A collection of repertoire books of enjoyable interesting and stimulating material for use in the early stages of learning. The pieces in Book 2 are of around grades 2-3 standard and are in chronological order with brief notes placing them in history. Fifteen pieces of Grade 2-3 standard for Clarinet and Piano. The contents of each book of this series is arranged chronologically and each piece is accompanied by short notes which place the music in its wider historical context so that the student can more easily relate the style of the music to its period. Arranged by Paul Harris.

Paperback-for SATB and keyboard The memorable melody in this engaging anthem has a slightly modal sound. The first half of the work is mainly sung in unison and the second breaks into joyful divisi. Destined to be enjoyed throughout the church's year this is particularly apt when celebrating St Francis of Assisi. The memorable melody in this engaging anthem has a slightly modal sound. The first half of the work is mainly sung in unison and the second breaks into joyful divisi. Destined to be enjoyed throughout the church's year this is particularly apt when celebrating St Francis of Assisi.

A collection of repertoire books of enjoyable interesting and stimulating material for use in the early stages of learning. The pieces in Book 1 are of around grades 1-2 standard and are in chronological order with brief notes placing them in history. Music Through Time is an exciting series of instrumental repertoire books designed to provide young musicians with enjoyable interesting and stimulating material in the early stages of their playing career. The contents of each volume are arranged chronologically and each piece is accompanied by short notes which place the music in its wider historical context so that the student can more easily relate the style of the music to its period. Book 1 covers grades 1-2. The solo clarinet part is also included as a separate insert.

This technically demanding chamber work is a response to the work of one of Spain's leading architects Alberto Campo-Baeza where symmetries and reflections are constant features. The musical material combines a careful structure with elements of traditional music for rabel (a type of Iberian fiddle) and voice from the north of Spain.

This sonata for piano is formed from a set of variations with intervening cadenza and coda. It is a very rhythmic atonal work and demonstrates the strong influence of Messiaen on Sherlaw Johnsons music.

A virtuosic elegy for solo oboe in which the solo line is fractured into two opposing elements - lyrical elegance and angular neuroticism - between which there is constant conflict.

A work in five movements each characterizing a poem by Chaucer. 'Triton's Trumpets' acts as an overture to the suite of pieces is mainly rather rustic and as its title implies much of its music is in the nature of fanfares. Next is a haunting slow waltz then a very short and very vigorous fanfare. In the fourth movement 'The Sorrowful Knight' each instrument expresses its individual sorrow. Finally Chaucer himself chatters in a jaunty innocent style.

Anthem for the Feast of any Apostle for SATB soli SATB choir and organ or orchestra Orchestral material is available on hire. Anthem for the Feast of any Apostle for SATB soli SATB choir and organ or orchestra Orchestral material is available on hire.

A collection of repertoire books of enjoyable interesting and stimulating material for use in the early stages of learning. The pieces in Book 3 are of around grades 3-4 standard and are in chronological order with brief notes placing them in history. Music Through Time is an exciting series of instrumental repertoire books designed to provide young musicians with enjoyable interesting and stimulating material in the early stages of their playing career. The contents of each volume are arranged chronologically and each piece is accompanied by short notes which place the music in its wider historical context so that the student can more easily relate the style of the music to its period. Book 3 is suitable for players grade 3-4 standard.

The piece is a suite of six contrasting miniatures built around fragments of melodies which are repeated each time with subtle variations. Particularly striking is the simple folk-like melody of the fifth movement and the dissonant almost grotesque march that precedes it.

for clarinet in A and cello The first movement is fairly slow and mostly cantabile. A feature is the persistent interruption of the flow by a curious sotto voce semitonal passage between the two instruments played as if in brackets. The second and third movements are fairly straightforward at least from the audience's point of view. The fourth movement is the most elaborate and takes the form of free variations on thematic material heard in the first movement but now much transformed. Phyllis Tate's Sonata For Clarinet And Cello . This is the Clarinet In A Part including a sketched and transposed Cello part.

for soprano or tenor solo SATB choir 2 horns 3 trumpets 3 trombones tuba piano solo and timpani Jubilate is a medium-scale concert work that uses as its text a combination of the ancient words of Psalm 100 and the inspirational poem Prayer by Gerard Manley Hopkins. This is an approachable and deeply moving work containing both exciting and extrovert passages of public rejoicing as well as sections of more intimate personal praise. The score and instrumental parts are available on hire.Based on the ancient words of Psalm 100 and Prayer a poem by Gerard Manley Hopkins this piece wonderfully combines public rejoicing with intimate personal praise. A medium scale concert work for Soprano or Tenor Solo supported by a full SATB choir and Brass Ensemble or Piano accompaniment. This deeply moving work reinforces Chilcott’s reputation as a composer of beautiful music with integrity.

Finzi's small and select output sadly includes no original solo organ music and organists will find these arrangements by Robert Gower Alan Ridout and Philip Brunelle gratifyingly idiomatic and rewarding. These arrangements make ideal quiet voluntaries or recital items with a difference. The rich sonorities of the original orchestral works transfer well to the organ. Finzi's small and select output sadly includes no original solo organ music but organists will find these arrangements by Robert Gower Alan Ridout and Philip Brunelle gratifyingly idiomatic and rewarding.

A collection of pieces of about grades 3 to 4. Classical And Romantic Pieces For Violin And Piano Book 2 is a wonderful collection of pieces for Violin and Piano which are between grades 3 and 4 in standard. These pieces will provide both an enjoyable challenge and an enrichment to the repertoire of the progressing violinist. The solo violin part is also included on a separate insert.

11 pieces many of which were previously unpublished by the leading figure in Belgian music in the first half of the twentieth century. 11 pieces many of which were previously unpublished by the leading figure in Belgian music in the first half of the twentieth century.

for SATB and organ or piano four hands or orchestra The new organ accompaniment was transcribed by Peter Stevens for the King's College Cambridge Nine Lessons and Carols service in 2007. The organ part is presented under Wilberg's original choral parts for an effective alternative to the already existing version for piano four hands. Orchestral material is available on hire. Vocal Score to Mack Wilberg's setting of Ding! Dong! Merrily On High for SATB and Organ (or Orchestra).

Paperback-for SATB and keyboard Eleanor Daley sets well-loved texts by George Herbert in this suite of three pieces. They may be performed separately as part of a church service or together for an impressive concert piece. This suite is particularly suitable for Easter and Trinity Sunday. Eleanor Daley sets well-loved texts by George Herbert in this suite of three pieces. They may be performed separately as part of a church service or together for an impressive concert piece. This suite is particularly suitable for Easter and Trinity Sunday.

for 40-part unaccompanied mixed chorus This score is in G. The full vocal score and two chorus parts (Choirs I-IV and Choirs V-VIII) are available on hire. This wonderful composition by Thomas Tallis is for eight SATB choirs to make forty parts in all! It is an ambitious impressive looking score to an even more impressive sounding and altogether magnificant sacred piece for unaccompanied mixed choruses.

for SATB unaccompanied Right from the first bar this upbeat refreshing arrangement of the African-American spiritual will catch the attention of the performer and audience. Culminating in six-part harmony with dramatic pauses this memorable work makes for the perfect encore. Right from the first bar this upbeat refreshing arrangement of the African-American spiritual will catch the attention of the performer and audience. Culminating in six-part harmony with dramatic pauses this memorable work makes for the perfect encore.

for SATB and organ The four motets in this set are adapted from Bob Chilcott's large-scale choral work Salisbury Vespers premiered in Salisbury Cathedral in May 2009. The motets can be performed as a set or individually and are suitable for concert and liturgical use. Instrumental parts are available to hire for the accompanied motets. The four motets in this set are adapted from Bob Chilcott's large-scale choral work Salisbury Vespers which was premiered in Salisbury Cathedral in May 2009. Setting a variety of early Marian texts the set includes the gentle and expressive I sing of a mayden and the fervent Hail Star of the sea most radiant . Re-scored for SATB and organ the motets will be welcomed by choirs of all sizes looking for a more intimate introduction to Chilcott's magnificent landmark work. The motets can be performed as a set or individually and are suitable for concert and liturgical use. Accompaniments for instrumental ensemble or for Brass and Organ are available to hireseparately for each of the accompanied motets.