for SATB (with divisions) and harp or piano This is a simple and gentle setting of the popular American folk hymn. Beginning softly with the sopranos accompanied by piano/harp in the first verse Rutter explores a wide variety of textures building to a powerful final verse before ebbing away in a poignantly quiet close. Amazing Grace arranged by John Rutter for SATB choir (with divisions) and Harp or Piano. This is a simple and gentle setting of the popular American folk hymn. Beginning softly with the sopranos accompanied by piano/harp in the first verse Rutter explores a wide variety of textures building to a powerful final verse before ebbing away in a poignantly quiet close.

This work sets late texts by Friederich Holderlin. The fragmentary poems have been edited together to create the text. Gedachtnis-Hymne was premiered in November 2010 by the New London Chamber Choir with the Rasher Saxophone Quartet.

Inspired by Rothko canvases this 15 minute study starts by revolving around a high D acting as a line of centrifugal force from which microtones pull away. Gradually little interruptions and playful ripples begin to disturb the sustained notes until they grow into a frenetic rondo and end by building to a climax dominated by a similar high note. Various musical ideas are utilized throughout effectively emulating the textures and gradations of colour employed within a painting.

for SATB unaccompanied This innovative and moving setting of Robert Herrick's popular Christmas text opens with an uplifting unison melody and each verse introduces new vocal textures and increasingly expressive harmonies. With dance-like rhythms and tender four-part choral writing it will make a memorable addition to any Christmas celebration. This is an innovative and moving setting of Robert Herrick's popular Christmas text. The carol opens with an uplifting unison melody and each verse introduces new vocal textures and increasingly expressive harmonies. Filled with dance-like rhythms and tender four-part choral writing it will make a memorable addition to any Christmas celebration.

Paperback-for SATB choir brass quintet organ and percussion This engaging carol cantata combines several popular carols to create a performance full of Christmas spirit. Through creative re-harmonization rhythmic variation and imaginative linking passages McDowall delights with familiar and surprising material in equal measure. This engaging 15-minute carol sequence combines several popular carols to create a festive performance full of Christmas spirit. Through creative re-harmonization rhythmic variation and imaginative linking passages McDowall conjures up a joyful atmosphere delighting with familiar and surprising material in equal measure. A rousing finale weaves together several of the tunes to bring the piece to a jubilant close.

This short evocative piece is built of block chords simple diatonic melodies and pedal notes in the left hand. It is recorded by Thalia Myers on USK 1221CD.

Written in commemoration of the bicentenary of the birth of Spanish composer Juan Crisostomo de Arriaga Rondo uses materials from his three string quartets symbolically represented here by each of the three string instruments.

for SATB unaccompanied In this unaccompanied setting of Thomas A. Clark's poem Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms textures and dynamics this is a striking and complex piece with highly imaginative word setting. Gabriel Jackson 's In The Half-Light Of Dusk for SATB unaccompanied. In this unaccompanied setting of Thomas A. Clark 's poem Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms textures and dynamics this is a striking and complex piece with highly imaginative word setting.

for upper voices (SSAA) unaccompanied These two enjoyable and easy songs use riddle texts from the 17th and 18th centuries that are both haunting and rich with imagery. Chilcott produces two charming and characterful miniatures that although simple manifest a 'swanlike' dignity befitting their subject. A pair of beautifully soft tranquil and serene songs for unaccompanied upper voices. The text is from an anonymous collection A Book Of Merrie Riddles of 1631 and the settings are part of the Oxford Bob Chilcott Secular series (BC37) specifically for upper voices.

for TTBarBarBB (with divisions) This is a setting of a text by Guyanese-British poet John Agard which describes how eighteenth-century slave-trader John Newton became an abolitionist. Featured on Orphei Drangar's CD De Profundis: Sacred Repertoire for Male Choir. This is a setting of a text by Guyanese-British poet John Agard which describes how 18th-century slave-trader John Newton became an abolitionist. Featured on Orphei Drangar's CD De Profundis: Sacred Repertoire for Male Choir.

Gabriel Jackson's In All His Works for ATTBB unaccompanied. The text is from Ecclesiasticus.

for SSA and piano or orchestra Originally published in a version for SATB this tender piece will appeal to all fans of John Rutter's music. Composed in memory of the victims of Fukushima it is both reflective and heartfelt. This is a dual language publication allowing for performance in both Japanese and English. Originally published in a version for SATB this tender piece for SSA Choirs will appeal to all fans of John Rutter 's music. Composed in memory of the victims of Fukushima March 2011 it is both reflective and heartfelt. With a simple appealing melody rich harmonies and a flowing accompaniment A Flower Remembered is sure to become a firm favourite with all choirs. This is a dual language publication allowing for performance in both Japanese and English and is also available for SATB.

for SATB and organ or large orchestra This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization and a recurring instrumental passage smoothly connects the verses. This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization and a recurring instrumental passage smoothly connects the verses. Reflecting common hymn-singing practice the first verse is in unison the second in four-part harmony and the third returns to unison with a soprano descant before closing with a suitably exultant 'Alleluia' and 'Amen'. Christ The Lord Is Risen Today appears on the Mormon Tabernacle Choir and Orchestra at Temple Square's latest CD He is Risen which reached No. 1 in both the 'ClassicalAlbums' and 'Traditional Classical Albums' US charts within two weeks of its release in April 2014.

For SSAATTBB and Organ. An offprint from the much-acclaimed The Restoration Anthem Vol. 1 a richly textured setting of verses from Psalm 46 displaying Blow's skilful handling of chromaticism. For SSAATTBB and Organ. An offprint from the much-acclaimed The Restoration Anthem Vol. 1 a richly textured setting of verses from Psalm 46 displaying Blow's skilful handling of chromaticism.

Junior Voiceworks 2 is a second dazzling collection of songs for choirs at or around KS2 level. Spanning a great range of styles and moods the songs are presented in the highly practical Voiceworks format with accessible music pages and notes for the teacher or leader. With two CDs containing performances and backings this wonderful resource will motivate and inspire young choirs Junior Voiceworks 2 is a second dazzling collection of songs for all choirs at or around KS2 level. The songs are presented in the familiar and highly practical Voiceworks format with accessible music pages and accompanying notes for the teacher or leader. There's a great range of songs in many styles and moods to suit all occasions and all types of choirs including folk songs jazz songs a rap a rock song rounds and a counting song! The repertoire includes unison songs and songs in several parts. For the teachers the photocopiable pages make rehearsal and performance a breeze and a complete lesson or rehearsal plan is included witheach song including warm-ups and constructive tips. There are also 2 CDs containing quality performances of all the songs by the Berkshire Girls Choir and backing tracks for a number of songs. The piano accompaniments are playable and include guitar parts. This all adds up to a fabulous singing resource that will inspire choirs everywhere!

for SA (with divisions) unaccompanied This upper-voice version of Sargent's popular SATB arrangement of the US national anthem may be performed on its own or in combination with the original SATB score. The vocal lines are simple and homophonic making the arrangement accessible to singers of all ages and abilities. This upper-voice version of Sargent 's popular SATB arrangement of the US national anthem may be performed on its own or in combination with the original SATB score. The Vocal lines are simple and homophonic making the arrangement accessible to singers of all ages and abilities.

for SATB brass and organ This setting of the Requiem was written in 1853-4. It is appropriate for liturgical use (being mainly in the key of G minor) but would also be effective in a concert programme with contrasting pieces between the movements. Material is available on hire. This setting of the Requiem was written in 1853-4. It is appropriate for liturgical use (being mainly in the key of G minor) but would also be effective in a concert programme with contrasting pieces between the movements. Material is available on hire.

for SATB unaccompanied Ralph Vaughan Williams Prayer To The Father Of Heaven for SATB unaccompanied.

A show piece for solo horn Hunding is named after the brutish and bitter woodsman in Wagner's Valkyrie memorable for the blood-curdling nature of his horn calls.

9 Anthems for Mixed Voices-for SATB accompanied and unaccompanied This anthology of nine anthems celebrates the eightieth anniversary of the composer's birth. Ideal for church and concert choirs it includes a variety of sacred works from throughout Mathias's career each demonstrating an aspect of his unique compositional voice. Released to celebrate the eightieth anniversary of the composer's birth this anthology contains nine anthems by William Mathias (1934-1992)scored for SATB accompanied and unaccompanied. Ideal for church and concert choirs William Mathias: Anthems includes a variety of sacred works from throughout the composers career - with each piece demonstrating an aspect of his unique compositional voice from the lively Alleluya Psallat to the peaceful As truly as God is our Father . Alongside more established anthems the collection reintroduces a number of lesser-known works into the Choral repertoire making it a mustfor all admirers of Mathias ' Choral music.