Orchestral & Instrumental Material for Choral Pieces-for SATB and harp or piano This delightful choral work brings together arrangements of four well-loved folksongs: 'Green Bushes' 'The Rambling Sailor' 'The Crystal Spring' and 'O No John!'. The harp accompaniment is ideal for choirs looking to perform this work as it was originally conceived. This delightful choral work brings together arrangements of four well-loved folksongs: Green Bushes The Rambling Sailor The Crystal Spring and O No John! . A joyful celebration of youthful love and courtship A Fancy of Folksongs bears all the hallmarks of Cecilia McDowall's appealing and popular style: rhythmic vitality occasional astringent harmonies and strong melodies all brought together to create a distinctive and fresh sound. A Fancy of Folksongs can be accompanied by piano or harp and it is sure to be an instant hit with all lovers of McDowall's music.

A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells. A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells.

for SATB and piano This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away. This tender Advent carol by Bob Chilcott sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away.

for SA piano and percussion This is an uplifting setting of a fun text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part and a contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in'. Cecilia McDowall 's Drink The Sky for SA Piano and Percussion. This is an uplifting and expressive setting of a fun descriptive text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic Piano part often featuring rippling quavers and characterful interjections from the Glockenspiel and suspended Cymbal complement the narrative. A contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in' while the final section is affirmatory in feel emphatically repeating the final line of the poem 'and I will grow'.

for SATB unaccompanied Howell's Mass In The Dorian Mode was first heard at Mass in Westminster Cathedral on 24th November 1912. It was the first of Howell's works to be given a professional London performance. The Mass is scored for SATB unaccompanied.

Paperback-for SATB and organ or piano Spirited in tone this anthem sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody the vocal parts gradually open out into jubilant harmonies which are supported by the accompaniment (performable on organ or piano). Spirited in tone this anthem by Alan Bullard sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody the vocal parts gradually open out into jubilant harmonies which are supported by the accompaniment (performable on organ or piano). Suitable for performance throughout the year Praise the Lord ye heavens adore him will be a welcome addition to repertory of all church choirs.

for SATB piano and optional saxophone bass and drum kit This work puts a jazzy twist on three Shakespearean characters: Ophelia from Hamlet and Caliban and Miranda from The Tempest. The piano part may be played as written or used as a guide and a part for saxophone bass and drum kit is available separately. This work puts a jazzy twist on three Shakespearean characters: Ophelia from Hamlet and Caliban and Miranda from The Tempest. The piano part may be played as written or used as a guide and a part for saxophone bass and drum kit is available separately.

A meditation based on the traditional Seven Last Words of Christ-for SATB choir and organ or piano with optional soloists congregation and strings (string orchestra string quintet or string quartet) A reflective work for church or concert choirs at Passiontide. It sets the traditional Seven Last Words of Christ well-known hymns and other sacred texts to create a moving and dramatic work that re-presents this timeless story for a modern audience. Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages 3 well-known hymns and settings of 4 well-known sacred texts including 'Drop drop slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir and strings (quartet quintet orensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire or purchase from the Music Hire Library.

The text is a set of six poems by John Drinkwater (1882-1937). Drinkwater had close associations with Warwickshire and much of his poetry reveals his love of the countryside. The first and last of six roundels serve as introduction and postscript. The central four describe the seasons beginning with spring.

A graded anthology-This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. With extended historical information and a wonderful array of varied pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities. This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres with Cornet and Trumpet Voluntaries Echo Voluntaries fugal works with slow introductions and Full Voluntaries; as such the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction with information on instruments of the period registration ornamentation and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; thesecomplete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities.

This concerto is an 18-minute single span of music although it is broken down into three sections - fast slow faster. The musical language explores folk-derived materials and performing practices.

for SSAA piano and optional bass and drum kit Commissioned by the Nidaros Cathedral Girls' Choir this jazzy setting of the Missa Brevis will be welcomed by all upper-voice choirs who enjoyed A Little Jazz Mass. The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis . With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by theNidaros Cathedral Girls' Choir of Trondheim Norway.

Hardback-A new edition of Vaughan Williams's much-loved symphony published as part of the 2008 anniversary celebrations (50th since death). Contains an introduction by Michael Kennedy and textual notes. Matching newly engraved orchestral parts will be available on hire. A new edition by Peter Horton of Vaughan Williams's much-loved symphony published as part of the 2008 celebrations of 50th anniversary of his death. Contains an introduction by Michael Kennedy and textual notes.

Classic Choral Works-Haydn's Missa in Angustiis Hob.XXII/11 his so-called Nelson Mass was composed in 1798 under difficult circumstances as one of his few remaining duties of employment with the Esterhazy family. Available here is a scholarly performing edition of one of Haydn's most popular works with a faithful orchestral reduction that is both clear and playable as edited by Denis McCaldin. Haydn's Missa in Angustiis Hob.XXII/11 his so-called Nelson Mass was composed in 1798 under difficult circumstances as one of his few remaining duties of employment with the Esterhazy family. Available here is a scholarly performing edition of one of Haydn's most popular works with a faithful orchestral reduction that is both clear and playable as edited by Denis McCaldin.

Cello Time-Contains all the piano accompaniments for Cello Time Joggers. Characterful and easy to play these piano parts provide the perfect stylish accompaniment to the cellist's first tunes and help capture the spirit and mood of the pieces. The Cello Time Joggers - Piano Accompaniment Book contains all the Piano accompaniments for Cello Time Joggers (the Cello duets are unaccompanied and so printed in the Cello book only). Characterful and easy to play these Piano parts provide the perfect stylish accompaniment to the cellist's first tunes and help capture the spirit and mood of the pieces. Essential for teachers and musical parents these books will help motivate all young cellists as they learn to play.

For SATB and Organ. This is an upbeat and joyful setting of the traditional hymn text. Combining a strong melody some modal nuances and a fanfare-like organ accompaniment it's a rousing carol that would be the ideal choice for opening a Christmas concert. For SATB and Organ. This is an upbeat and joyful setting of the traditional hymn text. Combining a strong melody some modal nuances and a fanfare-like organ accompaniment it's a rousing carol that would be the ideal choice for opening a Christmas concert.

This work commissioned by Jeremy Huw Williams in association with the Vaughan Williams Trust sets three poems by Dylan Thomas. The first is melancholic in character; the second contrasts the fearlessness of childhood with the caution of adulthood; and the third is a joyful setting that moves through the four seasons of the year.

for SATB and organ or small orchestra Set of parts for John Rutter's sprightly carol celebrating the piping of a shepherd boy on his way to Bethlehem. This set includes the following string parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db. Set of parts for John Rutter 's sprightly carol celebrating the piping of a shepherd boy on his way to Bethlehem. This set includes the following String parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db.

for SSAA and piano Here in my Heart is an uplifting setting of an original text by the composer that explores the power of the natural world to fill the heart with song. The evocative melody uses syncopated rhythms to create a sense of ebb and flow and the rippling piano part and increasingly rich textures build to an emotive close. Sarah Quartel 's Here In My Heart for SSAA Choir and Piano. This uplifting and optimistic setting of an original text by the composer explores the power of the natural world to fill the heart with song. The evocative melody perfectly complements the theme of the text and uses duplets and syncopated rhythms to create a lilting sense of ebb and flow. The rippling Piano part and increasingly rich textures build to bring the piece to an emotive close.

for SATB (with divisions) and optional organ Alan Bullard's first Magnificat and Nunc Dimittis written for the choir of Selwyn College Cambridge can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and have a distinctly folk-like feel. Alan Bullard's first Magnificat and Nunc Dimittis written for the choir of Selwyn College Cambridge can be performed a cappella or with organ. Both movements feature pleasing tonal contrasts and have a distinctly folk-like feel. In this lyrical and expressive setting the voices are often offset against each other in pairs focussing the listener's attention on the text and highlighting by contrast the rich powerful passages for full choir. The Selwyn Service is included on a CD by Selwyn College Cambridge (Regent Records).