for SATB and piano A short and simple anthem which is full of hope and warmth. Bob Chilcott 's You Are My God for SATB and Piano. A short and simple anthem which is full of hope and warmth.

An anthology of 17 of Tallis's shorter anthems some familiar some little known but all freshly edited and revised. Includes practical performing editions (transposed where necessary and with keyboard reductions) of 11 motets with Latin texts 2 sacred partsongs and 4 anthems with English texts all with full critical apparatus. This anthology comprises seventeen of Tallis's shorter choral pieces and is designed to provide church choirs and students with a practical and interesting cross-section of the composer's smaller-scale output. Some of these pieces are familiar some little known but all are freshly edited and revised and have texts that are suitable for general purpose litugical use. Includes practical editions of 11 motets with Latin texts 2 sacred partsongs and 4 anthems with English texts all with full critical apparatus.

A uniquely accessible and comprehensive resource for use in church services and concerts throughout the Church's year. The volume's 50 SATB pieces both accompanied and unaccompanied are suitable for choirs of all sizes and abilities. BL Provides an excellent choice of pieces for the Principal Feasts BL champions new approachable and unjustly neglected repertoire spanning all periods and traditions whilst avoiding widely available or difficult music BL includes many previously unpublished or newly commissioned anthems arrangements and editions by important composers and church musicians BL contains useful musical and liturgical introductions in addition to fullindexes glossaries of additional uses for the repertoire and listings of other suitable pieces not included in the book. Anthems for all of the Church's seasons. This book is a uniquely accessible and comprehensive musical/liturgical resource for use in Church services and concerts and throughout the church's year. Suitable for SATB choirs of all sizes and abilities this book: contains a superb selection of 50 pieces covering the Principal festivals: The Epiphany The Presentation of Christ in the Temple The Annunciation of Our Lord to the Blessed Virgin Mary Ascension Day Pentecost Trinity Sunday and All Saints' Day; provides an excellent and varied choice of pieces for each Feast suitable for many years of use; champions new approachable and unjustlyneglected repertoire spanning all periods and traditions whilst avoiding widely available or difficult music; includes many previously unpublished or newly commissioned anthems arrangements and editions by important composer and church musicians; contains a useful liturgical introduction ;represents unrivalled variety and fabulous value for money.

O Nata Lux by Ben Parry for SATB unaccompanied. A contemplative setting of the Latin hymn at Lauds for The Feast of Transfiguration Ben Parry 's O Nata Lux features effective melodic and harmonic phrasing that creates a serene environment for reflection.

An idiomatic transcription of the well-known Albeniz Tango for violin or viola and piano An idiomatic transcription of the well-known Albeniz ' Tango for Violin or Viola and Piano.

Fifty Carols-A third collection of 50 carols mostly for SATB some unaccompanied and some having accompaniments for piano or organ or orchestra. The carols reflect a diversity of styles and periods while remaining within the capacity of an average group of amateur performers. Includes compositions and arrangements by Britten Holst Howells Hurford Vaughan Williams and Walton. Orchestral and brass accompaniments for many of the items are available on hire. The volumes of Carols For Choirs have established themselves as the quintessential carol books for carol-singers around the world. Carols For Choirs 3 includes 50 varied carols for every occasion including newly-arranged classics as well as original compositions written specially for this compilation.

How good is our God by Alan Bullard for SATB unaccompanied. Alan Bullard 's simple uplifting setting of words by eighteenth-century writer and Calvinist minister Joseph Hart is perfectly suited to the Every Voice Rejoice series. The anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

Fifty Carols for Christmas and Advent-A second collection of 50 carols mostly for SATB some unaccompanied and some having accompaniments for piano or organ or orchestra or brass ensemble. Many of the carols are from traditional sources rearranged: among the items composed especially for this volume are carols by William Walton Benjamin Britten Richard Rodney Bennett and William Mathias. Instrumental material for most of the accompanied items is available on hire. Eight Carols for Brass for 5 and 8 part brass (to accompany carols from Carols for Choirs 1 and Carols for Choirs 2) are also on sale. Carols For Choirs 2 includes 50 varied carols for every occasion including newly-arranged classics as well as original compositions written specially for this compilation.

The Viola Time Student Pack is a great starter bundle for all young Viola players. Each pack provides a book of lively tunes and well-known pieces everything you need to make learning scales and arpeggios fun a notebook with alternate plain and manuscript pages for lesson notes and a pack of entertaining cartoon stickers.

The Lark Ascending by Ralph Vaughan Williams arranged by Paul Drayton for Violin and mixed choir. This innovative and imaginative choral arrangement of The Lark Ascending has the original solo Violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless Vocal lines and Vocal solos preserving the texture and timeless effect of the original. Commissioned and premiered by the Swedish Chamber Choir the work has also been recorded by the Choir under the direction of Simon Phipps.

The Parting Glass by Sarah Quartel for TTBB unaccompanied. The Parting Glass is a traditional Scottish song often sung as a farewell at the end of a get-together. Sarah Quartel 's arrangement features close harmonies idiomatic Scotch snap rhythms and effective interjectory moments in what is a largely homophonic setting. With its valedictory message it would make a fitting end to a performance perhaps as an encore item.

O Come Let Us Sing Unto The Lord by Ethan McGrath for SATB and Organ. This rhapsodic anthem sets verses from Psalm 95 and features contrasting sections changing metre and a buoyant Organ part.

for SATB and piano or organ Andrew Carter's simple but subtle setting of this favourite text is equally suited to be sung as an anthem in the context of prayers or communion or at weddings or as a benediction. A wonderful setting of text from the Book of Hours arranged for SATB and Piano Accompaniment.

24 anthems for soprano and altos (three or more parts) 24 anthems for Soprano and Altos (three or more parts).

This hauntingly beautiful piece is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases double stopping in thirds and sixths and a quasi-improvised section making it an ideal concert work for advanced Violinists.

Bob Chilcott's Dancing in Memory's Stream for SSA and Piano. This joyous and upbeat piece sets a text by Delphine Chalmers full of vivid imagery of childhood memories and with a compelling refrain: 'Though the years may make us strangers our voices set the ripples dancing in memory's stream'. Alternation between passages of 4/4 and 7/8 gives a spirited offbeat feel and the pleasingly simple melodic lines and long unison passages make the piece especially suitable for school or children's choirs. Bob Chilcott has been involved with choral music all his life first as a Chorister and then a Choral Scholar at King's College Cambridge. Later he sang andcomposed music for 12 years with the King's Singers. His experiences with that group his passionate commitment to young and amateur choirs and his profound belief that music can unite people have inspired him both to compose full-time and through proactive workshopping to promote choral music worldwide.

For SSA and piano. A bright and joyful piece full of rhythmic invention and energy suitable also for children's voices. Bob Chilcott has adapted a Guaymi dawn song in celebration of the Mississauga Children's Choir on their twentieth anniversary. Part of the Oxford Bob Chilcott series (BC42). For SSA and piano. A bright and joyful piece full of rhythmic invention and energy suitable also for children's voices. Bob Chilcott has adapted a Guaymi dawn song in celebration of the Mississauga Children's Choir on their twentieth anniversary. Part of the Oxford Bob Chilcott series (BC42).

for SATB and piano. In this appealing arrangement Helvey has created the perfect marriage of text and melody. The popular hymn tune ASH GROVE is paired with a beautiful Sarah Doudney text that is rich in imagery. The sparkling piano part is a perfect backdrop to the sensitively arranged vocal parts and reflects the joyful character of the text. This appealing arrangement is the perfect marriage of text and melody. The popular hymn tune 'Ash Grove' is paired with a beautiful Sarah Doudney text that is rich in imagery. The sparkling piano part is a perfect backdrop to the sensitively arranged vocal parts and reflects the joyful character of the text.

1911 version-for SATB double choir and organ or orchestra or brass ensemble. This edition of Parry's renowned anthem presents the 1911 version prepared by the composer for George V's coronation. Rutter's fascinating editorial preface provides contextual notes and informative performance considerations. This edition of Parry's renowned anthem presents the 1911 version prepared by the composer for George V's coronation. Rutter's fascinating editorial preface provides contextual notes and informative performance considerations.

This arrangement of the popular American folksong is atmospheric and expressive with the traditional melody moving seamlessly between voice parts and resting on a cushion of rich harmonies. Shenandoah has been recorded by The King's Singers on the album GOLD (Signum SIGCD500).