for flute clarinet violin cello and piano Long Zhou's Dhyana for flute clarinet violin cello and piano.

Paperback-for SATB and organ Text from Psalm 100 William Mathias: Make A Joyful Noise Unto The Lord for SATB and organ. Text from Psalm 100.

for solo soprano string orchestra and harpsichord Alessandro Scarlatti's Christmas Cantata for solo soprano string orchestra and harpsichord.

for SSA and keyboard Ellen Gilson Voth An Advent Carol for SSA and keyboard.

for organ These service preludes are well-written accessible melodious and very practical and provide excellent additional literature for church organists. These service preludes are well-written accessible melodious and very practical and provide excellent additional literature for church organists. Don Michael Dicie (b.1941) Don Michael Dicie has been fond of spirituals folk songs and plainsong since he began music lessons in elementary school in Birmingham Alabama. During his formal music training he developed his main musical interests of music theory and composition while studying with William Baxter and Hugh Thomas. From 1966 to 1972 he was the organist and choir director at the Cathedral of St. Paul Minnesota. From 1973 to 1994 Dicie taught reading and vocal music in Nashville public schoolsand from 1976 to 1994 was organist and choir director at St. Paul's Episcopal Church in Franklin Tennessee. He then served as organist and Church Music Director at Trinity United Methodist Church Franklin Tennessee. In January 2005 Dicie returned to St. Paul's Episcopal Church where he is currently the organist and composer in residence. Contents: Westminster Abbey Aberystwyth Slane Middlebury

Larsen writes '. . . I have loosely transcribed bell patterns from a field recording of Russian bells . . . the Communist persecution of the Russian Orthodox Church included the removal and destruction of Russian bells many of which were melted down into ammunition.' The piece is a fantasy memorializing the peals of the bells of Moscow square.

This choral octavo is drawn from Larsen's It I am. This is a lovely hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both sacred and secular settings.

Paperback-for SATB and piano or organ The text is by Timothy Dudley-Smith and is based on a text of St Augustine. The gentle undulating rhythm created by the 6/4 time signature and the subtle harmonic shifts add interest and illuminate the meaning. A central section can be sung by soloists or by small sections of the choir. The text is by Timothy Dudley-Smith and is based on a text of St Augustine. The gentle undulating rhythm created by the 6/4 time signature and the subtle harmonic shifts add interest and illuminate the meaning. A central section can be sung by soloists or by small sections of the choir.

A setting of the familiar psalm text with interpolations from nature writings by the American naturalist John Muir and by Patricia Hennings.

The Chinese character su has the meaning of tracing back to the source or recalling ancient times. SU was inspired by the distinctive qualities of the ancient Chinese q'in a seven-string plucking instrument similar to the zither.

for SATB and small orchestra or piano Orchestral material is available on hire. John Rutter: Twelve Christmas Carols Set 1 for SATB and small orchestra or piano Orchestral material is available on hire.

for symphonic winds tuned water glasses and amplified voice The piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon. The piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon.

Composed during the year between Lance Armstrong's fifth and sixth victories in the Tour de France Yellow Jersey is a short wind sprint for two clarinets. The form of the piece follows how the sprint would go as the cyclist moves through the stages of the race.

for SATB brass quartet timpani and organ Richard Wayne Dirksen's Christ Is Alive! For SATB Brass Quartet Timpani and Organ.

The piece is a fairly athletic work in three movements. The first and third are very rhythmic fast and hauntingly jazz-like in a Miles Davis kind of way. The second movement is quite placid free flowing and very quiet.

For SATB and chamber orchestra. This is an attractive setting. Its intimate lyricism leaves room for moments of surprising dramatic intensity and it continues the hallowed tradition of the masses of Mozart and Haydn.Orchestral and vocal material is available on hire. For SATB and chamber orchestra. This is an attractive setting. Its intimate lyricism leaves room for moments of surprising dramatic intensity and it continues the hallowed tradition of the masses of Mozart and Haydn.Orchestral and vocal material is available on hire.

for SATB and piano Often set as a lament Nobody Knows here takes on a quality of genuine resignation and loving perseverance. The melody is supported at first by a quiet boogie-woogie vamp leading to a warm 'Glory hallelujah' at the end of each stanza. The choral writing is essentially chordal and straightforward creating a powerful effect through simple means. For SATB and Piano. Often set as a lament Nobody Knows The Trouble I See here takes on a quality of genuine resignation and loving perseverance. The melody is supported at first by a quiet boogie-woogie vamp leading to a warm 'Glory hallelujah' at the end of each stanza. The choral writing is essentially chordal and straightforward creating a powerful effect through simple means.

Anthem for SATB choir and congregation accompanied by brass quintet with optional timpani and organ Anthem for SATB choir and congregation accompanied by brass quintet with optional timpani and organ

for symphonic winds tuned water glasses and amplified voice The piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon. The piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon.

for SATB unaccompanied There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals' 'Green Grow the Lilacs' and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax into meltingly beautiful chords while glissandi and yipping vocal slides evoke the sounds of the barn dance and the cattle drive. There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals' 'Green Grow the Lilacs' and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax into meltingly beautiful chords while glissandi and yipping vocal slides evoke the sounds of the barn dance and the cattle drive.