A carol sequence for mixed voices and orchestra or organ. A carol sequence for mixed voices and orchestra or organ.

for SATB and organ Archer's setting of this well-known Christmas text is lilting and buoyant with a memorable melody and charming organ interludes. Suitable for liturgical or concert use the carol features great textual variety building to a rousing finish that is sure to fill audiences with Christmas cheer! Malcolm Archer 's setting of the 15th century Christmas text This Endris Night is lilting and buoyant with a memorable melody and charming Organ interludes. This pieces for SATB choir is suitable for liturgical or concert use. The carol features great textual variety building to a rousing finish that is sure to fill audiences with festive cheer.

Adolphe Adam 's O Holy Night! arranged by Paul Langford for SATB and Piano or Orchestra. This setting of Adolphe Adam 's beloved Christmas carol employs rich choral textures and a flowing Piano accompaniment to create a rousing overall effect. Opening gently the intensity builds gradually towards a stirring powerful ending.

Praise the Lord! his glories show-for SATB and organ or orchestra This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter and 'Praise the Lord! his glories show' for the rest of the year. This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter and 'Praise the Lord! his glories show' for the rest of the year. Wilberg has treated the melody in several ways including a four-part unaccompanied verse and a jubilant descant (optional); the accompaniment adds further triumphant colour with fanfares and scalic flourishes.

For Unison upper voices (with optional parts) Brass Quintet and optional Percussion. A Sporting Chance is a fun and lively choral work on the theme of sport games and exercise. Each of the seven movements celebrates a different sport - you'll find running soccer weightlifting and more - and words by the composer provide an entertaining narrative of each event. Look out for exciting choral effects such as panting rapping and grunting as well as active audience participation and even a slow-motion race from the trumpet players. Scored for unison voices with optional extra parts this crowd-pleaser will have both choir and audience cheering for theirhome team and willing the athlete to 'run for gold'! Bob Chilcott Bob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide. For Unison upper voices (with optional parts) Brass Quintet and optional Percussion. A Sporting Chance is a fun and lively choral work on the theme of sport games and exercise. Each of the seven movements celebrates a different sport - you'll find running soccer weightlifting and more - and words by the composer provide an entertaining narrative of each event. Look out for exciting choral effects such as panting rapping and grunting as well as active audience participation and even a slow-motion race from the trumpet players. Scored for unison voices with optional extra parts this crowd-pleaser will have both choir and audience cheering for theirhome team and willing the athlete to 'run for gold'! Bob Chilcott Bob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang and composed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.

for women's voices and string orchestra Latin and English words translation by Beatrice E. Bulman Orchestral material is available on hire. For women's voices and strings Latin and English words translation by Beatrice E. Bulman Orchestral material is available on hire.

Brave Guy of Warwick sets text from Lines written at Warwick by George Crabbe (1754-1832) which describes a portion of the legend of Guy of Warwick. This piece is engaging and characterful and audiences are bound to be charmed by both the music and the story.

for SATB and piano or organ or orchestra First published in Carols for Choirs 5 this is a touching setting of the well-known fifteenth-century words. The contours of Stroope's melodic writing perfectly mirror the narrative from the manger scene while the simple refrain highlights the Christ-child's innocence as his mother lulls him to sleep. First published in Carols for Choirs 5 this is a touching setting of the well-known fifteenth-century words. The contours of Stroope 's melodic writing perfectly mirror the narrative from the manger scene while the simple refrain highlights the Christ-child's innocence as his mother lulls him to sleep.

Commissioned by Cardiff University School of Music and dedicated to their resident string quartet this work is in one unbroken span that is formed from four linked movements. The work features sharply contrasting musical characters creating Powers' typically oppositional and argumentative style.

for unison voices and piano or strings Material for string orchestra is available on hire. A lively Christmas Carol for Unison Voices and Piano or Strings.

for SATB solo piano and orchestra There is an alternative accompaniment for 2 pianos timpani and percussion players (3 or 5 players). The vocal score and instrumental material is available on hire. From the poem by Sacheyerell Sitwell. The vocal score also contains a German translation by Beryl de Zoete. For mixed chorus and solo piano with a reduction of the orchestral score.

For SATB and keyboard or orchestra Mack Wilberg's arrangement of Brother James's Air has been recorded on the Mormon Tabernacle Choir's CD Heavensong:Music of contemplation and light. The arrangement is stunning and can be performed throughout the year especially during reflective seasons. For SATB and keyboard or orchestra Mack Wilberg's arrangement of Brother James's Air has been recorded on the Mormon Tabernacle Choir's CD Heavensong:Music of contemplation and light. The arrangement is stunning and can be performed throughout the year especially during reflective seasons.

for SSA piano and optional bass and drum kit This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the listener's expectations by setting each classic text in a different jazz-inspired style creating delightful songs that are suitable for performance as a suite or as stand-alone pieces. This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence . Chilcott challenges the expectation of the listener by setting each classic text in a different jazz-inspired style-from the laid-back swing of 'The Echoing Green' and ballad-like setting of 'The Lamb' to a lilting jazz waltz 'The Little Boy Lost/The Little Boy Found'. The voices are underpinned by a stylistic piano part which may be played as written or serve as a guide and a part for bass and drum kit is available separately for jazz trio accompaniment. Ideal for performance individually or as a suite these innovative songs will make a colourfuladdition to any concert programme.for SSA piano and optional bass and drum kit

for SATB and piano Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. The style is akin to folk ballad lyrical with just a hint of melancholy which will draw in singers and listeners alike. Also available in a version for upper voices. Vocal score for SATB Choir with a Piano accompaniment. The words are based on a 16th century British Library manuscript. Using symbolism The Lily And The Rose depicts the Virgin Mary mourning the death of her son.

for bassoon and piano

This joyful and richly expressive choral cantata is a setting of what is often thought of as a Thanksgiving psalm or a psalm in praise of Harvest time. From its atmospheric opening through to its upbeat ending the work contrasts driving rhythms with quietly reflective passages for soprano solo. It can be performed with or without trumpet. Suitable for any celebratory occasion Psalm 65 is a vibrant concert work and a great joy to sing.

for mezzo-soprano and baritone soloists SATB chorus and piano orchestra or brass ensemble In new words by Charles Bennett the story of Good King Wenceslas on the Feast of Stephen is presented as a vivid musical narrative. The well-known carol is interwoven throughout the work and the movements are punctuated by an instrumental interlude and triumphant fanfare. Bob Chilcott 's Wenceslas for Mezzo-Soprano and Baritone soloists SATB chorus and Piano or Orchestra. Vocal score. The story of Good King Wenceslas on the Feast of Stephen is presented here as a vivid musical narrative with solo parts for the characters of Wenceslas (Baritone) and Page (Mezzo-Soprano). Chilcott sets new words by Charles Bennett to a colourful array of styles to recount their snow-bound story. The choir sets the scene before Wenceslas and Page meet in 'Who can that be?' and the story-telling continues in several contrasting movements including a touching solo ballad from Page entitled 'Thank you' and the strong yetreflective closing movement 'On St Stephen's Night'. The full five verses of the well-known carol are skilfully interwoven throughout the work in different parts with the final verse being sung by the audience or a semi-chorus and the movements are punctuated by an instrumental interlude and triumphant fanfare.

for SATB accompanied and unaccompanied This anthology of ten anthems combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. This anthology of ten mixed-voice anthems by Alan Bullard combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. Including the joyful Cantate Gloria and the beautiful From the break of the day Alan Bullard Anthems contains an attractive selection of works suitable for a variety of liturgical seasons and will appeal to all mixed-voice choirs.

for SATB and organ A collection of twentieth-century chant settings with varied harmonies for singers and organist and verbal texts integral to the music. The works are ideal for choral festivals or theme-services. This wonderful collection brings together four eminent cathedral organist composerrs. These twentieth-century chant settings of four Psalms is for SATB voices with verbal texts integral to the music. Ideal for special events and services uch as the joining of choirs in celebration.

This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting beautifully crafted and perfect for those seeking new material for the liturgy.