for Unison with descant and organ

This Night

for SATBarB unaccompanied This famous Easter Respond by John Taverner (d. 1545) scored for SATBarB alternating polyphony and plainchant tells the story of the three women arriving at the empty tomb on Easter morning bringing spices to anoint the body of Jesus.

A Carol For Our Times

Star Of The East

Lo! He Slumbers In His Manger

A Boy Is Born In Bethlehem

for SATB and organ or brass ensemble This rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava Op.21) brings this popular Russian anthem to a wider audience. The original Russian text is replaced by a hymn by the arranger that is particularly suitable for Easter as well as general use. A brass ensemble accompaniment is also available.

for SATB unaccompanied This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections a slower reflective passage and a rousing conclusion this anthem will bring a fresh sound to Easter services and concerts.

Paperback- The Rhyme Of Taigu is a lively and powerful work for full Orchestra. The piece explores the energy and spirit behind Japanese Taiko or 'fat drum' (Taigu in Chinese). As a result the Percussion plays a key role providing an aggressive drive throughout the whole work and often in competition with the brass particularly in the thrilling climax.

The Immortal was commissioned by the BBC World Service and was premiered at the BBC Proms in 2004. This work pays tribute to the influence of Chinese artists and intellectuals in the twentieth century. With an undercurrent of tranquillity and meditation the work features a powerful and rhythmic introduction from which emerges a section of sustained high-pitched glissandos as well as lyrical melodies and expressive glissandos that characterise many of the solo motifs.

for SATB unaccompanied This is a straightforward and effective anthem set to a well-known text from the Song of Solomon. The choral texture is interspersed with several soli or semi-chorus passages which alternate between the upper and lower voices reinforcing the message of love's power to bind people together. Suitable for both sacred and secular use. This is a beautiful setting of text from the Song of Solomon 8:6-7 and John 15:9-12 by Eleanor Daley. It is arranged for SATB chorus a cappella.

for SATB and organ This beautiful setting of the Evening Canticles is for SATB Choir with Organ accompaniment.

for SATB (with divisions) unaccompanied Skempton sets this famous love poem by Yeats with characteristic directness and warmth and using rich and scrumptious sonorities. Magical shifts of harmony punctuate the otherwise simple tonal language. An uplifting and satisfying piece ideal for concert use. Skempton sets this famous love poem by Yeats with characteristic directness and warmth and using rich and scrumptious sonorities. Magical shifts of harmony punctuate the otherwise simple tonal language. An uplifting and satisfying piece ideal for concert use.

for SATB unaccompanied This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with John Boyle O'Reilly's poem 'A White Rose'. Jackson combines lyrical polyphonic phrases for upper and lower voices with atmospheric passages for full choir often accompanied by repeated half-whispered text in free time. Gabriel Jackson 's Ubi Caritas for unaccompanied SATB choir. This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with 'The red rose whispers of passion' by the poet John Boyle O'Reilly. Jackson combines lyrical polyphonic phrases for upper and lower voices with atmospheric passages for full choir frequently accompanied by repeated half-whispered text in free time.

for SATB and organ with optional congregation This hymn-anthem of thanksgiving begins gently and tenderly but builds to a rousing climax. It culminates with a verse of the hymn Now thank we all our God (which may be sung by the congregation in addition to the choir) underlaid by a powerful organ part and with a soaring descant line above. John Rutter 's With Heart And Hands for SATB choir and Organ with optional congregation. This hymn-anthem of thanksgiving begins gently and tenderly but builds to a rousing climax. It culminates with a verse of the hymn Now thank we all our God (which may be sung by the congregation in addition to the choir) underlaid by a powerful Organ part and with a soaring descant line above.

for SATB and organ Uses Latin and English (Rite A) texts. Sacred setting for SATB and Organ with the Latin and English Rite A text.

for SATB and organ or piano or chamber orchestra A lovely arrangement in which the vocal textures are supported throughout by a lyrical organ accompaniment. It will lie well within the grasp of most church choirs and organists. A lovely arrangement in which the vocal textures are supported throughout by a lyrical Organ accompaniment. It will lie well within the grasp of most church choirs and organists.

O Christ who art the light and day-for SSAATB unaccompanied Robert Whyte 's Christe Qui Lux Es Et Dies (O Christ Who Art The Light And Day) for SSAATB choir unaccompanied

from The Angry Planet-for SATB and children's choir (with divisions) unaccompanied These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Here rescored for two-part children's choir (SS) and piano they may be performed individually or as a set. These charming settings of riddles by Bob Chilcott's long-term collaborator Charles Bennett were originally published as part of the environmental cantata The Angry Planet. Here rescored for two-part children's choir (SS) and piano they may be performed individually or as a set.