for SA and organ or piano This uplifting anthem combines two well-known texts that are commonly read at weddings. Retaining the flowing organ part of the original SATB version the music perfectly mirrors the affirmatory texts with melodic vocal lines building to full homophonic textures at the climax. Scored for SA Organ and Piano this uplifting anthem by the British composer Malcolm Archer combines two well-known texts that are commonly read at weddings- 1 Corinthians 13:13 ‘And now these three remain: faith hope and love. But the greatest of these is love’ and Song of Solomon 8:6-7 ‘For love is strong as death. Many waters cannot quench love neither can the floods drown it’. Retaining the Organ part of the original SATB version the music perfectly mirrors the message of the texts with melodic vocal lines building to full homophonic textures at the climax. Malcolm Archer: Faith Hope And Love Remain is perfect foruse as part of a wedding ceremony or for a general service or concert.

16 Concert Pieces For Violin And Piano-Solo Time is a three-volume series of concert pieces for the intermediate to more advanced violinist featuring arrangements and original pieces by the authors of Fiddle Time. Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels. 16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.

Grades 6-7-This five-volume graded series of organ music by J. S. Bach provides a wonderful selection of pieces for all players.The whole is an authoritative and fully practical introduction to this cornerstone of the organ repertoire with pieces presented in highly practical form for teachers and students. Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer's lesser known works. Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolismand for the chorale preludes information on the original hymn melody and text on which the piece based. An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students. This second volume contains 18 pieces for the manual Organ suitable for musicians at a Grade 6-7 level.

for SATB unaccompanied The composer has combined a single line of Latin 'O virgo splendens' with an earthy late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qualities of the Virgin Mary. Beginning and ending with plainchant-style passages Hevene Quene is by turns restrained sparkling pensive and pleading. Suitable for the Feast of the Blessed Virgin Mary and for concert use this is an approachable and rewarding anthem.The composer has combined a single line of Latin 'O virgo splendens' with an earthy late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qualities of the Virgin Mary. Beginning and ending with plainchant-style passages Hevene Quene is by turns restrained sparkling pensive and pleading. Suitable for the Feast of the Blessed Virgin Mary and for concert use this is an approachable and rewarding anthem. For SATB a cappella. This piece was first performed by the Temple Church Choir directed by Stephen Layton at Temple Church Fleet Street London on 10 July 2005.

for SATB and jazz trio or piano solo This exciting collection gives a jazzy twist to nine favourite folk songs from around the world. The spiral-bound edition is accompanied by a fantastic backing CD allowing choirs to perform with jazz-trio accompaniment. This exciting collection for SATB and Jazz Trio (or Piano solo) by Bob Chilcott gives a jazzy twist to nine favourite folk songs from around the world including Scarborough Fair À la Claire Fontaine and Waltzing Matilda . The spiral-bound Leader's Book includes a fantastic backing CD allowing choirs to perform with jazz trio accompaniment even if they have no live band. The CD also includes pronunciation guides for the pieces in different languages.

A setting of the Mass in Latin written for the Truro Cathedral Choir.

A virtuosic work for solo viola which employs a number of advanced techniques including quarter tones harmonics and double-stopping.

16 Concert Pieces For Violin And Piano-Solo Time is a three-volume series of concert pieces for the intermediate to more advanced violinist featuring arrangements and original pieces by the authors of Fiddle Time. Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels. 16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.

This set of Preces and Responses was commissioned by the London Festival of Contemporary Church Music for their 2010 festival. The work is uplifting beautifully crafted and perfect for those seeking new material for the liturgy.

for SATB and organ A collection of twentieth-century chant settings with varied harmonies for singers and organist and verbal texts integral to the music. The works are ideal for choral festivals or theme-services. This wonderful collection brings together four eminent cathedral organist composerrs. These twentieth-century chant settings of four Psalms is for SATB voices with verbal texts integral to the music. Ideal for special events and services uch as the joining of choirs in celebration.

for SATB accompanied and unaccompanied This anthology of ten anthems combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. This anthology of ten mixed-voice anthems by Alan Bullard combines new material written specially for the collection with established favourites from the Oxford catalogue some of which appear here for the first time with SATB scoring. Including the joyful Cantate Gloria and the beautiful From the break of the day Alan Bullard Anthems contains an attractive selection of works suitable for a variety of liturgical seasons and will appeal to all mixed-voice choirs.

for mezzo-soprano and baritone soloists SATB chorus and piano orchestra or brass ensemble In new words by Charles Bennett the story of Good King Wenceslas on the Feast of Stephen is presented as a vivid musical narrative. The well-known carol is interwoven throughout the work and the movements are punctuated by an instrumental interlude and triumphant fanfare. Bob Chilcott 's Wenceslas for Mezzo-Soprano and Baritone soloists SATB chorus and Piano or Orchestra. Vocal score. The story of Good King Wenceslas on the Feast of Stephen is presented here as a vivid musical narrative with solo parts for the characters of Wenceslas (Baritone) and Page (Mezzo-Soprano). Chilcott sets new words by Charles Bennett to a colourful array of styles to recount their snow-bound story. The choir sets the scene before Wenceslas and Page meet in 'Who can that be?' and the story-telling continues in several contrasting movements including a touching solo ballad from Page entitled 'Thank you' and the strong yetreflective closing movement 'On St Stephen's Night'. The full five verses of the well-known carol are skilfully interwoven throughout the work in different parts with the final verse being sung by the audience or a semi-chorus and the movements are punctuated by an instrumental interlude and triumphant fanfare.

This joyful and richly expressive choral cantata is a setting of what is often thought of as a Thanksgiving psalm or a psalm in praise of Harvest time. From its atmospheric opening through to its upbeat ending the work contrasts driving rhythms with quietly reflective passages for soprano solo. It can be performed with or without trumpet. Suitable for any celebratory occasion Psalm 65 is a vibrant concert work and a great joy to sing.

for bassoon and piano

for SATB and piano Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. The style is akin to folk ballad lyrical with just a hint of melancholy which will draw in singers and listeners alike. Also available in a version for upper voices. Vocal score for SATB Choir with a Piano accompaniment. The words are based on a 16th century British Library manuscript. Using symbolism The Lily And The Rose depicts the Virgin Mary mourning the death of her son.

for SSA piano and optional bass and drum kit This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the listener's expectations by setting each classic text in a different jazz-inspired style creating delightful songs that are suitable for performance as a suite or as stand-alone pieces. This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence . Chilcott challenges the expectation of the listener by setting each classic text in a different jazz-inspired style-from the laid-back swing of 'The Echoing Green' and ballad-like setting of 'The Lamb' to a lilting jazz waltz 'The Little Boy Lost/The Little Boy Found'. The voices are underpinned by a stylistic piano part which may be played as written or serve as a guide and a part for bass and drum kit is available separately for jazz trio accompaniment. Ideal for performance individually or as a suite these innovative songs will make a colourfuladdition to any concert programme.for SSA piano and optional bass and drum kit

For SATB and keyboard or orchestra Mack Wilberg's arrangement of Brother James's Air has been recorded on the Mormon Tabernacle Choir's CD Heavensong:Music of contemplation and light. The arrangement is stunning and can be performed throughout the year especially during reflective seasons. For SATB and keyboard or orchestra Mack Wilberg's arrangement of Brother James's Air has been recorded on the Mormon Tabernacle Choir's CD Heavensong:Music of contemplation and light. The arrangement is stunning and can be performed throughout the year especially during reflective seasons.

for SATB solo piano and orchestra There is an alternative accompaniment for 2 pianos timpani and percussion players (3 or 5 players). The vocal score and instrumental material is available on hire. From the poem by Sacheyerell Sitwell. The vocal score also contains a German translation by Beryl de Zoete. For mixed chorus and solo piano with a reduction of the orchestral score.

for unison voices and piano or strings Material for string orchestra is available on hire. A lively Christmas Carol for Unison Voices and Piano or Strings.

Commissioned by Cardiff University School of Music and dedicated to their resident string quartet this work is in one unbroken span that is formed from four linked movements. The work features sharply contrasting musical characters creating Powers' typically oppositional and argumentative style.