A meditation based on the traditional Seven Last Words of Christ-for SATB choir and organ or piano with optional soloists congregation and strings (string orchestra string quintet or string quartet) A reflective work for church or concert choirs at Passiontide. It sets the traditional Seven Last Words of Christ well-known hymns and other sacred texts to create a moving and dramatic work that re-presents this timeless story for a modern audience. Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages 3 well-known hymns and settings of 4 well-known sacred texts including 'Drop drop slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir and strings (quartet quintet orensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire or purchase from the Music Hire Library.

for SATB piano and optional saxophone bass and drum kit This work puts a jazzy twist on three Shakespearean characters: Ophelia from Hamlet and Caliban and Miranda from The Tempest. The piano part may be played as written or used as a guide and a part for saxophone bass and drum kit is available separately. This work puts a jazzy twist on three Shakespearean characters: Ophelia from Hamlet and Caliban and Miranda from The Tempest. The piano part may be played as written or used as a guide and a part for saxophone bass and drum kit is available separately.

Paperback-for SATB and organ or piano Spirited in tone this anthem sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody the vocal parts gradually open out into jubilant harmonies which are supported by the accompaniment (performable on organ or piano). Spirited in tone this anthem by Alan Bullard sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody the vocal parts gradually open out into jubilant harmonies which are supported by the accompaniment (performable on organ or piano). Suitable for performance throughout the year Praise the Lord ye heavens adore him will be a welcome addition to repertory of all church choirs.

for SATB unaccompanied Howell's Mass In The Dorian Mode was first heard at Mass in Westminster Cathedral on 24th November 1912. It was the first of Howell's works to be given a professional London performance. The Mass is scored for SATB unaccompanied.

for SA piano and percussion This is an uplifting setting of a fun text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part and a contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in'. Cecilia McDowall 's Drink The Sky for SA Piano and Percussion. This is an uplifting and expressive setting of a fun descriptive text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic Piano part often featuring rippling quavers and characterful interjections from the Glockenspiel and suspended Cymbal complement the narrative. A contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in' while the final section is affirmatory in feel emphatically repeating the final line of the poem 'and I will grow'.

for SATB and piano This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away. This tender Advent carol by Bob Chilcott sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away.

A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells. A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells.

Orchestral & Instrumental Material for Choral Pieces-for SATB and harp or piano This delightful choral work brings together arrangements of four well-loved folksongs: 'Green Bushes' 'The Rambling Sailor' 'The Crystal Spring' and 'O No John!'. The harp accompaniment is ideal for choirs looking to perform this work as it was originally conceived. This delightful choral work brings together arrangements of four well-loved folksongs: Green Bushes The Rambling Sailor The Crystal Spring and O No John! . A joyful celebration of youthful love and courtship A Fancy of Folksongs bears all the hallmarks of Cecilia McDowall's appealing and popular style: rhythmic vitality occasional astringent harmonies and strong melodies all brought together to create a distinctive and fresh sound. A Fancy of Folksongs can be accompanied by piano or harp and it is sure to be an instant hit with all lovers of McDowall's music.

for SATB congregation (or semi-chorus) and organ The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words. The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words.

for SATB with divisions and soprano solo unaccompanied This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich and the floating soprano line adds another dimension to the texture. Suitable for a wide range of choirs at Christmas. For SATB with divisions and soprano solo unaccompanied. This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich and the floating soprano line adds another dimension to the texture. Suitable for a wide range of choirs at Christmas.

for SSATB unaccompanied First performed by the choirs of St Paul's Westminster Cathedral and Westminster Abbey this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas well-placed astringent harmonies and a strong modal feel. First performed by the choirs of St Paul's Westminster Cathedral and Westminster Abbey this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas well-placed astringent harmonies and a strong modal feel. Ideal for cathedral and other church choirs. Pronunciation guide and modern rendition of the text included.

for SATB wordless chorus viola solo and orchestra This suite from 1925 is one of Vaughan Williams's most enigmatic pieces. The chorus never articulates a single word and instead serves as a section of the orchestra creating an elegant vocal texture and backdrop to the viola's haunting solo lines. Ralph Vaughan Williams ' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Study score. This work is one of Vaughan Williams 's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines. Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.

for solo voice SATB choir flute and keyboard or guitar or chamber orchestra This heartwarming song setting words by the composer has a rich satisfying melody that befits the sentiment of the text: music is a gift that enriches the soul and lasts a lifetime. Solo voice SATB choir flute and keyboard or guitar.

for SATB chorus 3 trumpets timpani 2 oboes 2 bassoons strings and continuo These four anthems have long had a special place at the heart of the English choral tradition. They were composed for the coronation of George II in 1727. Full scores vocal scores and orchestral material are available on hire. The Violin 2 part for four of Handel's Coronation Anthems which include Zadok the Priest and My heart is Inditing . These varied and rousing Choral Anthems are available in the corresponding parts for a small orchestra set. Violin 1(C5269)and Violin 3(C5274) Viola(C5271) Cello/Double Bass/Bassoon(C5272)and a Set of Wind Parts(C5273). The complete arrangement is for SATB chorus 3 Trumpets 2 Oboes 2 Bassoons Strings Percussion and Continuo.

for SATB soloists SATB chorus 2 pianos and harmonium Although a sacred work the mass is characteristically lyrical and effervescent and affirms the composer's optimistic and deeply-felt faith. This is Rossini's original instrumentation which he later orchestrated. All material is available on hire. Although a sacred work the mass is characteristically lyrical and effervescent and affirms the composer's optimistic and deeply-felt faith. This is Rossini's original instrumentation which he later orchestrated. All material is available on hire.

for SATB unaccompanied This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike oscillating two-note cell which threads throughout the piece broadening out into the climax of 'a thousand twangling instruments' before subsiding back into the opening calm. Lively light and with a dancing quality The Isles is full of Noises comes from Act 3 Scene 2 of Shakespeare's The Tempest a comedy that is interspersed with many songs particularly by the air spirit Ariel. Bob Chilcott has created a terrific work for unaccompanied mixed chorus a piece that was commissioned by the Leith Hill Musical Festival in celebration of its centenary in 2005. A piano part is also included for rehearsal purposes. The opening soprano and tenor melody is based on a dreamlike oscillating two-note cell which emphasises the airy spirited dance.

I sing of a Maiden combines flowing lines with rhythmic irregularity and ends with an airy weightlessness which in the words of the composer echoes the vernal flavour of the words. Although rhythmically challenging this beautiful carol is hugely rewarding and perfect for any experienced choir.

Paperback-for SATB and strings This set contains the following parts: 4 x vln I 4 x vln II 3x vla 2 x vc 1 x db. John Rutter 's The Lord Bless You And Keep You for SATB and String Orchestra. As sung at the wedding of Maghan Markle to Prince Harry in May 2018.

Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing. Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing.

A capella. A capella.