for S solo SSATB & organ This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar Peter Horton has worked from the original folio edition of 1844. It displays Wesley's adventurous harmony and use of wide-ranging keys in a similar way to the Evening Canticles in E (CMSR53). This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar Peter Horton has worked from the original folio edition of 1844. It displays Wesley's adventurous harmony and use of wide-ranging keys in a similar way to the Evening Canticles in E (CMSR53).

Hardback-This volume presents newly engraved and edited scores of all Walton's popular film scores including the various Shakespeare suites and for the first time on sale his music for the film Battle of Britain. This volume presents newly engraved and edited scores of all Walton's popular film scores including the various Shakespeare suites and for the first time on sale his music for the film Battle of Britain.

for SATB and piano This gentle carol set to a beautiful text by Elizabeth Jennings reflects upon the birth of Christ and the coming New Year. In a simple setting Chilcott perfectly captures the warmth of the season the wonder of this child's birth and the significance of his coming into the world. This carol is also available for upper voices (SA). This gentle carol set to a beautiful text by Elizabeth Jennings reflects upon the birth of Christ and the coming New Year. In a simple setting Chilcott perfectly captures the warmth of the season the wonder of this child's birth and the significance of his coming into the world.

Kenneth Leighton was a composer of distinction whose individual voice is evident across the range of his works. He was awarded numerous prizes for composition and from whom 1970 until his death in 1988 was Reid Professor of music at the University of Edinburgh. This anthology draws together six of his original compositions for Organ. Kenneth Leighton was a composer of distinction whose individual voice is evident across the range of his works. He was awarded numerous prizes for composition and from whom 1970 until his death in 1988 was Reid Professor of music at the University of Edinburgh. This anthology draws together six of his original compositions for Organ.

for SAATTBB unaccompanied What sweeter music is an atmospheric setting of Robert Herrick's popular Christmas text. The carol opens with hushed interweaving choral lines creating a soft veil of sound that expands texturally and dynamically into an expressive central section. What Sweeter Music is an atmospheric setting of Robert Herrick's popular Christmas text. The carol opens with hushed interweaving choral lines creating a soft veil of sound that expands texturally and dynamically into an expressive central section. The sustained melodic interest in every part combines to create a gorgeous work that choirs will find a true pleasure to sing. What Sweeter Music will be included on a forthcoming CD by Commotio.

For SATB unaccompanied. This lively and uplifting carol sets a joyful fifteenth-century Christmas text by James Ryman. The music is rhythmic and powerful with moments of rich and vibrant harmony offset by the strong fanfare-like Latin refrain. The King of Blis is guaranteed to prove a popular choice with choirs and audiences. For SATB unaccompanied. This lively and uplifting carol sets a joyful fifteenth-century Christmas text by James Ryman. The music is rhythmic and powerful with moments of rich and vibrant harmony offset by the strong fanfare-like Latin refrain. The King of Blis is guaranteed to prove a popular choice with choirs and audiences.

A sacred scena for tenor piano and string quartet telling the story in Biblical text of the scene in the Garden of Gethsemane.

for SATB optional baritone solo cello & organ or string orchestra This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful cello solo the vocal lines are rich and flowing and the organ supports the choir with warm harmonies. The cello part is published separately and an accompaniment for strings is available on hire. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful cello solo the vocal lines are rich and flowing and the organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children.

Jubilate arranged by Alan Bullard for SATB and piano or organ. This is a jubilant arrangement of a four-part round by W. A. Mozart with choral imitation of pealing bells complementing the celebratory text. An English singing translation of the Latin text is provided.

Performing edition of Walton's Piano Quartet first published in 1918 and one of his first compositions to have survived. The work was later revised by Walton in 1974-5 and this edition is based on the score published in the Walton Edition Chamber Music volume. Performing edition of Walton's Piano Quartet first published in 1918 and one of his first compositions to have survived. The work was later revised by Walton in 1974-5 and this edition is based on the score published in the Walton Edition Chamber Music volume.

Paperback-for unison voices and piano Set here for Unison Voices and Piano Spring is No. 1 of Vaughan Williams ' Three Children's Songs.

Paperback-for SATB (with divisions) and keyboard or orchestra This majestic arrangement breathes new life into the patriotic hymn known to all American congregations. Wilberg has retained some of George Warren's original harmonies while also adding his own distinctive stamp. This majestic arrangement breathes new life into the patriotic hymn known to all American congregations. The text written to commemorate the centenary of the US Declaration of Independence makes the hymn particularly suitable for 4 July but it would work equally well for other celebratory occasions. Wilberg has retained some of George Warren's original harmonies while also adding his own distinctive stamp. The orchestral version has been recorded by the Mormon Tabernacle Choir and Orchestra at Temple Square on the CD Spirit of America (SKU 4600686). An accompaniment for orchestra is available on hire/rental. Forces or Category SATB (withdivisions) & keyboard/orchestra

Volume 5-This is the last and most advanced volume of the graduated series which includes works by composers of African descent that are hard to find or have never been published. This volume is for advanced performers and is a wonderful source of new and unusual repertoire. This is the last and most advanced volume of the graduated series which includes works by composers of African descent that are hard to find or have never been published. This volume is for advanced performers and is a wonderful source of new and unusual repertoire.

for SATB and piano This captivating carol with words by Kevin Crossley-Holland features satisfyingly rich harmonies and a rippling piano accompaniment that draws inspiration from the water imagery of the text. In the mould of God be in my head (from the 1514 Sarum Primer) the words implore the Christ-child to dwell within us. Bob Chilcott 's The Wellspring for SATB and Piano. This captivating carol with words by Kevin Crossley-Holland features satisfyingly rich harmonies and a rippling Piano accompaniment that draws inspiration from the water imagery of the text. In the mould of God be in my head (from the 1514 Sarum Primer) the words implore the Christ-child to dwell within us and Chilcott 's setting perfectly complements the text with its beguiling Vocal lines and affirmatory feel.

for SATB unaccompanied This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies moments of dynamic intensity and an overriding sense of awe it would make an ideal centrepiece for a Christmas or Epiphany concert or service. This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody. With lush harmonies moments of dynamic intensity and an overriding sense of awe it would make an ideal centrepiece for a Christmas or Epiphany concert or service.

Extending his repertoire for the guitar Skempton this time introduces it into the realm of a chamber ensemble in the form of five miniatures. The mix of mellow timbres creates a soothing but thoughtful set of pieces.

for SATB (with divisions) and organ The Church Music Society is proud to publish this mass setting by Anthony Caesar written for St Paul's K Street Washington DC. The quieter sections are strongly influenced by plainsong and the Gloria has a rhythmic vitality which will make it popular with able parish choirs. The Church Music Society is proud to publish this mass setting by Anthony Caesar written for St Paul's K Street Washington DC. The quieter sections are strongly influenced by plainsong and the Gloria has a rhythmic vitality which will make it popular with able parish choirs.

A skilful arrangement for SATB of the Peter Tranchell's unison setting of Heber's well-known hymn; both are presented here. The harmonies display Tranchell's typical style and need some careful tuning.

for high voice with CD of piano accompaniments Covering the Baroque to the contemporary this anthology features 14 lesser-known gems in English German Italian and Russian by major composers. Marsh provides faithful English singing translations. A CD with piano accompaniments is included. Perfect for solo recitals and church services. Spirit Be Joyful! is a terrific collection for high voice with accompanying CD edited by Jane Marsh. Covering the Baroque to the contemporary this anthology features 14 lesser-known gems in English German Italian Latin and Russian by major composers. Marsh provides faithful English singing translations. A CD with piano accompaniments is included. Perfect for solo recitals or church services.

Utilizing the standard 3 movement sonata outline Jackson employs a variety of textures to great effect in this piece. In the first movement alone the music employs homophonic unison canonic and monophonic textures. The work is technically demanding and moves through a variety of moods and tempos.