Motet for Compline or Evensong for SATB Choir A Cappella. This edition prepared by Denis Stevens.

Tarik O'Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. ' The Night's Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual variations on the theme of sleep and can be found in the chosen texts. The work's title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition's focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O'Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence'. - Organists' Review

For SATB Choir and Organ. For SATB Choir and Organ.

This setting Julian Marshall's second of this Blake text was premiered in 2018 by the vocal group The Rupa Ensemble. This setting Julian Marshall's second of this Blake text was premiered in 2018 by the vocal group The Rupa Ensemble.

Written for string orchestra.

Anthem for SATB Choir for Palm Sunday.

Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Queen's Cross Church Aberdeen. Programme note 'This short work is about conflict - expressed here by the clash of opposing musical forces. One force' an arioso' is based around the harmonic field of E and is melodic tonal straightforward and at times emotional. It is mainly led by the first violin. The other force' led by the double bass is strongly discordant [at first a single note F latergradually growing to a giant cluster]. It is essentially chordal [non-melodic] static suffocating inexorable and impersonal. Its only contrast is getting louder or getting softer getting denser or less dense. The interruption of the opening arioso' by a single note F on the double bass is at first not very threatening and the reaction to it is one of surprise. Later as the threat increases so the reaction becomes stronger; at first one of irritation then anger. A passionate outburst on the violins follows which falls on deaf ears. Then a solo violin solo viola and solo cello all appeal in turn: still no response. Finally only fragments of the original arioso' are heard before dying away. Whereas near the

For SATB Choir. For SATB Choir.

Arranged by Walter Emery for two pianos.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel 's For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah's words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

From The Life And Adventures Of Nicholas Nickleby. Arranged by Stephen Oliver for SATB Choir and Piano Accompaniment (Orchestral Parts available on hire). From The Life And Adventures Of Nicholas Nickleby. Arranged by Stephen Oliver for SATB Choir and Piano Accompaniment (Orchestral Parts available on hire).

For solo tenor and SATB mixed chorus a cappella. Includes a Piano part for rehearsal purposes only. For solo tenor and SATB mixed chorus a cappella. Includes a Piano part for rehearsal purposes only.

Hymn tune setting the text of Isaac Watts. For SATB Choir and Organ. Fifth verse with descant. Hymn tune setting the text of Isaac Watts. For SATB Choir and Organ. Fifth verse with descant.

Commissioned by the Houston Symphony Orchestra.

Four-part mixed chorus setting by Granville Bantock based on a text by Alfred Hayes. Four-part mixed chorus setting by Granville Bantock based on a text by Alfred Hayes.

Written to display the tone-colours of the modern organ.

for Boy's Voices-A setting for boy voices.

Liturgy-A setting of the evening canticles for mixed voices with organ accompaniment written for Norwich Cathedral. Richard Allain's The Norwich Service for SATB and Organ. The Norwich Service was commissioned by Norwich Cathedral. Duration c. 9 minutes

Arranged for solo soprano SATB chorus and organ.

A setting of Psalm 100 for SATB Choir and Organ. Commissioned by the Salisbury Diocesan Choral Festival Group for the Joint Diocesan R.S.C.M. Festival 2003.