for TTBB unaccompanied Features accented rhythms and percussive vocal lines which create the feel of a march for an inspirational and powerful effect. Features accented rhythms and percussive vocal lines which create the feel of a march for an inspirational and powerful effect.

for SATB and piano four-hands or chamber orchestra Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment the women and men alternate singing in unison until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on hire. Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment the women and men alternate singing in unison until they join in verse three. Suitable for children's services and songs of praise. Orchestral material is available on hire.

The opening movement of this five-movement work features the oboe being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe clarinet and viola the third and fourth movements are formal and chorale-like whilst the last is a sprightly rather quirky march.

Six Pieces for Organ- This titles includes works composed for solo Organ including Prelude Henry Coleman In Green Pastures Harold Darke Minuet in Classical Style C. Armstrong Gibbs Finale in D minor Eric H. Thiman Pastorale Sydney Watson Soliloquy Healey Willan.

Erkoreka sets a sixteenth-century poem which contemplates the eternal and boundless beauty of the heavens and mankind's earthy estrangement from this realm. At times solo cello lines rise out of the texture as if in a dialogue with the vocal line and at others they are divided into two choirs. Serene sections contrast with surging dymanics frenetic rhythms fierce accents and snap pizzicatos.

This is a version for string quartet of Erkoreka's saxophone quartet Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

Fantasy for organ is a work of virtuoso technical display.

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic at others direct the writing captures and reflects a myriad of moods revealing Skempton's highly original voice. Although most of the pieces were composed for seasoned performers they are suitable for any pianist seeking worthwhile and imaginative contemporary repertoire. This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic at others direct the writing captures and reflects a myriad of moods revealing Skempton's highly original voice. Although most of the pieces were composed for seasoned performers they are suitable for any pianist seeking worthwhile and imaginative contemporary repertoire.

Piano Time Pieces 1 presents a sparkling selection of pieces in all styles. Here are classical and jazzy pieces folksongs and specially written tunes and songs and character pieces of all kinds. Practising the range of techniques and keys introduced in Piano Time 1 these pieces provide a wealth of enjoyable practice and repertoire material for all young pianists. Piano Time is a hugely successful series for all young beginners from the very first lesson up to around grade 3. With a complete range of carefully paced and attractive books - tutors books of pieces of all kinds duets and technique books - Piano Time is a highly enjoyable way to learn the piano. Piano Time Pieces 1 presents a sparkling selection of pieces in all styles. Here are classical and jazzy pieces folksongs and specially written tunes and songs and character pieces of all kinds. Practising the range of techniques and keys introduced in Piano Time 1 these pieces provide a wealth of enjoyable practice andrepertoire material for all young pianists. With superb illustrations throughout this is a must have companion volume to Piano Time 1.

The inspiration for this piece is the 'cante jondo' (deep singing) which is the essence of Flamenco. Erkoreka incorporates some melodic and rhythmic archetypes related to this sound-world and gives a quasi-vocal treatment of the guitar with techniques such as pitch-bends and mordents of various kinds. The guitar writing evokes the sound produced by a flamenco guitar incorporating some percussive elements.

Lento is monolithic; major and minor triads generate a sequence of processionals. The tempo is more or less constant. It uses the same orchestral forces as Wagner's prelude to Parsifal though deployment is radically different. Most of Lento is scored for strings only. A central episode turns the spotlight on the trombones and the bassoons. Otherwise woodwind brass and timpani serve primarily to lend weight to restatements of the two principal subjects.

Piano Duets edited by Michael Aston-An attractive and varied collection of 20th-century piano duets by British composers. The album includes a reprint of Lambert's classic and witty work 'Trois pieces negres pour les touches blanches' as well as new arrangements of Walton's 'Popular Song' and Vaughan Williams's beautiful but little known 'The Lake in the Mountains'. This collection will be of interest to piano duettists everywhere and an ideal introduction to the medium for students. An attractive and varied collection of 20th-century Piano duets by British composers. The album includes a reprint of Lambert's classic and witty work 'Trois piéces nègres pour les touches blanches' as well as new arrangements of Walton's 'Popular Song' and Vaughan Willliams's beautiful but little know 'The Lake in the Mountains'. This collection will be of interest to Piano duettists everywhere and an ideal introduction to the medium for students of grades 6-8 standard. Contents: York Bowen: Serenade Op.90 No.3 Benjamin Britten: Playful Pizzicato from Simple Symphony Benjamin Britten: Sentimental Saraband from SimpleSymphony Edward Gregson: Four Pictures Nos. 3 and 4 Constant Lambert: Trois pièces nègres pour les touches blanches (Aubade; Siesta; Nocturne) Ralph Vaughan Williams: The Lake in the Mountains William Walton: Touch her soft lips and part from Henry V William Walton: Popular Song from Façade

The music is based on a tune suggested by the melodies and rhythms of sixteenth-century carols and lullabies. The strings are treated as a separate concertante unit.

At the age of 22 Weelkes was appointed organist at Winchester College where he remained for two or three years. He obtained his B. Mus. Degree from New College Oxford in 1602 and moved to Chichcester to take up the position of organist and informator choristarum (instructor of the choristers) at the Cathedral a post he held until his death. Thomas Weelkes is best known for his vocal music especially his madrigals and church music. He wrote more Anglican services than any other major composer of the time mostly for evensong. Many of his anthems are verse anthems which would have suited the small forces he was writing for at Chichester Cathedral.

Fifty-five short pieces the earliest of which dates from 1967 the most recent from 1993. Taken as a whole this selection of pieces (chosen by the composer) provides a rich overview of the keyboard music of one of Britain's most original and fascinating composers. Fifty-five short pieces the earliest of which dates from 1967 the most recent from 1993. Taken as a whole this selection of pieces (chosen by the composer) provides a rich overview of the keyboard music of one of Britain's most original and fascinating composers.

Paperback-for soprano solo SATB chorus and full orchestra This vocal score is only available for sale to customers in the US. Orchestral material is available on hire. This vocal score is only available for sale to customers in the US. Orchestral material is available on hire.

Paperback-for S or SSA and piano or chamber orchestra Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds harp and strings adds a wonderful texture beneath the accessible choral lines. A version for SATB is also available. Orchestral material is available on hire. Get into the Christmas spirit with Mager's well-crafted setting of If ye would hear the angels sing. The optional orchestral accompaniment for winds harp and strings adds a wonderful texture beneath the accessible choral lines. A version for SATB is also available. Orchestral material is available on hire.

for unaccompanied clarinet These five short pieces for solo Clarinet make ideal repertoire pieces for the intermediate Clarinettist. All of the pieces are short and manageable but offer challenging sections and interesting rhythms.

Ralph Vaughan Williams's Romance for Viola and Piano. The Viola part edited by Bernard Shore and the Piano part edited by Eric Gritton.

Sharing its scoring with Ravel's Introduction and Allegro Eternity's Sunrise makes full use of the wealth of instrumental combinations available within this septet. The haunting yet quirky theme around which the entire piece is based is likely to linger in the memory long after the music has finished.