for unaccompanied SSAA An exquisite setting of a love song by Sir Philip Sydney. Number two of three romantic birthday madrigals for upper voices.

Words from an old carol Range d'-a flat This gentle song utilises the words from an old carol which has been set to music by Herbert Howells. For High Voice and Piano accompaniment.

for SSA and piano A simple delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Suitable for concert use. A simple delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Suitable for concert use.

Same as We is a 'scena' a 'theatrical monologue' rather than a 'song'. Using text from Alfred Lord Tennyson's The Promise of May it is intended that the piece be both dramatic and albeit in a generalised way illustrative.

A humorous and engaging setting of a Chinese poem by Yan Li In Zhou Long's charactersistic style the music uses elements from traditional Chinese music.

for SATB unaccompanied Philip Ledger's setting of this 15th Century text for SATB unaccompanied.

for SATB (with divisions) cello and piano This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes. Sarah Quartel 's A Winter Day for SATB (with divisions) Cello and Piano. This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. Each movement depicts a different time of day beginning with the cold darkness before dawn ('Timid Star') and concluding with the evening turning into dusk and then darkness ('Snow Toward Evening'). The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes.

Pete Churchill's thrilling arrangement of this traditional Cornish carol has a gentle South African feel and features 'scat' singing and chromatic shifts in harmony. The traditional melody in 6/8 time is set against a jazz-waltz rhythm giving a contemporary twist to this Christmas classic.

for SATB clarinet and piano Every Thing That Grows is an meaningful and uplifting setting of Shakespeare's Sonnet 15. Chilcott employs captivating vocal lines a flowing piano part and expressive clarinet interludes to reflect on the text's theme of mortality with a profound closing section. Every Thing That Grows is a meaningful and uplifting setting of Shakespeare's Sonnet 15. Chilcott employs captivating Vocal lines a flowing Piano part and expressive Clarinet interludes to reflect on the text's theme of mortality with a profound closing section.

Hardback-For this newly engraved edition editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The full score is completed with Textual Notes and Preface and accompanying orchestral parts are available on hire. Ralph Vaughan Williams ' Symphony No. 8 for Orchestra. Full score. Orchestration: 2 fl 2 ob 2 cl 2 bn(opt 3rd) 2 hn 2 tpt 3 tbn timp 4 perc [opt 5th] 2 hp cel str. Vaughan Williams wrote Symphony No. 8 between 1953 and 1955 while in his eighties. It is his shortest symphony and considered by many to be his least serious. Aside from a few sombre moments the symphony is optimistic in mood and displays Vaughan Williams ' love for exotic and colourful combinations of instruments with a percussion section that he said employs 'all the 'phones and 'spiels known to the composer'. Forthis newly engraved edition editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The full score is completed with Textual Notes and Preface and accompanying orchestral parts are available on hire.

for SATB & organ Rejoice The Lord Is King arranged by John Rutter for SATB choir and Organ.

for SATB and piano or small orchestra A tranquil and flowing Christmas Carol with words from a 15th Century piece by John Rutter.

for SATB and organ or orchestra with English and French texts Orchestral material is available on hire. For SATB Choir and Organ accompaniment with English and French texts.

for SSATB unaccompanied William Byrd 's Justorum Animae is suitable for funerals and commemorations as well as specific saints' days except The Blessed Virgin Mary.

The Waiting Sky by Oliver Tarney for SSAA unaccompanied. Oliver Tarney has re-worked his popular unaccompanied minature The Waiting Sky for upper voices. The evocative text by Lucia Quinault depicts a rural winter scene and is skilfully set to music by Oliver Tarney to create a lucidly reflective piece. There is a sense in both the text and the music of waiting for the 'shining star' and while it would make a beautiful addition to a concert programme at other times of the year the setting is perfect as a reflective carol for Advent anticipating the wonder of the birth of Christ.

This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handbells Percussion or Organ. Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper Voices. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody in 6/8 metre through each of the Voice parts with each verse ending in the lilting refrain 'Lully by by lullay'. The carol may be sung unaccompanied though for added sparkle there is an optional part for Handbells (or Percussion or Organ).

The Wise Men and the Star by Oliver Tarney for SATB unaccompanied. A mystical atmospheric carol for Epiphany The Wise Men and the Star sets a text by contemporary writer Lucia Quinault that depicts the journey of the wise men as they follow the star. Tarney 's appealing musical language creates a sense of expectancy and there are beautiful moments of stillness and quiet that enable the listener to reflect on the wonder of the events of the season.

for SSA and piano A moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony. Composed for SSA and Piano Irish Blessing is a moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony.

Paperback-for SSAATB and organ William Byrd's Second Service arranged for SAATB and Organ acompaniment.

from The Wind in the Willows-The finale from The Wind in the Willows is now available in this arrangement for separate performance for SATB choir and piano or orchestra. Orchestral material is available on hire. The fantastic finale from John Rutter and David Grant's The Wind in the Willows is now available in this arrangement for separate performance for SATB choir and Piano or Orchestra.