for SATB with organ or brass with timp perc and optional organ or full orchestra Words c.1500 anon. Material for brass and orchestral accompaniments is available on hire. William Mathias' Sir Christemas for SATB with organ accompaniment or (i)brass (3 tpt 3 tbn or 2 hn 2 tpt 3 tbn tuba) with timp perc opt organ or (ii) strings and organ or (iii) full orchestra Words c.1500 anon. Material for brass and orchestral accompaniments is available on hire.

for SATB flute handbells and organ Howard Don Small A Blessing for SATB flute handbells and organ.

Paperback-for SATB unaccompanied to words from John 14:15-17 Roupen Shakarian's If Ye Love Me Keep My Commandments for SATB.

for SATB and piano or orchestra Phyllis Tate Three Moravian Carols for SATB and piano or orchestra.

An Irish air for SSA flute and piano Earlene Rentz's The Last Rose Of Summer An Irish air for SSA flute and piano.

for SATB unaccompanied or with guitar harp or keyboard A delightful Spanish carol wonderfully evocative of the era with its very lively dance-like rhythms. Texts are in both the original Spanish and English. A delightful Spanish carol wonderfully evocative of the era with its very lively dance-like rhythms. Texts are in both the original Spanish and English.

Duets for the developing guitarist-This fantastic duet collection is perfect for classical guitarists at Grades 1-3 level. You'll find an impressive range of repertoire including traditional tunes from across the globe arrangements of well-known orchestral works popular hits and new pieces by Debbie Cracknell. The latest addition to OUP's popular Enjoy Playing Guitar series Time For Two is a fantastic duet collection which is perfect for classical guitarists at Grades 1-3 level. You'll find an impressive range of repertoire including traditional tunes from across the globe arrangements of well-known orchestral works popular hits such as Jingle Bell Rock and new pieces by Debbie Cracknell. The collection also includes classic solo guitar repertoire arranged for two players making works by Fortea Carulli Tárrega and Sagreras accessible to players at this level for the first time. All the duets have parts of equaldifficulty making them ideal material for not only teachers and students but also two learners playing together. In addition the accompanying CD includes separate recordings of the primo and secondo parts allowing students to practise at home. With clear presentation and background notes for every piece Time for Two is an indispensable resource for all guitar teachers and students.

Full score for John Rutter's joyful sprightly carol Rejoice and sing! which has been offprinted from Sir David Willcocks: A Celebration in Carols. Full score for John Rutter 's joyful sprightly carol Rejoice And Sing! which has been offprinted from Sir David Willcocks: A Celebration in Carols . With its uplifting 7/8 time signature memorable melody rich and diverse textures and delightful orchestral accompaniment this carol is a fitting tribute to one of the great names synonymous with Christmas.

The Latin text from the Ordinary of the Mass for mixed voices brass (4 trumpets 2 tenor trombones bass trombone tuba) percussion and organ An accompaniment for orchestra without organ is also available. Full scores vocal scores and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1. This work was commissioned by the Voices of Mel Olson and first performed on 5th Masy 1974 in Omaha U.S.A. under the direction of the composer. The work is scored for mixed voices with brass percussion and organ or orchestra.

for a solo boy's voice (or small group of boys) or a solo contralto voice and SATB There is also a version for SSA. A gorgeous carol arranged for SATB Choir a cappella with a solo for a Treble voice or Contralto.

Paperback-for SATB with optional bass solo and piano or orchestra Orchestral material is available on hire. For SATB Chorus and optional Bass Solo with a Piano reduction of the original Orchestral Score.

for SSAA and piano or chamber orchestra This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated with simple vocal harmonizations alongside unison singing and the accompaniment creates a lush bed of sound over which the voices resonate. Will L. Thompson 's Softly And Tenderly arranged for SSAA and Piano or Orchestra by Mack Wilberg . This gentle arrangement of Thompson 's original words and melody (1880) is ideal for upper-voice Choirs of all levels of experience. The melody is sympathetically treated with simple vocal harmonisations alongside unison singing reflecting the humble message of the text: 'Jesus is calling come home'. The accompaniment for Piano or small Orchestra creates a lush bed of sound over which the voices resonate.

10 carols for mixed voices-for SATB accompanied and unaccompanied This wonderful anthology of ten carols by Alan Bullard includes new material written specially for the collection as well as favourites from the Oxford catalogue some of which are presented for the first time with SATB scoring. Orchestral material is available on hire for each accompanied piece. The Oxford Choral Composers series brings together anthems and carols by some of Oxford's leading choral composers. Together these collections offer a kaleidoscope of musical styles and texts including unique arrangements of popular classics alongside some of the composers' finest original works to date. This wonderful anthology of ten carols by Alan Bullard includes new material written specially for the collection as well as favourites from the Oxford catalogue some of which are presented for the first time with SATB scoring. From the ethereal And all the stars looked down to the upbeat Glory to the Christ Child Alan BullardCarols showcases an attractive and varied selection of Christmas works that will appeal to all mixed-voice choirs.

For SATB and 5 soloists unaccompanied This simple and appealing arrangement of a well-known 15th-century text alternates a gentle full-choir refrain with five verses for solo treble voices. As an optional ending all verses may be sung together before one final refrain sung pianissimo. 'Lullay my liking' was written for John Rutter on the occasion of his 60th birthday. This simple and appealing arrangement of a well-known 15th-century text alternates a gentle full-choir refrain with five verses for solo treble voices. As an optional ending all verses may be sung together before one final refrain sung pianissimo. Lullay My Liking was written for John Rutter on the occasion of his 60th birthday.

Globetrotters for wind-Globetrotters brings together twelve toe-tapping original tunes in styles from around the world-from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha- for the budding clarinettist. Clarinet Globetrotters brings together twelve toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha - for the budding clarinettist. This unique book presents a kaleidoscope of musical traditions with supporting background information and backing tracks that capture each sound-world. To help with technique and interpretation every piece includes tailored warm-ups and stylistic tips from the author. With options for clarinet/saxophone or piano accompaniment and an inspirational CD Clarinet Globetrotters is the ultimate resource for aspiringmusicians looking to go travellin' ... 12 fun pieces in styles from around the world Suitable for young clarinettists everywhere (2+ years' playing experience/around Grade 2-4 standard) Range of styles including bossa nova klezmer township jazz Brazilian Bulgarian and Greek Fascinating background information and tailored warm-ups Includes clarinet accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chords CD with performances and backings for every piece recorded by renowned world-music performers

A short carol using a 15th-century text for SATB (with divisions) and organ A beautiful and effective setting which is well within the capability of the average choir. A short carol using a 15th-century text for SATB (with divisions) and organ A beautiful and effective setting which is well within the capability of the average choir.

The soprano protagonist looks back either in her imagination or in real terms on a life richly lived. The texts five by Pulitzer-Prize winning poet Lisel Mueller and one by Judith Baumel range from the bittersweet and nostalgic to the humorous and tragic. Taken together the poems offer a mature perspective on love loss ageing and what it means to be a 21st-century woman.

for SSAATTBB soli SSAATTBB and organ This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar Peter Horton has worked from the original folio edition of 1844. It displays Wesley's adventurous harmony and use of wide-ranging keys in a similar way to the Evening Canticles in E. Samuel Sebastian Wesley: Jubilate in E . This edition celebrates the 200th anniversary of the composer's birth. The distinguished Wesley scholar Peter Horton has worked from the original folio edition of 1844. It displays Wesley's adventurous harmony and use of wide-ranging keys in a similar way to the Evening Canticles in E .

for SSAATTBB SSATTB verse and organ First edited in the 1950s by Watkins Shaw and published privately this magnificent anthem has been revised in honour of the centenary of Shaw's birth by his successor as Honorary General Editor of the Church Music Society. First edited in the 1950s by Watkins Shaw and published privately this magnificent anthem has been revised in honour of the centenary of Shaw's birth by his successor as Honorary General Editor of the Church Music Society.

This set of four solo organ 'symphonies' is full of colour and draws on stylistic influences ranging from the late Baroque to Mahler. The individual pieces have a flexible approach to registration but give advice on the intended style allowing a range of interpretation and enjoyment for performer and listener alike.