the Choristers of Canterbury Cathedral on behalf of Befrienders International (now Befrienders Worldwide). The text is by David Race and explores themes of friendship and hope. The music grows in intensity over a cyclic harmonic pattern with repeating melodic fragments arranged across the four voices creating a hypnotic effect. After a bleak and reflective interlude in the middle the music unwinds to a peaceful conclusion. The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secularworks from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around. Timothy Noon (b.1974) is Director of Music at Holy Trinity Cathedral Auckland New Zealand. He received his musical education as a chorister at Hereford Cathedral and subsequently as Organ Scholar at Christ Church Oxford. Following appointments at St Patrick’s Cathedral Dublin and Canterbury Cathedral he became Organist and Master of the Choristers at St David’s Cathedral Pembrokeshire and then Director of Music at Liverpool Metropolitan Cathedral before moving to his present position in 2011. Timothy Noon - Evocation To A Friend by musicroom