Holy Roller is a revival sermon captured in the sounds of the alto saxophone and piano. It is inspired by classical revival preaching and the music seeks to represent the language: cajoling and incanting with the intention of magnetizing and mesmerizing the listener through the usage of what Larsen describes as musical masterpieces of rhythm tempo and extraordinary tension and release. A version for alto saxophone and concert band is available on hire.

for SATB with optional solo unaccompanied This is a sonorous and dramatic arrangement. It opens with an optional solo that may be sung by the sopranos and towards the end the rest of the choir sings a wordless repeated figure while the sopranos take the melody towards a surprising but effective close. This is a sonorous and dramatic arrangement. It opens with an optional solo that may be sung by the sopranos and towards the end the rest of the choir sings a wordless repeated figure while the sopranos take the melody towards a surprising but effective close.

for SATB and piano or orchestra Orchestral material is available on hire. Peter Warlock's Three Carols for Soprano Solo SATB and Piano/Orchestra.

for SATB and organ or orchestra Refreshing and moving this arrangement is filled with strong harmonies light suspensions and beautiful dissonances. Instrumental material is available on hire. Refreshing and moving this arrangement is filled with strong harmonies light suspensions and beautiful dissonances. Instrumental material is available on hire.

Secluded Orchid is based on the guqin melody You Lan in the Mode of Jie Shi the oldest extant music for this ancient stringed instrument (a plucked seven-string member of the zither family). The work evokes the original character and moods of guqin music-dark anger melancholy tranquillity and exhilaration.

for string orchestra and harp Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

for SATB with organ or orchestra Orchestral parts are available on hire. O What Their Joy And Their Glory Must Be is a wonderful anthem based on a traditional French melody. The text has been translated from the Latin of Abelard by J.M. Neale and the work is scored for SATB with an Organ reduction of the original Orchestral score.

Paperback-for SATBarB unaccompanied This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple while the arrangement is varied and charming. This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple while the arrangement is varied and charming.

SATB unaccompanied Josquin Des Prez's The Cricket (El Grillo) SATB unaccompanied.

for SAA unaccompanied or with strings A beautiful gentle arrangement originally from Carols for Choirs. A beautiful gentle arrangement originally from Carols for Choirs.

for B flat clarinet and viola Composed in 1941 this is the first publication of this work. This is the first publication of this work which was composed in 1941 and is arranged for B Flat Clarinet and Viola.

Using as its basis two traditional nursery rhymes and an achingly nostalgic poem by Eugene Field Larsen deftly captures the essence of childhood in her clever setting of the three texts whilst offering her own more adult interpretations to the moral of each.

Paperback-for unison voices and piano Ralph Vaughan Williams The Singers for unison voices and piano.

for SATB and organ Percy Whitlock's Be Still My Soul for SATB and organ.

Paperback-for string orchestra and harp Vaughan Williams fist encountered the old English folk song Dives and Lazarus when he was 21 and here presents five variants that are in his own words 'not exact replicas of traditional tunes but rather reminiscences of various versions in my own collection and those of others'. The work was premiered in Carnegie Hall as part of the 1939 New York World's Fair and is a wonderful example of the sumptuous string textures and modal tonalities that have become the composer's trademarks.

The first in a set of tutorials that introduce and cover the Baroque techniques of figured harmony. Beginning with root-position chords this step-by-step guide gradually introduces inversions re-harmonisations passing tones and ornamentation. The short-hand figures are fully explained with specific reference to stylistic authenticity. Learn the most appropriate shapes how they move and how to apply them by sight in a manner true to the legacy of the Baroque composers.

for SATB with some division in T unaccompanied A rare nineteenth-century English example of an alternatim office hymn setting. The glorious Gregorian melody for Passiontide and feasts of the Holy Cross alternates with spacious harmony of noble simplicity. Wingham was Director of Music at the London Oratory from 1882 until his death in 1893. A rare nineteenth-century English example of an alternatim office hymn setting. The glorious Gregorian melody for Passiontide and feasts of the Holy Cross alternates with spacious harmony of noble simplicity. Wingham was Director of Music at the London Oratory from 1882 until his death in 1893.

for SSATB unaccompanied This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence. With chromatic inflections and gently arching vocal lines the music perfectly reflects the text's emphasis on the relationship between pleasure and sorrow. This expressive Wedding anthem sets an extract from William Blake's Auguries of Innocence . With chromatic inflections and gently arching vocal lines the music perfectly reflects the text's emphasis on the relationship between pleasure and sorrow. Joy and Woe are woven fine will make a striking addition to the repertory of more experienced choirs looking to try something new. For SSATB unaccompanied.

for SA and piano I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition and is underpinned by a gently flowing piano accompaniment. I Remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition and is underpinned by a gently flowing piano accompaniment. The middle section brings a contrast of tonality with the altos accompanying the sopranos' melodic line before the beguiling melody of the opening returns to bring the setting to a poignant close. The Songbird series presents new and exciting original material for upper voices. Showcasing the work of today's most innovative names in choral writing the series includes songs in a variety of scorings from SA voices with piano to SSAA and percussion. With well-crafted and characterful pieces in a range of distinctive styles Songbird represents upper-voice choral music at its best.

for SATB and piano or orchestra This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings while the piano part complements the vocal lines with rich luscious harmonies. An accessible and enjoyable option for mixed choirs. Orchestral material is available on hire. This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. The melody weaves between different voices and scorings while the Piano part complements the vocal lines with rich luscious harmonies. An accessible and enjoyable option for mixed choirs.