This new edition of Gabriel Fauré 's Requiem presents the work in a chamber edition for the first time. Edited and arranged by David Hill for Violin Cello Harp and Organ this score is compatible with the Novello vocal score of the same work and all other major editions. It aims to convey the original chamber-music qualities of Fauré's original scoring and will enhance performances with keyboard reductions at minimal cost. It will be of great use to chamber and church choirs without the budget or space to perform this understated masterpiece with full orchestra yet who wish to convey the rich colours and textures ofFauré's most famous work. Gabriel Faure: Requiem is scored for Violin Cello Harp Organ and SATB voices (for SATB separate parts not included). In order to perform the work choir members would require NOV072304. 'Here is a visionary publication that will solve many problems. Most important this edition will work with existing versions even down to rehearsal marks.' - Andrew Fletcher Organists' Review

Work for Speaker SATB Choir Timpani Organ (Optional Brass) setting the text of John Donne.

In addition to the many large-scale works for which he is celebrated Elgar also wrote a plethora of songs among them approximately fifty part-songs. Fly Singing Bird is one part of a two-part work that sets the poetry of the composer’s wife. Alice Elgar had published an epic poem Isabel Trevithoe a Cornish love story from which the words of Fly Singing Bird were excerpted.Fly Singing Bird is a delightful early Elgar work that has been popular with Choral concerts and festivals.In addition to the many large-scale works for which he is celebrated Elgar also wrote a plethora of songs among them approximately fifty part-songs. Fly Singing Bird is one part of a two-part work that sets the poetry of the composer’s wife. Alice Elgar had published an epic poem Isabel Trevithoe a Cornish love story from which the words of Fly Singing Bird were excerpted.Fly Singing Bird is a delightful early Elgar work that has been popular with Choral concerts and festivals.

In this setting the Magnificat is sung by the Choir SATB with soaring Soprano lines contrasting with the rendering of the Nunc Dimittis for the most part in either baritone solo or basses in unison ending again in four-part Chorus for the Gloria.Composer Organist and teacher Ernest Bullock is best known for his anthem Give Us the Wings of Faith and for having been director of music for the coronation of HM Queen Elizabeth and writing fanfares and an anthem for that event. He set the Magnificat and Nunc Dimittis twice.

A Verse Anthem for Whitsunday for SSB Soli SSATB Choir and Organ. Transcribed and edited by Peter Aston. Editorial Notes and Textual Commentary included.

Work for Mixed Voice Choir and Organ setting the text of Robert Southwell. The work was composed in 1975 for the 250th anniversary of Trinity Parish Church Southport Connecticut.

For Soprano and SATB choir with Piano for rehearsal only. For Soprano and SATB choir with Piano for rehearsal only.

POD-Only selected works by this publisher are included in the catalogue. Why Do I Use My Paper Ink And Pen? is a work by William Byrd for Unison Voices and Organ Accompaniment that sets text attributed to Henry Walpole.

Twelve superb arrangements of Christmas favourites for SATB mixed voices guaranteed to add sparkle and glitz to every choral concert. Christmas Pops! is an essential addition to every choir library and should be on every choral singer's Christmas list! This festive collection covers a wide range of styles and festive moods from simple four part settings to extended divisi arrangements wittily and inventively crafted by the cream of today's choral arrangers including: Richard Allain Henry Capper-Allen Ralph Allwood Hywel Davies John Gardner Matthew O'Donovan Tom Recknell Bertie Rice and Jonathan Wikeley.

When Thou hadst risen again- Voskres Iz Groba (When Thou Hadst Risen Again) is a work by Sergei Rachmaninoff for Unaccompanied SATB Choir. From the 'All-Night Vigil ' this is the Vocal Score featuring a pronunciation guide and an explanation of the transliteration and translation. The lyrics are in the original and a phonetic transliteration.

Anthem for Bass Soloist SATB Choir and Organ.

Mealor's setting of this popular text for SATB divisi chorus unaccompanied.

The full score for Patrick Hawes' Te Deum the premier for which took place on 21 July 2011 in Lancaster Ohio USA performed by Lancaster Chorale and Lancaster Festival Orchestra. Instrumentation:3 Horns in F 3 Trumpets in C (1 dbl. Piccolo Trumpet*) 2 Trombones Bass Trombone Tuba Timpani Percussion (1 player): Cymbals Snare Drum Bass Drum SATB chorus Organ Strings *Piccolo Trumpet may be used at the discretion of the player

For SATB Divisi Choir Unaccompanied-Owain Park's Justorum Animae arraged for unaccompanied SATB divisi choir. Owain Park's Justorum Animae for unaccompanied SATB divisi choir. Owain Park born in 1993 is a composer based in the United Kingdom. His works are published by Novello and have been performed internationally by ensembles including the Tallis Scholars the Aurora Ensemble and the Norwegian Soloists' Choir.

Carol with words translated from the French 'Quittez Pasteurs' by Alice Raleigh. Harmonised and arranged for SATB Choir A Cappella by C.H. Kitson.

Only selected works by this publisher are included in the catalogue. John McCabe 's The Lord Is My Shepherd is scored for Unison Upper Voices with Organ Accompaniment. A setting of Psalm 23 from the King James Version of The Bible a full performance lasts aroudn 2 and a half minutes. A review in the September 2016 issue of Organist's Review states that this piece is 'challenging and attractive' and 'poses interesting rhythmic challenges for singers'.

Distracted With Care And Anguish (Insanae Et Vanae Curae) is a motet for four voices. The accompaniment for Great Organ has been arranged by Joseph Barnby . Joseph Haydn (1732-1809) was an Austrian composer who became the figurehead of the classical movement. He formed a close and mutually respectful relationship with Mozart and later taught Beethoven but it was his compositions that left an indelible mark on the musical landscape of Western Europe.

All That We Read In Their Smiles was Written for Horn Tenor and Piano. This work was commissioned by the Merlto Trio with funds provided by the Arts Council of Great Britain.

Written for John Padley and the Sherbourne School Chapel Choir.

Composition for Organ dating from 1927.