No. 3 of Three Birthday Madrigals for upper voices-for SSAA and piano A dancing jazz waltz with a stylish and swinging piano part. Written for SSAA and piano and No.3 of Three Birthday Madrigals for upper voices. The Birthday Madrigals were written by Rutter to celebrate the 75th birthday of Jazz pianist George Shearing and the piano accompaniment for those with a flair for improvisation should be seen as no more than a guide! .

This anthem for SATB and organ is a highly effective and simple work suitable for Pentecost. The strong hymn-like tune builds through the addition of a descant to a powerful climax. This anthem for mixed voices and Organ is a highly effective and simple work suitable for Pentecost. The strong hymn-like tune builds through the addition of a descant to a powerful climax.

5 Songs For Upper Voices-This collection brings together five brand new carols by Bob Chilcott for upper voices and piano. Suitable for women's choirs or youth choirs the carols weave an imagery of birds and the natural world with the Christmas narrative setting texts by long-term collaborator Charles Bennett. This collection brings together five brand new carols by Bob Chilcott for upper Voices and Piano. Suitable for women's choirs or youth choirs the carols weave an imagery of birds and the natural world with the Christmas narrative setting texts by long-term collaborator Charles Bennett .

for SATB and organ (or organ harp and cello) Instrumental material is available on hire. A setting of the Panis Angelicus (The Bread of the Angle Host) by Cesar Franck and edited for the Oxford Choral Classics series by John Rutter. The Organ accompaniment has been transcribed by Rutter from Francks 1860s original for Organ Harp and Cello The full text derived from St. Thomas Aquina's Corpus Christi hymn Sacris Solemniis is provided in both Latin and English translation.

for SATB optional congregation and organ Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale Rutter creates an uplifting song of praise. Gentle organ arpeggios are set skilfully against carefully wrought choral lines leading to a dramatic finale. Creation's Alleluia is suitable for any worship service. John Rutter 's Creation's Alleluia for SATB optional congregation and Organ. Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale Rutter creates an uplifting song of praise. Gentle Organ arpeggios are set skilfully against carefully wrought choral lines leading to a dramatic finale. Creation's Alleluia is suitable for any worship service.

Paperback-for SATB and organ or piano Shepherds guarding your flocks is an expressive setting of a carol by Canon Matthew Woodward. Bullard skilfully conveys the text's wondrous and exultant narrative in a setting that will be accessible to a wide range of choirs. Alan Bullard 's Shepherds Guarding Your Flocks for SATB choir with Organ or Piano accompaniment. Shepherds Guarding Your Flocks is an expressive setting of a carol by Canon Matthew Woodward. Bullard skilfully conveys the text's wondrous and exultant narrative in a setting that will be accessible to a wide range of choirs.

for SATB (with divisions) unaccompanied This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs this setting is both approachable and gripping. A worthwhile alternative to the familiar Palestrina version. Gabriel Jackson 's Tomorrow Go Ye Forth for SATB (with divisions) unaccompanied. This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs this setting is both approachable and gripping. A worthwhile alternative to the familiar Palestrina version.

for CBar and piano An entry-level piece this arrangement of the well-known folk song provides a gentle challenge for two-part mixed choir of cambiata and baritone voices with supporting piano accompaniment. Andy Brooke 's arrangement of Molly Malone for CBar and Piano. An entry-level piece this arrangement of the well-known folk song provides a gentle challenge for two-part mixed choir of Cambiata and Baritone voices with supporting Piano accompaniment.

A seasonal motet for unaccompanied SATB voices This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction. A festive season motet for unaccompanied SATB voices. This choral work is among some of the finest of the late Tudor and Elizabethan periods and is available here in scholarly edition with a practical piano reduction for rehearsal purposes only.

for SATB unaccompanied For SATB unaccompanied.

for SATB unaccompanied A hymn to the Blessed Sacrament for SATB unaccompanied with Keyboard reduction for rehearsal purposes.

Passion Music continues the fusion of jazz and choral music so successfully blended in Will Todd's Mass in Blue . The structure highlights different points in the Passion story beginning with a new setting of 'Greater love has no man' and including an evocative Stabat Mater a movement focusing on the seven last words of Christ and a setting of 'Were you there when they crucified my Lord?'. While some sections are reflective Todd also makes full use of his understanding of energetic jazz and gospel. The vocal soloist is given plenty of expressive freedom singing both with the choir and independently to achieve the characteristic jazz-soulstyle. The seven-piece jazz accompaniment which is presented in the vocal score as a piano reduction for rehearsal only completes the ensemble. The full score and set of parts for the jazz accompaniment are available on sale and hire. A complete backing track and individual rehearsal tracks for the vocal parts are also available to download.

David Bednall 's Tota Pulchra Es for SSATB unaccompanied. This simple and exquisite miniature keeps the text the fourth-century Latin Hymn to the Virgin Mary at the fore with instructions from the composer to accent the melodic lines according to word stress rather than position in the bar. The musical style is a fusion of old and new with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. Tota pulchra est was recorded by The Epiphoni Consort on the CD David Bednall: Sudden Light (Delphian DCD34189)

A dramatic and characterful presentation of Psalm 68 for mixed voices and piano that is rich in colour and changes of tempo and style.

for AATTBB unaccompanied La-bas dans cette plaine' is a gentle lilting a cappella arrangement of one of the famous folksongs from the Haute-Auvergne region of France. La-bas dans cette plaine' is a gentle lilting a cappella arrangement of one of the famous folksongs from the Haute-Auvergne region of France.

For Cambiata CCBar and Piano Ian Crawford's arrangement of Schubert's famous and brilliantly dramatic Erlkonig enables choirs to explore dramaturgy and storytelling while learning a staple of Schubert's rich output for voices. The text is presented in English with a simplified part for Piano toincrease accessibility.

This anthem sets a text by Hallquist based on a passage from Thessalonians. The opening and closing sections feature a catchy melody and recurring syncopated figure in the piano enclosing a more subdued middle section. Highly accessible in style this anthem makes a dynamic addition to a service or concert.

for SSATB unaccompanied Peter Philips' Ascendit Deus for SSATB choir unaccompanied.

Anthems for SA & Men is the perfect collection for church choirs looking for high-quality accessible material in three parts. Ideal for performance during Holy Communion and suitable for use across the Church year the nine pieces by favourite Oxford composers have been re-scored specially for this collection with a particular focus on producing practical singable parts for unison men's voices. The approachable accompaniments for organ or piano support the vocal lines throughout.

for SATB and organ A version for unison voices is also available. For SATB and Organ.