For SATB chorus SSATB verse and strings or organ. For SATB chorus SSATB verse and strings or organ.

for SSSSAATTBB and organ This meditative anthem sets words from Isaiah. The overlapping phrases of the sopranos which float above the sustained organ accompaniment move gently to a warm climax in the central section. This is sensual evocative music which will be enjoyed by listeners and performers alike. Vocal score for SSSSAATTBB choir with a Organ accompaniment on the score. Commissioned by St. Bride's Church Fleet Street for a service of celebration on 28th November 2007 marking the 50th anniversary of the church's re-dedication.

for SATB (with divisions) unaccompanied Setting a text by Walter de la Mare this tuneful rhythmic choral work is infused with Scandinavian style. The poem is accompanied by extensive use of scat giving a modern twist to the forlorn sentiments of the text. An ideal concert work for experienced choirs looking for something a little different. Setting a text by Walter de la Mare this tuneful rhythmic choral work is infused with Scandinavian style. The poem is accompanied by extensive use of scat giving a modern twist to the forlorn sentiments of the text. An ideal concert work for experienced choirs looking for something a little different. SATB (with divisions) unaccompanied.

Suite for Harp and Strings in Six Movements-for solo harp and strings Suite Lyrique is a work in six movements with music taken from the composer's Suite Antique of 1979 for flute harpsichord and strings. The harp part and full score are available on sale and string parts and scores available on hire. Suite Lyrique is a work in six movements for harp and strings with music taken from the composer's Suite Antique of 1979 for flute harpsichord and strings. The six movements - Prelude Ostinato Aria (Jazz) Waltz Chanson and Rondeau - explore different moods and exploit the harp's sound world and capabilities to the full to create a highly attractive and joyful concert work.

A fable with music for narrator mixed choir and small orchestra or oboe bassoon and piano This delightful work tells the story of the 14th-century Dominican mystic Heinrich Suso who according to legend notated the carol In dulci jubilo after it had been sung to him by a band of angels: he is unexpectedly aided by Sigismund his donkey. A fable with music for narrator mixed choir and small orchestra or oboe bassoon and piano This delightful work tells the story of the 14th-century Dominican mystic Heinrich Suso who according to legend notated the carol In dulci jubilo after it had been sung to him by a band of angels; he is unexpectedly aided by Sigismund his donkey.

This engagingly written piece sets the Lamentations of Jeremiah. The overlapping passages of music passed between the soloists and the choir create a dramatic effect whilst the harmonic language gives the music a sense of regret.

for SATB chorus and organ or orchestra with extended verses for ATBB Orchestral material is available on hire By English composer and organist John Blow I Beheld And Lo A Great Multitude has been arranged for SATB chorus and Organ or String Orchestra with extended verses for ATBB by Watkins Shaw.

For SATB and organ. For SATB and organ.

for SATB and piano This is a hauntingly beautiful spiritual-style setting of a sixteenth-century text attributed to Thomas Ravenscroft. Also in the anthology Christmas Spirituals for Choirs. This is a hauntingly beautiful spiritual-style setting of a sixteenth-century text attributed to Thomas Ravenscroft for SATB chorus with Piano accompaniment.

for SSATB and organ This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding bass line of the opening sets the mood for an impressive piece for a special occasion. The organ part supports the voices throughout and adds a ten-bar 'coda'. Samuel Wesley 's Exultate Deo for SSATB Choir and Organ. This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding Bass line of the opening sets the mood for an impressive piece for a special occasion. The Organ part supports the voices throughout and adds a ten-bar 'coda'.

Originally part of Walton's film score to Henry V composed in 1943 'Touch her soft lips and part' has been taken from the original string version and arranged beautifully by Michael Berkeley for a smaller ensemble.

A new edition in study score format of Vaughan Williams's much-loved Symphony No. 5 correcting errors and misprints and based on research of the extant sources. Contains a preface on the history of the work by Michael Kennedy. Vaughan Williams 5th Symphony is a set work on the new AQA A-Level Music Syllabus. This new large format study score has been produced after feedback from teachers. It is newly engraved easy to read and has space for students to make notes It corrects misprints included in the previous editions It includes a preface by Vaughan Williams scholar Michael Kennedy on the history of the work

Pianogongs was inspired by the sonorities of the percussion section of the Beijing opera. The work is for one performer and features a combination of piano (functioning like a percussion instrument) and 2 gongs which are laid on the soft top of an extra piano bench to the left of the performer. The structure of the piece is formed by alternation of three different musical ideas: a fast repetitive rhythm a series of chords based on the major triad and perfect fourth and an energetic staccato motif.

This collection presents nine beautifully-crafted duet arrangements of classic works from the Russian repertory. Compiled and prepared by composer Halyna Ovcharenko the arrangements have been carefully selected from a variety of genres including orchestral chamber opera and ballet. This collection presents nine beautifully-crafted duet arrangements of classic works from the Russian repertory. Compiled and prepared by composer Halyna Ovcharenko the arrangements have been carefully selected from a variety of genres including orchestral chamber opera and ballet. Twentieth-century classics such as the Allegretto from Shostakovich's String Quartet No. 8 and the Gavotte from Prokofiev's 'Classical' Symphony sit alongside timeless masterpieces like Rimsky-Korsakov's Sheherazade and Tchaikovsky's 'Dance of the Sugar Plum Fairy' from The Nutcracker. Topped off with works by Glinka Borodin Musorgsky and Rachmaninoff the result is a varied and satisfyingcollection suitable for all intermediate and advanced duettists. Contents: Shostakovich: Allegretto from String Quartet No. 8 Borodin: Polovtsian Dance No. 1 Borodin: Nocturne from String Quartet No. 2 Glinka: Kamarinskaya Musorgsky: 'Gopak' from Sorochintsi Fair Prokofiev: Gavotte from Symphony No. 1 'Classical' Rachmaninoff: Vocalise Rimsky-Korsakov: Sheherazade Tchaikovsky: Dance of the Sugar-Plum Fairy from The Nutcracker

. . . for Choirs Collections-This unique collection approaches Advent afresh drawing together 52 beautiful and accessible pieces that span the whole gamut of periods styles and traditions. Advent for Choirs is the perfect musical and liturgical resource for all church cathedral and concert choirs and includes approachable new settings unjustly neglected music and works not easily available elsewhere. An accessible and comprehensive liturgical and musical resource for use in carol services concerts and throughout the Advent season. All pieces are suitable for SATB choirs of all sizes and abilities. Accompaniments for Keyboard instruments are included where appropriate.

For SATB and Organ. This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody floating soprano descant and mellifluous closing 'Amen' make this a setting of great beauty. For SATB and Organ. This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody floating soprano descant and mellifluous closing 'Amen' make this a setting of great beauty.

for SAA and piano Exhibiting Chydenius's unique style this contemplative ballad sets a wistful text by American lyrical poet Sara Teasdale. The close harmonies persuasive melodies and appealing syncopations in the voices make The Kiss ideal for upper-voice choirs looking for an evocative concert piece. Jussi Chydenius: The Kiss is here arranged for SAA and Piano. Exhibiting Chydenius 's unique style this contemplative ballad sets a wistful text by American lyrical poet Sara Teasdale. The close harmonies persuasive melodies and appealing syncopations in the voices are underpinned by a stylistic Piano part with a rhythmic chord pattern that creates a sense of build and drive. The Kiss is ideal for upper-voice choirs looking for an evocative concert piece.

An opera with instrumental parts for strings keyboard continuo plus optional guitar for dances This edition with English and German texts is based on that by Edward Dent (first published in 1925) but includes more recent scholarship. An opera with instrumental parts for strings keyboard continuo plus optional guitar for dances This edition with English and German texts is based on that by Edward Dent (first published in 1925) but includes more recent scholarship.

for SSATBB unaccompanied This setting of the Nunc Dimittis was written for Westminster Cathedral and first performed at Compline on Easter Day 1916. In concerts it could be contrasted with the Latin settings by Howells and Holst and in services it could partner Stanford's eight-part Magnificat. This setting of the Nunc Dimittis was written for Westminster Cathedral and first performed at Compline on Easter Day 1916. In concerts it could be contrasted with the Latin settings by Howells and Holst and in services it could partner Stanford's eight-part Magnificat.

for SATB (with divisions) and organ This exciting work with words by Robert Bridges has musical and literary resonances with the Church Music Society's most famous and well-loved title Jesu joy of man's desiring. The choral part is mainly chordal and not too demanding while the organ part is quite challenging. This exciting work with words by Robert Bridges has musical and literary resonances with the Church Music Society's most famous and well-loved title Jesu joy of man's desiring. The choral part is mainly chordal and not too demanding while the organ part is quite challenging.