Not no faceless Angel is a beautifully reflective work. The themes of loss and love are articulated through expressive melodic lines and touching imagery.

for SATB unaccompanied This edition of the Salve Regina by Portuguese composer Diogo Dias Melgas (1638-1700) is the first published version of the work. Featuring simple yet highly skilful writing this moving piece will prove a wonderful new discovery for choirs of all sizes and abilities for use in services or concerts. This edition of the Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700) is the first published version of the work which has previously only been available in a library edition. Suitable for liturgical or concert performance this setting is in four equally active parts throughout each of which takes the initial plainsong motif at the opening. The effectiveness of this moving work lies in the skilful manipulation of simple motivic material through the use of devices such as parallel writing sequences repetition suspensions and hocket. The vocal score is presented alongside detailed performance and editorial notes and an optional bassocontinuo part appears as an appendix. Salve Regina is featured on The Sixteen's CD 'A Goldern Age of Portugese Music' conducted by Harry Christophers (COR16020).

Voicelinks is an innovative teaching resource for music in early years and primary education. It embraces singing as a means of accessing all areas of the curriculum with natural progression and links between age groups and subject matter. Voicelinks is suitable for specialists and non-specialists alike. Voicelinks is an innovative teaching resource for music in early years and primary education. It embraces singing as a means of accessing all areas of the curriculum to develop the whole child with natural progression and links between age groups and subject matter. At the heart of the book are 24 carefully written songs covering popular school topics. Each song is tailored to Early Years (3-5) Key Stage 1: Year 1 (5-6) or Key Stage 1: Year 2 (6-7) and comes equipped with a host of activity ideas designed for classroom use. Suitable for specialists and non-specialists alike Voicelinks guarantees successful learning outcomes across thecurriculum. 24 songs about colour the weather travel celebrations and much more Tailored to children aged 3-5 5-6 and 6-7 (early years and lower primary) Comprehensive teaching notes for preparing-teaching-developing the song and topic An outline of the curriculum links for each song showing related skills and areas of learning Professionally recorded CD with demos for all songs and backings for KS1 songs Songs with notated Piano accompaniments or optional pupils' percussion parts Additional learning resources including picture-cards and illustrations Photocopiable vocal scores percussion parts and supporting resources Sue Nicholls and Peter Hunt Peter Hunt is Head of Voice for Berkshire Young Musicians Trust and the inspiration behind OUP's successful Voiceworks series. He has a wide experience of school teaching at primary and seconday levels and was co-founder of the highly acclaimed Oxfordshire Youth Chamber Choir. From 2000-2002 he was also an Advisory Teacher for the county's vocal strategy. His extensive experience as a choral animateur workshop leader conductor and arranger and his career in education have contributed directly to his understanding of the needs of young singers. Following a

This song was written for the 'NMC Songbook' a CD of contemporary vocal studies. Of a romantic wistful nature it is particularly accessible full of lush Poulenc-inspired harmonies. Echo was first performed and recorded in August 2008 at King's Place London by Ailish Tynan and Iain Burnside.

Out of your sleep is a fresh-sounding Advent carol rich in rhythmic variation and subtle detail. Written for the Choir of King's College Cambridge the carol provides opportunities for the choir to shine with bell-like vocal syncopations and a joyful text celebrating the transformative powers of Christmas Eve.

for SA and SSAA unaccompanied Setting a Native American text The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos imitative effects and rich harmonies this is a welcome addition to both the secular and upper-voice repertories. Setting a Native American text The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos imitative effects and rich harmonies this is a welcome addition to both the secular and upper-voice repertories.

This is the third in a trilogy of organ works inspired by the metaphysical poet George Herbert. This piece and the first of the three Sounding heaven and earth draw their titles from George Herbert's Prayer (I).

for tenor solo SATB string orchestra and harp This moving cantata draws on biblical texts associated with Sir Ernest Shackleton his 1916 Antarctic Expedition and Rupert Brooke. With lustrous harmonies and a poignant tenor solo it offers choirs an immensely rewarding experience. Cecilia McDowall 's Some Corner Of A Foreign Field for Tenor solo SATB (with divisions) and Strings. Written as part of McDowall 's tenure as composer in residence at Dulwich College Some Corner Of A Foreign Field was commissioned to mark the centenary of the First World War. A profoundly moving cantata it draws on biblical texts associated with the acclaimed pupil of Dulwich College Sir Ernest Shackleton his 1916 Antarctic Expedition and Rupert Brooke the centenary of whose death falls on 2015. This beautiful work with its lustrous harmonies and its poignant Tenor solo offers choirs an immensely rewardingexperience.

Hardback-This volume contains newly edited versions of all Walton's songs for voice and piano together with Anon in Love for voice and guitar and songs from radio plays. It also includes the first publication of the scores of the orchestral versions of Anon in Love and A Song for the Lord Mayor's Table. This volume contains newly edited versions of all William Walton's songs for voice and piano together with Anon in Love for voice and guitar and songs from radio plays. It also includes the first publication of the scores of the orchestral versions of Anon in Love and A Song for the Lord Mayor's Table . William Walton wrote songs throughout his life the first 'Tell me where is Fancy bred?' written when he was a chorister at Christ Church Oxford the last A Song for the Lord Mayor's Table a song-cycle for Elisabeth Schwarzkopf written in the early 1960s. They all reveal his earfor word-setting an imaginative response to the text and an ability to conjure striking musical images from his chosen material. Shakespeare: Tell me where is Fancy bred? Shakespeare: Tell me where is Fancy bred? - arr. piano Four Swinburne Songs 1. Child's Song 2. Song 3. A Lyke-wake Song 4. The Winds William Drummond: Tritons Three Songs to poems by Edith Sitwell 1. Daphne 2. Through Gilded Trellises 3. Old Sir Faulk Shakespeare: Under the Greenwood Tree - low voice Shakespeare: Under the Greenwood Tree - medium voice Louis MacNeice: Beatriz's Song Louis MacNeice: Beatriz's Song - arr. piano Anon.: Anon. in Love 1. Fain would I change that note 2. O stay sweet love 3. Lady when I behold the roses 4. My Love in her attire 5. I gave her Cakes and I gave her Ale 6. To couple is a custom A Song for the Lord Mayor's Table Thomas Jordan: 1. The Lord Mayor's Table Wordsworth: 2. Glide Gently Arley: 3. Wapping Old Stairs Blake: 4. Holy Thursday Charles Morris: 5. The Contrast Anon.: 6. Rhyme Anon.: Anon. in Love - orchestral version 1. Fain would I change that note 2. O stay sweet love 3. Lady when I behold the roses 4. My Love in her attire 5. I gave her Cakes and I gave her Ale 6. To couple is a custom A Song for the Lord

Paperback-for SATB and organ In this gently uplifting setting of the opening of Psalm 25 Skempton's seamless homophony creates a reflective sound-world. With beautifully blended vocal parts resonant harmonies and a supportive organ line this anthem will appeal to any choir looking for a poignant addition to their repertory. In this gently uplifting setting of the opening verses of Psalm 25 a psalm of faithfulness and trust Skempton employs seamless homophony to create a sound-world that encourages the listener to reflect on the psalm's proclamations. With beautifully blended vocal parts resonant harmonies and a supportive organ line To you O Lord I lift up my soul will appeal to any choir looking for a poignant addition to their repertory.

Globetrotters for wind-Globetrotters brings together twelve toe-tapping original tunes in styles from around the world-from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha- for the budding saxophonist. Saxophone Globetrotters - E Flat Edition brings together twelve toe-tapping original tunes in styles from around the world-from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha- for the budding saxophonist. This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world. To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the authors. With options for saxophone or piano accompaniment and an inspirational CD Globetrotters is the ultimate resource for aspiring musicians looking to gotravellin'. 12 fun pieces in styles from around the world Suitable for young saxophonists everywhere (2+ years' playing experience/around Grade 2-4 standard) Range of styles including bossa nova klezmer township jazz Brazilian Bulgarian and Greek Fascinating background information and tailored warm-ups Includes saxophone accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chords CD with performances and backings for every piece recorded by renowned world-music performers

This impressive anthem is the second of two in which Michael Berkeley sets texts by Rowan Williams. First the sun then the shadow uses words from his poem Emmaus written in 2008. It was commissioned by Durham Cathedral Choir Association at the request of Archbishop Justin Welby.

for SATB (with divisions) and small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1 1 x fl 2 1 x hp 1 x hpschd 4 x vln 1 4 x vln 2 3 x vla 2 x vc 1 x db John Rutter 's Blow Blow Thou Winter Wind . Instrumental parts. This setting of a song from Act II of Shakespeare's 'As You Like It' was originally published as part of John Rutter 's cycle of six Choral settings with small Orchestra 'When Icicles Hang'. This set contains: 1 x fl 1 1 x fl 2 1 x hp 1 x hpschd 4 x vln 1 4 x vln 2 3 x vla 2 x vc 1 x db.

for SSAATTBB unaccompanied In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's fine eight-part piece Great God of Love to the words Take up thy cross the saviour said. In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's fine eight-part piece Great God of Love to the words Take up thy cross the saviour said. The text matches the music perfectly and only minimal rhythmical changes have been necessary.

Oxford Hymn Settings for Organists Volume 6-With a host of accessible quality new settings and with pieces based on all the major hymn tunes these volumes are a must for every church organist's library. With a host of accessible quality new settings and with pieces based on all the major hymn tunes these volumes are a must for every church organist's library.

Eurydice is based on a work by the great Scottish artist Ian Hamilton Finlay - a series of six large stones installed in a garden in Provence set in a sea of lavender (representing water) and inscribed with a simple poetic text each line of which begins with 'Eurydice' and is followed by a natural phenomenon 'the mountain-tops' 'the oaks' etc. The piece is in eleven sections. Each section begins with a refrain - 'Eurydice' - followed by differently characterized music for 'the woods' 'the clouds' etc.

for unison voices and piano or flute clarinet and strings This energetic setting of the popular Spanish Christmas carol is a delight to sing. The spicy Spanish rhythms make for a refreshing and yet approachable melody perfect for any choir in search of a novel and worldly title for the Christmas season. The original Spanish text is presented with an English singing translation and an optional accompaniment for strings flute and clarinet is available on hire. There is also an SATB version. This energetic setting of the popular Spanish Christmas carol is a delight to sing. The spicy Spanish rhythms make for a refreshing and yet approachable melody perfect for any choir in search of a novel and worldly title for the Christmas season. The original Spanish text is presented with an English singing translation and an optional accompaniment for strings flute and clarinet is available on hire. There is also an SATB version.

for SATB chorus 3 trumpets timpani 2 oboes 2 bassoons strings and continuo These four anthems have long had a special place at the heart of the English choral tradition. They were composed for the coronation of George II in 1727. Full scores vocal scores and orchestral material are available on hire. The Cello Double Bass and Bassoon parts for four of Handel's Coronation Anthems which include Zadok the Priest and My heart is Inditing . These varied and rousing Choral Anthems are available in the corresponding parts for a small orchestra set. Violin 1(C5269) Violin 2(C5270)and Violin 3(C5274) Viola(C5271)and a Set of Wind Parts(C5273). The complete arrangement is for SATB chorus 3 Trumpets 2 Oboes 2 Bassoons Strings Percussion and Continuo.

Paperback-for SATB and organ Psalm 95:1-7 Anthony Piccolo's O Come Let Us Sing Unto The Lord for SATB and organ Psalm 95:1-7

for SATB and piano four hands or orchestra This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first verse is sung in unison by the women and the second by the men. Verse three brings together all voices arranged in four parts. Suitable for general use throughout the liturgical calendar and particularly appropriate for Father's Day. Orchestral material is available on hire. This refreshing dance-like arrangement of this traditional hymn speaks to the praise of God in all of creation. The first verse is sung in unison by the women and the second by the men. Verse three brings together all voices arranged in four parts. Suitable for general use throughout the liturgical calendar and particularly appropriate for Father's Day. Orchestral material is available on hire.