
4.75 £
Oxford University Press
Violin 1

2.55 £
Oxford University Press
for SSATB unaccompanied This expressive setting clearly strives for an audible projecton of the text by means of sections that echo natural speech rhythms.

3.05 £
Oxford University Press
An unusual and dramatic anthem for SATB choir (with divisions) unaccompanied The English verses starting 'O sing unto the Lord a new song' are framed by the Latin first line 'Cantate Domino canticum novum'. The words and plainsong melody of the Veni Creator Spiritus make an unexpected and effective entry towards the end of the anthem. It is also included in Rutter's Psalmfest.

3.05 £
Oxford University Press
for SATB accompanied and unaccompanied This short collection of carols from The New Oxford Book of Carols and The Shorter New Oxford Book of Carols includes an introduction performance notes translations and brief commentaries. The edition is lightly edited and fully compatible with the parent collections.

2.20 £
Oxford University Press
for SAATB and optional organ

1.95 £
Oxford University Press
for SATB unaccompanied

2.20 £
Oxford University Press
for SATB and optional organ Philippians 4:4-7

2.55 £
Oxford University Press
This Mass setting for unison voices and organ with optional second part or SATB is accessible and tuneful and suitable for all Anglican churches. The text is in accord with the new Common Worship and the Kyrie is given with both Greek and English texts.

2.20 £
Oxford University Press
Paperback-for unison voices and organ with optional SATB choir

3.05 £
Oxford University Press
Veni Sancte Spiritus

1.95 £
Oxford University Press
for SSAA and harp or piano A beautiful and simple setting of a haunting Japanese pastoral folksong with Japanese and English texts.

3.25 £
Oxford University Press
The Voice Of The Spirits

1.95 £
Oxford University Press
The Heavenly Aeroplane

13.95 £
Oxford University Press
The two collections include the best of C. H. Trevor's series 'Organ Books 1-6' and are ideal for teaching or for service use. The pieces have been specifically selected with the beginner's needs in mind: a variety of easy and attractive items with simple pedal parts. Each book is arranged in order of difficulty book one covering grades 2-4 book two grades 5-6.

2.55 £
Oxford University Press
for TTBB and piano Slow Down has a relaxed swing feel with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style along with scat syllables and jazzy harmonies all underpinned by a supportive yet characterful piano part.

3.05 £
Oxford University Press
for SSATBarB unaccompanied Setting words by the composer Swept Away is a beautiful haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the soprano to create a powerful work exploring the journey of the singers in the wind.

2.20 £
Oxford University Press
for SSA and piano Setting a moving text inspired by Chief Seattle Quartel appeals for better stewardship of the planet through gentle flowing lines and expansive textures. The melodies are accessible throughout and well supported by the piano accompaniment while the swells and falls in dynamics offer a sense of organicity.

7.75 £
Oxford University Press
Processional bustles with cheerful positivity throughout its rondo-like structure clarified by the memorability of its abundant melodies. The harmony is modal to begin with but moves from this deliberately archaic sound to more piquant and modern colours building to a triumphant conclusion.

3.05 £
Oxford University Press
This is a beautiful piece setting an evocative text by Anne Bronte that explores natural imagery on a blustery day and the feelings they inspire. Supported by the piano acccompaniment Quartel's soaring melodies rich harmonies and syncopated rhythms illustrate the power of the wind.

1.95 £
Oxford University Press
This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part with an imitative second soprano part joining towards the end. This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part with an imitative second soprano part joining towards the end.