Gabriel Jackson's is one of the most striking modern settings of this ancient text. The composer's trademark diversity of texture is much in evidence with passages of rich sonority giving way to intimate soloistic sections. The piece will be a very satisfying challenge for a proficient choir.

for SATB and piano or orchestra Well known as an orchestral piece Faure's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891 the charmingly slight and musically apt text by Faure's acquiantance the witty Comte Robert de Montesquio-Fezensac. This edition has eradicated discrepancies in the voice parts between the existing vocal and full scores. Instrumental parts are available on hire. For SATB and piano or orchestra Well known as an orchestral piece Fauré's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891 the charmingly slight and musically apt text by Fauré's acquiantance the witty Comte Robert de Montesquio-Fézensac.

for SATB (with divisions) and piano This arrangement of Gruber's timeless carol is warm and gentle. It was recorded by the Cambridge Singers on the The John Rutter Christmas Album (Collegium Records CSCD510). Conductor's scores and instrumental parts are available from the publisher as is Rutter's alternative unaccompanied arrangement. John Rutter 's Silent Night for SATB choir (with divisions) and Piano accompaniment. This arrangement of Gruber's timeless carol is warm and gentle. It was recorded by the Cambridge Singers on the The John Rutter Christmas Album (Collegium Records CSCD510). Conductor's scores and instrumental parts are available from the publisher as is Rutter 's alternative unaccompanied arrangement.

A Czech folk tune with words and arrangement by Malcolm sargent. For unison voices and piano. A Czech folk tune with words and arrangement by Malcolm sargent. For unison voices and piano.

Alan Bullard 's Health And Safety for SATB and Piano. This original suite sets anonymous instructions found in packaging to general household goods providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three contrasting movements are contemporary yet accessible in style with catchy melodies and jazz-inspired harmonies.

More sweet than my refrain is a tender miniature for three-part choir set to the text of a poem by Ralph Waldo Emerson. The motet features on the new Ars Nova Copenhagen recording 'First Drop' (Canteloupe: CA21127).

for SATB and small orchestra Set of parts for John Rutter's anthem of haunting simplicity and rich orchestral colours.This set includes the following string parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db. Set of parts for John Rutter 's anthem of haunting simplicity and rich orchestral colours. This set includes the following string parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db.

for AATTBB unaccompanied This lively and joyous arrangement of the folksong 'Montagnarde' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. 'Montagnarde' is featured on the Tenebrae CD Sun Moon Sea and Stars (Signum SIGCD903). This lively and joyous arrangement of the folksong ' Montagnarde ' from the Haute-Auvergne region of France makes playful use of the call of the cuckoo in a catchy refrain. ' Montagnarde ' is featured on the Tenebrae CD Sun Moon Sea and Stars (Signum SIGCD903).

David Bednall 's Aspire To God My Soul for SATB unaccompanied. Aspire to God my soul sets a macaronic text by Canon John Dilnot with the titular words recurring throughout the setting as an emphatic refrain. This short anthem is optimistic and uplifting in tone with frequently changing time-signatures that convey a rhythmic fluidity and the flexibility to follow the declamation of the words.

Balulalow is a Christmas miniature that captures the intimacy and atmosphere of this well-loved 16th-century text. Through homophonic textures word-painting the use of extended harmonies and a lilting rhythm the piece has a subtlety that provides a challenge for established choirs while remaining musically accessible.

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement which features the original solo line as part of a string sextet. Perfect as a rehearsal tool in preparation a larger-scale orchestral concert the arrangement is also ideal for performance in a chamber recital.

for SATB and piano or brass and percussion This gentle and enchanting carol set to a poem by Elizabeth Jennings began life as the fourth movement of Chilcott's Christmas cantata 'And Peace on Earth'. Chilcott's sublime melodic writing and subtle harmonic shifts capture perfectly both the naivety and wisdom reflected in Jennings' text. This is classic Chilcott: a beautiful and approachable carol. Instrumental parts for both the full cantata and this movement are available on hire.This gentle and enchanting carol for SATB and Piano set to a poem by Elizabeth Jennings began life as the forth movement of Chilcott's Christmas cantata And Peace On Earth . Chilcott's sublime melodic writing and subtle harmonic shifts capture perfectly both the naivety and wisdom reflected in Jennings' text to create a wistful beautiful carol.

For SATB unaccompanied Locus Iste has become a popular text for church dedication services. This simple and beautiful linear setting by O'Regan provides a stylish alternative to other over-familiar settings. For SATB unaccompanied Locus Iste has become a popular text for church dedication services. This simple and beautiful linear setting by O'Regan provides a stylish alternative to other over-familiar settings.

Thirteen arrangements for unaccompanied SATB of folk-songs from the British Isles Thirteen masterly arrangements of folk-songs from the British Isles. Some of the songs are new others are classics of their kind but they will all delight today's choirs throughout the world.

Set of parts for the brass accompaniment to John Rutter's I will worship the Lord.

Moving On is a single movement work for string quartet. Skempton masterfully combines classical string quartet textures with luxuriant harmonies and a fluid approach to tonality resulting in an appealing modern addition to the genre.

for SSA and organ The organ part is supportive but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria with its constantly shifting time-signatures and the haunting Agnus Dei. Cecilia McDowall 's Missa Mariae for SSA choir and Organ. This concise Latin mass setting is entirely suitable for liturgical use but the sharply delineated characters of the different movements make it also an appealing concert work. The Organ part is supportive but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria with its constantly shifting time-signatures and the haunting Agnus Dei.

for SATB unaccompanied David Blackwell: The Virgin Mary Had A Baby Boy for SATB unaccompanied.

Originally the title for Vaughan Williams's opera Sir John in Love Fat Knight was conceived as a seven-movement orchestral suite that drew upon the opera and had as its central character Shakespeare's Falstaff. Vaughan Williams never completed the work and left only a two-piano score the basis of this realisation.

Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing with sinuous stepwise motion and persistent imitative entries. The optimism of the text taken from the Gospel of Luke is reflected in the music of this buoyant motet and the dashes of harmonic colour unexpected cadences and elaborate textures make this highly rewarding counterpoint to sing. Francis Steele Francis Steele was born in Liverpool the son of a docker. Christ's Hospital School nurtured his early musical interests and while at Magdalen College Oxford he studied with David Wulstan and Dr BernardRose two remarkable mentors who combined scholarship with performance. This influence pervaded a singing career spanning nearly three decades during which Francis sang with and furnished editions for the foremost British ensembles. Travelling and performing extensively he has developed an intimate practical knowledge of Renaissance repertoire and his main concern is an imaginative fidelity to musical and verbal text. Francis now lives at La Maison Verte in southern France where he runs courses advocating this approach; he also coaches groups throughout Europe and in the USA. Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing with sinuous stepwise motion and persistent imitative entries. The optimism of the text taken from the Gospel of Luke is reflected in the music of this buoyant motet and the dashes of harmonic colour unexpected cadences and elaborate textures make this highly rewarding counterpoint to sing. Francis Steele Francis Steele was born in Liverpool the son of a docker. Christ's Hospital School nurtured his early musical interests and while at Magdalen College Oxford he studied with David Wulstan and Dr BernardRose two remarkable mentors who combined scholarship with performance. This influence pervaded a singing career spanning nearly three decades during which Francis sang with and furnished editions for the foremost British ensembles. Travelling and performing extensively he has developed an intimate practical knowledge of Renaissance repertoire and his main concern is an imaginative fidelity to musical and verbal text. Francis now lives at La Maison Verte in southern France where he runs courses advocating this approach; he also coaches groups throughout Europe and in the USA.