for SSAATB unaccompanied David's lament at the death of Absalom may have been composed to mark the death of Prince Henry heir to the English throne in 1612. Thomas Weelkes ' When David Heard for SSAATB choir unaccompanied. David's lament at the death of Abosalom may have been composed to mark the death of Prince Henry heir to the English throne in 1612.

for SATB double choir unaccompanied This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these forces enable while keeping the vocal lines and part-writing well within the capabilities of most church choirs. This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these forces enable while keeping the vocal lines and part-writing well within the capabilities of most church choirs. For SATB double choir unaccompanied.

Words by Shakespeare set for soprano and piano Range e flat'-g A beautiful piece from Elizabeth Maconchy set to the words from Shakespeare's Hamlet . This lyrical and haunting song is for Soprano with Piano Accompaniment.

for SSAA and piano Originally the second movement of Chilcott's choral work Five Days that Changed the World this setting of Charles Bennett's text has melodic and interweaving choral parts with the piano part providing harmonic support for the voices throughout. Originally the second movement of Chilcott 's Choral work Five Days that Changed the World this setting of Charles Bennett 's text has melodic and interweaving Choral parts with the Piano part providing harmonic support for the voices throughout.

for SATB unaccompanied Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion. David Bednall 's Like As The Hart for SATB choir unaccompanied. Like As The Hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when penning this devotion.

for unaccompanied SATTB A sacred setting by Thomas Tallis for SATTB voices with accompaniment for keyboard instrument.

18 easy pieces for solo piano-Piano Sketches is a fabulous new collection of easy pieces for younger pianists around the level of Grades 2-3. The pieces include a broad range of appealing and accessible styles and will delight student and listener alike as well as helping to reinforce technical skills. Piano Sketches Book 1 is a fabulous new collection of easy pieces for younger pianists around the level of Grades 2-3. The pieces include a broad range of appealing and accessible styles and will delight student and listener alike as well as helping to reinforce technical skills. Get ready to groove with the ' Frog Boogie ' indulge in the beautiful harmonies of ' Lullaby ' be transported by the energetic rhythms of the Scottish and Cuban dances and sample the sounds of the Orient. As well as being great fun to play these pieces offer young pianists an adventure in texture melody and harmony and will support formal study.

This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together these elements capture both the gentle hope and the profound joy contained in the text.

David Bednall 's The Scholar for SATB unaccompanied. The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting this piece will provide a moment of quiet reflection in a concert programme.

for SATB and piano McDowall's setting is optimistic and appealing with charming interplay between the voices and piano. The inspirational words are by Marie Curie. Cecilia McDowall 's Now Is The Time for SATB choir with Piano accompaniment. Written for the 2016 'Requiem to Cancer' event at St Paul's Church Covent Garden Now Is The Time sets hopeful and inspirational words by Marie Curie . McDowall 's setting is optimistic and appealing with charming interplay between the Voices and Piano.

Setting two verses of the Irish traditional carol Wilberg's version opens simply with unaccompanied unison men before the Piano creeps in gently. The carol melody's haunting modal qualities are complemented by colourful harmonic touches.

These songs are among Berkeley's earliest compositions written in the mid-1970s at the suggestion and encouragement of Peter Pears. The poems by Thomas Hardy were chosen for various treatments of one theme - death and the grave. Some are wistful some tragic some humorous.

for SATB (with divisions) unaccompanied A dramatic and colourful setting of Psalm 81:3 and 4 which is an ideal introit or anthem for festive occasions or for the opening of a choral concert. A setting of Psalm 81:3 and 4 for unaccompanied SATB chorus with divisions.

for mixed chorus with piano or orchestra This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire. This version edited by John Rutter for mixed chorus with Piano or Orchestra. This chorus also appears in the anthology Opera Choruses . Orchestral material is available on hire.

for SATB and organ or piano This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody it has broad appeal and is suitable for choirs of all abilities. This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody it has broad appeal and is suitable for choirs of all abilitiies. Scored for SATB and Organ or Piano accompaniment.

for unison or two-part voices and piano or orchestra Orchestral material is available on hire. The Cowboy Carol a brilliant alternative to the traditional Christmas carol is written here for Unison voices and Piano accompaniment.

for mixed chorus and organ or brass and percussion or orchestra Orchestral material is available on hire Composed for the Coronation of King George the Sixth and first performed at Westminster Abbey on 12th may 1937. For mixed chorus and organ or brass and percussion or orchestra.

for SATB (with divisions) and piano This prayer for freedom was composed in 1990 in response to the demolition of the Berlin Wall and the release of Nelson Mandela from prison. An orchestral accompaniment is available on hire/rental and a version of the piece for orchestra only is available on hire. John Rutter 's Distant Land for SATB choir (with divisions) and Piano. This prayer for freedom was composed in 1990 in response to the demolition of the Berlin Wall and the release of Nelson Mandela from prison. An orchestral accompaniment is available on hire/rental and a version of the piece for orchestra only is available on hire.

for SATB and organ In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter. The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing ye heavens (COLCD 126). The Day Thou Gavest arranged by John Rutter for SATB Choir and Organ. In this arrangement of the hymn tune St Clement traditional verses alternate with those newly arranged by John Rutter . The piece is part of a wider collection of hymn arrangements which have been recorded by the Cambridge Singers on the Collegium CD Sing Ye Heavens (COLCD 126).

for SATB congregation & organ Glory To Thee My God This Night arranged by John Rutter for SATB choir congregation and Organ.