For SATB and an organ accompaniment replacing the orchestral part. Also in Carols for Choirs 2 and 100 Carols for Choirs . For SATB and an organ accompaniment replacing the orchestral part. Also in Carols for Choirs 2 and 100 Carols for Choirs .

Preludes Inegales is named after an improvisatory group of which Butler is a member. It explores ways in which improvised material can be worked on in more formal compositional ways. Butler then improvises again on the composed material 'composing' again - and so on resulting in this characterful set of preludes for solo piano.

Paperback-This edition of Walton's Facade: First and Second Suites for Orchestra has been off-printed from the William Walton Edition full scores. It combines the scholarship of the main edition with the practical benefits of a study score format and includes an introduction by the editor. This edition of Walton 's Façade: First And Second Suites For Orchestra has been off-printed from the William Walton Edition full scores. It combines the scholarship of the main edition with the practical benefits of a study score format and includes an introduction by the editor.

Hark! the herald-angels sing-for SATB and optional organ or full orchestra or strings only or brass ensemble A German translation of the traditional English carol 'Hark! the herald-angels sing'. German and English texts. Also in the collection Glory to God. A German translation of the traditional English carol 'Hark! the herald-angels sing'. German and English texts. Also in the collection Glory to God.

The Parallel German-English Texts with Annotations- The major choral works by Johann Sebastian Bach-the Christmas Easter and Ascension Oratorios and the St. Matthew St. Mark and St. John Passions-stand as the most frequently-performed and penetratingly discussed of the genre. Renowned Bach scholar Michael Marissen has assembled a compact well-designed and ideally useful treatment of Bach's oratorios providing the full German texts with literal English translations and copious annotations. He provides strict literal translations of these texts with citations from the Luther Bible as it was known in Bach's day along side extensive footnotes that provide information addressing the interests and concerns of today's Bachcommunity. These are the first translations of the librettos from Bach's oratorios to accommodate the many sense-clarifying allusions to the readings of the Luther Bibles in Bach's day to explore from historical dictionaries the meanings of previously unnoticed archaic usages and to contrast relevant findings from modern biblical scholarship. Marissen's insights are particularly helpful his thoroughness is impressive and the book will be a longstanding definitive and essential reference for choral directors performers audience members and Bach scholars alike.

for soprano solo upper voices SSATB piano and optional percussion A Time for all Seasons is an evocative cantata that explores the complexities of the human condition. McDowall's impressive range of musical styles effective antiphonal writing and artful juxtaposition of textures work together to create a meaningful experience for the listener. Cecilia McDowall 's A Time For All Seasons for Soprano solo upper voices SSATB Piano and optional Percussion. A Time For All Seasons is an evocative cantata that explores the complexities of the human condition. The well-known To every thing there is a season text from Ecclesiastes is interwoven with a modern-day reworking of the verses by award-winning poet Kevin Crossley-Holland. McDowall 's impressive range of musical styles effective antiphonal writing and artful juxtaposition of textures work together to create a meaningful experience for the listener. The work's scoring contributes to thenarrative with sections for solo soprano or full choir contrasting with prescient interjections from the upper voice choir. The part for upper voices may also be sung by a children's choir and there is an optional part for Percussion.

An anthology for organ of 14 varied and colourful arrangements of pieces by Grieg. The volume contains a mixture of well-known pieces and new discoveries for use in recitals or as voluntaries in a church setting. An anthology for organ of 14 varied and colourful arrangements of pieces by Grieg. The volume contains a mixture of well-known pieces and new discoveries for use in recitals or as voluntaries in a church setting.

Paperback-for organ A setting of the traditional Christmas carol for organ. Dicie presents three variations of the carol's melody which are separated by a ritornello. This piece would be useful as a prelude or interlude for services during Advent and Christmas seasons. A setting of the traditional Christmas carol for organ. Dicie presents three variations of the carol's melody which are separated by a ritornello. This piece would be useful as a prelude or interlude for services during Advent and Christmas seasons.

for SATB unaccompanied Meaning 'Souls of the Righteous' this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. This piece is suitable for church and secular mixed-voice choirs and a non-singing translation of the text is included. Meaning 'Souls of the Righteous' this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. Jackson masterfully balances the still mesmerizing music of the opening and close with a more agitated and emotionally powerful central section. This piece is suitable for church and secular mixed-voice choirs and a non-singing translation of the text is included.

The work explores both conventional Sonata forms and the flexibility of performance practice for which Finnissy is renowned. The piece was designed to interact with some of the materials of the first movement of the String Quintet in F major Op.88 by Brahms and embraces the Irish folk-song O! Thou hapless soldier from Beethoven's Irische Lieder WoO 153.

This fantastic backing CD recorded by a professional jazz trio is ideal for use in both rehearsals and concerts. Compatible with the mixed-voice and upper-voice versions of A Little Jazz Mass it is sure to inspire breathtaking performances from all choirs!

for solo harp and strings Suite Lyrique is a work in six movements with music taken from the composer's Suite Antique of 1979 for flute harpsichord and strings. The harp part and full score are available on sale and string parts and scores available on hire. Suite Lyrique is a work in six movements for harp and strings with music taken from the composer's Suite Antique of 1979 for flute harpsichord and strings. The six movements - Prelude Ostinato Aria (Jazz) Waltz Chanson and Rondeau - explore different moods and exploit the harp's sound world and capabilities to the full to create a highly attractive and joyful concert work.

for SSA and piano Alice is a quirky light-hearted celebration of the Alice books by Lewis Carroll. The singers' tale of an encounter with the White Rabbit the Cheshire Cat and the Hatter is underpinned by a lively and characterful piano part. It is spirited fun and has great potential for dramatic performance. Alice is a quirky light-hearted celebration of the Alice books by Lewis Carroll. The singers' tale of an encounter with the White Rabbit the Cheshire Cat and the Hatter is underpinned by a lively and characterful piano part. Spirited fun and with great potential for dramatic performance this piece will be a memorable addition to any concert. The Songbird series presents new and exciting original material for upper voices. Showcasing the work of today's most innovative names in choral writing the series includes songs in a variety of scorings from SA voices with piano to SSAA and percussion. With well-crafted and characterful piecesin a range of distinctive styles Songbird represents upper-voice choral music at its best.

Pop Goes the Cello is a dynamic set of ten original pieces suitable for intermediate players featuring styles such as pop rock and Latin. These characterful vignettes are well suited to concert performance as encores or as a suite while allowing cellists to tackle a variety of technical and stylistic challenges. This innovative fun collection introduces intermediate to advanced level cellists to a range of pop and rock styles. Building on the trail-blazing approach to Cello playing that he developed in Ten American Cello Etudes and Ten International Cello Encores Aaron Minsky presents the student with attractive new pieces that explore a number of technical and musical challenges. In Pop Goes The Cello you will find: Imaginative and entertaining pieces. A variety of contemporary styles including pop rock latin and country. Technical challenges such as double stops syncopated rhythms harmonics thumbposition and percussive effects. Useful fingering and bowing suggestions.

for SATB and piano or orchestra This delightful new arrangement of the popular traditional carol is presented in both English and the original French. Murphy manipulates the melodic material cleverly and a variety of textures dancing cross-rhythms and interweaving motifs make this piece great fun to sing. Dance And Sing (Il est né) is a delightful new arrangement of the popular traditional carol presented in both English and the original French and expertly arranged for for SATB and piano or orchestra. Murphy manipulates the melodic material cleverly and a variety of textures dancing cross-rhythms and interweaving motifs make this piece great fun to sing and the perfect way to end a Christmas concert on a high.

for SATB with keyboard or orchestra or brass piano and harp An easy and original setting of the well-known Rossetti text. An upper-voice version is also available. Accompaniments for orchestra and for brass piano and harp are available for hire. An easy and original setting of the well-known Rossetti text for SATB and Piano.

for SATB (with divisions) unaccompanied This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone. Gabriel Jackson 's O Salutaris Hostia for SATB (with divisions) unaccompanied. This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone.

for TTBarBB and percussion This is a powerful setting of a darkly vivid poem by Edwin Brock which explores the theme of the futility of war. Scored for male voices with jumpy rhythms and chromatic harmonies the music is vigorous exciting and menacing. The percussion parts are included in the vocal score. This is a powerful setting for TTBarBB and percussion of a darkly vivid poem by Edwin Brock which explores the theme of the futility of war. Scored for male voices with jumpy rhythms and chromatic harmonies the music is vigorous exciting and menacing.

for SSATB and cello Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel and won the 2014 British Composer Award in the Choral category. McDowall uses vocal clusters and haunting solo cello lines to set texts by Sheila Bryer on the mysterious powers of the sea earth and air. Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel. Setting texts by Sheila Bryer on the mysterious powers of the sea earth and air McDowall uses Vocal clusters and haunting solo Cello lines to highlight the sense of fear awe and majesty experienced by an individual pitted against the elements. Cecilia McDowall was awarded the 2014 British Composer Award in the Choral category for Night Flight .

Four songs set to texts by the Welsh poet Menna Elfyn Songs of the Cotton Grass are in turn tender reflective lively and full of the imagery of landscapes ranging from the open high moorland of South Wales to the cotton plantations of the USA's deep South.