for SATB unaccompanied From the composer of the highly acclaimed There is no rose a set of responses that are already proving popular with church and cathedral choirs alike. They are very approachable with some original and effective passages. From the composer of the highly acclaimed There is no rose a set of responses that are already proving popular with church and cathedral choirs alike. They are very approachable with some original and effective passages.

The Two Pieces for Violin and Piano Canzonetta and Scherzetto were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume. The Two Pieces for Violin and Piano Canzonetta and Scherzetto were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume.

for SSA and piano A popular Newfoundland folk song. Based on a Newfoundland folk-song this slow and expressive piece is arranged here for SSA and piano.

for SATB unaccompanied Helvey's musical arrangement is just as descriptive as the words of Sara Teasdale who won the precursor to the Pulitzer Prize in 1918. These lush madrigals are perfectly suitable for college and community choirs. Helvey's musical arrangement is just as descriptive as the words of Sara Teasdale who won the precursor to the Pulitzer Prize in 1918. These lush madrigals are perfectly suitable for college and community choirs.

for SATB and organ For SATB and organ

for SSA double choir piano and flute obbligato This is a lyrical and compelling upper-voice setting of Joseph Mary Plunkett's 'White waves on the water'. Chilcott expertly employs the double SSA forces resulting in a colourful array of textures and vocal combinations from unison to six parts. The voices are accompanied by a florid flute obbligato and a piano accompaniment. For SSA double choir Piano and Flute obbligato. This is a lyrical and compelling upper-voice setting of Joseph Mary Plunkett's ' White Waves On The Water '. Chilcott expertly employs the double SSA forces resulting in a colourful array of textures and vocal combinations from unison to six parts. The voices are accompanied by a florid Flute obbligato and a Piano accompaniment.

for SATB with optional children's choir and piano or piano four hands or chamber orchestra or full orchestra A medley of favourites all arranged with flair and ingenuity with suggestions for audience participation! for SATB with optional children's choir and piano or orchestraThis is the perfect set of carols for a Christmas concert. A medley of favourites - 'Deck the hall' 'Jingle Bells' 'O Christmas Tree' 'The Wassail Song' and 'We wish you a merry Christmas' - all arranged with flair and ingenuity with suggestions for audience participation!

for SATTB and organ continuo Continuing the Society's series of Dering motets this setting of Ave Maria from the 1617 Cantiones Sacra is mainly homophonic with a few imitative phrases. It displays Dering's love of the augmented triad and with an organ continuo part it is within the reach of a competent church choir. Continuing the Society's series of Dering motets this setting of Ave Maria from the 1617 Cantiones Sacra is mainly homophonic with a few imitative phrases. It displays Dering's love of the augmented triad and with an organ continuo part it is within the reach of a competent church choir.

A capella. A capella.

Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing. Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing.

Paperback-for SATB and strings This set contains the following parts: 4 x vln I 4 x vln II 3x vla 2 x vc 1 x db. John Rutter 's The Lord Bless You And Keep You for SATB and String Orchestra. As sung at the wedding of Maghan Markle to Prince Harry in May 2018.

I sing of a Maiden combines flowing lines with rhythmic irregularity and ends with an airy weightlessness which in the words of the composer echoes the vernal flavour of the words. Although rhythmically challenging this beautiful carol is hugely rewarding and perfect for any experienced choir.

for SATB unaccompanied This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike oscillating two-note cell which threads throughout the piece broadening out into the climax of 'a thousand twangling instruments' before subsiding back into the opening calm. Lively light and with a dancing quality The Isles is full of Noises comes from Act 3 Scene 2 of Shakespeare's The Tempest a comedy that is interspersed with many songs particularly by the air spirit Ariel. Bob Chilcott has created a terrific work for unaccompanied mixed chorus a piece that was commissioned by the Leith Hill Musical Festival in celebration of its centenary in 2005. A piano part is also included for rehearsal purposes. The opening soprano and tenor melody is based on a dreamlike oscillating two-note cell which emphasises the airy spirited dance.

for SATB soloists SATB chorus 2 pianos and harmonium Although a sacred work the mass is characteristically lyrical and effervescent and affirms the composer's optimistic and deeply-felt faith. This is Rossini's original instrumentation which he later orchestrated. All material is available on hire. Although a sacred work the mass is characteristically lyrical and effervescent and affirms the composer's optimistic and deeply-felt faith. This is Rossini's original instrumentation which he later orchestrated. All material is available on hire.

for SATB chorus 3 trumpets timpani 2 oboes 2 bassoons strings and continuo These four anthems have long had a special place at the heart of the English choral tradition. They were composed for the coronation of George II in 1727. Full scores vocal scores and orchestral material are available on hire. The Violin 2 part for four of Handel's Coronation Anthems which include Zadok the Priest and My heart is Inditing . These varied and rousing Choral Anthems are available in the corresponding parts for a small orchestra set. Violin 1(C5269)and Violin 3(C5274) Viola(C5271) Cello/Double Bass/Bassoon(C5272)and a Set of Wind Parts(C5273). The complete arrangement is for SATB chorus 3 Trumpets 2 Oboes 2 Bassoons Strings Percussion and Continuo.

for solo voice SATB choir flute and keyboard or guitar or chamber orchestra This heartwarming song setting words by the composer has a rich satisfying melody that befits the sentiment of the text: music is a gift that enriches the soul and lasts a lifetime. Solo voice SATB choir flute and keyboard or guitar.

for SATB wordless chorus viola solo and orchestra This suite from 1925 is one of Vaughan Williams's most enigmatic pieces. The chorus never articulates a single word and instead serves as a section of the orchestra creating an elegant vocal texture and backdrop to the viola's haunting solo lines. Ralph Vaughan Williams ' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Study score. This work is one of Vaughan Williams 's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines. Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.

for SSATB unaccompanied First performed by the choirs of St Paul's Westminster Cathedral and Westminster Abbey this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas well-placed astringent harmonies and a strong modal feel. First performed by the choirs of St Paul's Westminster Cathedral and Westminster Abbey this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas well-placed astringent harmonies and a strong modal feel. Ideal for cathedral and other church choirs. Pronunciation guide and modern rendition of the text included.

for SATB with divisions and soprano solo unaccompanied This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich and the floating soprano line adds another dimension to the texture. Suitable for a wide range of choirs at Christmas. For SATB with divisions and soprano solo unaccompanied. This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich and the floating soprano line adds another dimension to the texture. Suitable for a wide range of choirs at Christmas.

for SATB congregation (or semi-chorus) and organ The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words. The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words.