Nobody Does It Better sung by Carly Simon came from the James Bond film The Spy Who Loved Me . Marvin Hamlisch and Carole Bayer Sager’s song marked the first time a bond song had not shared its title with that of the film - since the tradition started. It stood as an excellent pop song in its own right and has endured as Carly Simon’s longest-charting hit and the title of her greatest hits album. This choral version has been arranged for mixed voice SAB choir with Piano accompaniment by Thomas Lydon.

Written for ATTBB choir. Words from Psalm 145 verse 15.

A unique guide to teaching unaccompanied singing! Gitika Partington's a cappella arrangements are used by youth and community choirs around the world. Gitika believes in the sensational power of group singing bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be! Gitika Partington is a singer/songwriter vocal arranger teacher and choral director. She has an MA in choral education and holds many other musical qualifications. Sheruns regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged. One of Gitika's major loves is a cappella vocal arranging which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely. She is a member of the Natural Voice Practitioner Network an organisation that believes in singing as a spontaneous way of expressing joy celebration and grief and as a medium for binding communities together. Gitika shares the network's belief that singing together should be available to all and is not about having 'a good voice'. All of her groups are non-audition and open to anyone who wants to sing.

G. F. Handel 'S The King Shall Rejoice For Ssaatbb (Satb) Chorus And Orchestra. Orchestral Set Of Parts For 2 Oboes 2 Bassoons 3 Trumpets Timpani Strings And Continuo (Organ And/Or Harpsichord). G. F. Handel 's The King Shall Rejoice for SSAATBB (SATB) Chorus and Orchestra. Orchestral set of parts for 2 Oboes 1 Bassoon 3 Trumpets Timpani Strings and Continuo (Organ and/or Harpsichord).

A huge hit for Adele in 2011 Someone Like You has here been expertly arranged by Chris Hussey for choirs seeking a powerful centrepiece to their repertoire. Full of gripping emotion and resolve this dignified tale of romantic reflection won Adele the 2012 Grammy for Best Pop Solo Performance and now choirs too can reap the rewards of this show stopping signature tune. Arranged here for SATB with piano accompaniment.

Arranged for SATB unaccompanied. Words from poems of Edward Thomas. Commissioned by Norman Morris and The Reading Phoenix Choir.

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s. Arranger Nicholas Hare has endeavoured to share the interest among all the voice parts but each singer should be aware at all times of who has the melody so that it is allowed to stand out. A discreet use of soloists is often appropriate. Blend and balance of the harmony is another vital element in successful performance of this music and vibrato should be kept in check so that the chords are clean and perfectly in tune. The various vocalisations (ah ooh mm etc.) may be considered as suggestions only and variedaccording to the performance conditions. Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy Piano rehearsal.

The Saeviat Tellus Inter Rigores makes substantial virtuosic demands in the Soprano solo part. It is written in six movements very specifically for the Order of Carmelites.Handel's early musical life in Hamburg led him to an encounter with a member of the de Medici family who may have inspired him to make his seminal visits to Italy beginning in 1706. Surprisingly in view of his Lutheranism Handel's first compositions in Italy were for the church including this motet written for the Feast of Our Lady of Mount Carmel and performed in 1707.

Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue. - Andrew Achenbach Gramophone These five songs for voice with piano and string quartet accompaniment take the Severn River and itshistorical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler. - James A. Altena Fanfare Magazine

Patrick Hawes ' 2011 arrangement of the English folk song Early One Morning for solo Soprano Flute Oboe Harp and Strings. This is a Vocal score for Soprano with Piano accompaniment. Patrick Hawes ' 2011 arrangement of the English folk song Early One Morning for solo Soprano Flute Oboe Harp and Strings. This is a Vocal score for Soprano with Piano accompaniment.

Diamonds Are Forever Is The Theme Song Of The Seventh Film In The James Bond Series. The Sensual Lyrics Of The Song Are Voiced By Shirley Bassey Written By Don Black And Set To Music By John Barry. This Ttbb Arrangement By Thomas Lydon Captures The Longing Of The Song With Its Luxurious Harmonies And Mimicry Of The James Bond Signature Brass Stabs In The Piano Accompaniment. Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

Mezzo-soprano and Piano.

Written by John and Michelle Phillips two years before they formed The Mamas And The Papas the evocative California Dreamin' reflects a longing from chilly New York for the warmth of the West Coast. California Dreamin' was released by The Mamas And The Papas in 1965 and has since become almost an informal signature tune for the hippie phenomenon that had hardly started when it was written. It has been arranged for female choir with piano accompaniment.

Work for Organ (Op.12) dating from 1885.

Flight is a virtuoso solo which seeks to investigate many of the various aspects of flying. It attempts to portray the effort of powered flight the ease of gliding and soaring the thrill of rising on natural thermals and the chaotic swirling of rapid descent. Intended for the flugel horn it will also suit cornet trumpet and euphonium players equally well. Full score and parts of the brass band version are available on hire from the publisher.

Parts-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. These are the instrumental Parts . Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.

from Matilda- When I Grow Up comes from Matilda he Musical the award-winning stage version of Roald Dahl’s classic children’s novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood. This choral version for SATB and piano accompaniment is arranged by Simon Foxley. Watch this brilliant performance from Matilda: The Musical (West End) - When I Grow Up :

L'il Liza Jane an American song arranged for unaccompanied SATB chorus by Gordon Lawson. A piano part is included for rehearsal purpose only.

Patrick Hawes ' Lavender’s Blue for Soprano Flute Oboe and Strings. Vocal Score. Patrick Hawes ' Lavender’s Blue for Soprano Flute Oboe and Strings. Vocal Score.

It Came Upon The Midnight Clear arranged by David Hill. The brass parts included are Trumpet 1/2/Trombone 1/2/3/Tuba.