for TTBB and piano Slow Down has a relaxed swing feel with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style along with scat syllables and jazzy harmonies all underpinned by a supportive yet characterful piano part.

for SSATBarB unaccompanied Setting words by the composer Swept Away is a beautiful haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the soprano to create a powerful work exploring the journey of the singers in the wind.

for SSA and piano Setting a moving text inspired by Chief Seattle Quartel appeals for better stewardship of the planet through gentle flowing lines and expansive textures. The melodies are accessible throughout and well supported by the piano accompaniment while the swells and falls in dynamics offer a sense of organicity.

Processional bustles with cheerful positivity throughout its rondo-like structure clarified by the memorability of its abundant melodies. The harmony is modal to begin with but moves from this deliberately archaic sound to more piquant and modern colours building to a triumphant conclusion.

This is a beautiful piece setting an evocative text by Anne Bronte that explores natural imagery on a blustery day and the feelings they inspire. Supported by the piano acccompaniment Quartel's soaring melodies rich harmonies and syncopated rhythms illustrate the power of the wind.

This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part with an imitative second soprano part joining towards the end. This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part with an imitative second soprano part joining towards the end.

Sing my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line the buoyant 7/8 metre of the opening drives the piece forward. Sing my Child sets a joyful text celebrating the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line the buoyant 7/8 metre of the opening drives the piece forward.

Peace in the world is the expressive middle movement from Images of Peace which is a cycle of five songs that encourage peace and understanding. Although composed for secular use this beautifully simple and homophonic movement could be equally suited to use as an ecumenical church anthem.

Harp part for SSA version-Harp part for James Whitbourn's setting of a powerful poem by John Henry Newman for upper voices.

Full score - brass quintet version - POD

(from Passion Music)-for SATB (with divisions) unaccompanied 'My Love has Died for Me' is taken from Passion Music a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies changing metres and extended harmonies combine to explore the theme of loss in this powerful and expressive lament.

for tenor soloist SSAATTBB and organ This sumptuous setting is not difficult and is a fine example of Mendelssohn's choral writing. It is a useful item for a choral concert or for a service sung by combined church choirs.

Sweet Rivers arranged by Reginald Unterseher for SSATB and Piano. Reginald Unterseher has adapted his much-loved lower-Voice arrangement of this well-known hymn by John Adam Granade for mixed-Voice choir. The arching Vocal lines are accompanied by a rhythmic undulating Piano part evocative of the rivers the hymn-writer describes.

Lament by Mack Wilberg for String Orchestra with optional Organ. This moving piece for String Orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt Lament is based around a two-bar arching ostinato artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the String Orchestra repertory. This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for StringOrchestra)'. This complete set of parts includes: 4 x vln I 4 x vln II 3 x vla 2 x vc and 1 x db.

for SATB and organ The four motets in this set are adapted from Bob Chilcott's large-scale choral work Salisbury Vespers premiered in Salisbury Cathedral in May 2009. The motets can be performed as a set or individually and are suitable for concert and liturgical use. Instrumental parts are available to hire for the accompanied motets. The four motets in this set are adapted from Bob Chilcott's large-scale choral work Salisbury Vespers which was premiered in Salisbury Cathedral in May 2009. Setting a variety of early Marian texts the set includes the gentle and expressive I sing of a mayden and the fervent Hail Star of the sea most radiant . Re-scored for SATB and organ the motets will be welcomed by choirs of all sizes looking for a more intimate introduction to Chilcott's magnificent landmark work. The motets can be performed as a set or individually and are suitable for concert and liturgical use. Accompaniments for instrumental ensemble or for Brass and Organ are available to hireseparately for each of the accompanied motets.

for SATB unaccompanied Right from the first bar this upbeat refreshing arrangement of the African-American spiritual will catch the attention of the performer and audience. Culminating in six-part harmony with dramatic pauses this memorable work makes for the perfect encore. Right from the first bar this upbeat refreshing arrangement of the African-American spiritual will catch the attention of the performer and audience. Culminating in six-part harmony with dramatic pauses this memorable work makes for the perfect encore.

for 40-part unaccompanied mixed chorus This score is in G. The full vocal score and two chorus parts (Choirs I-IV and Choirs V-VIII) are available on hire. This wonderful composition by Thomas Tallis is for eight SATB choirs to make forty parts in all! It is an ambitious impressive looking score to an even more impressive sounding and altogether magnificant sacred piece for unaccompanied mixed choruses.

Paperback-for SATB and keyboard Eleanor Daley sets well-loved texts by George Herbert in this suite of three pieces. They may be performed separately as part of a church service or together for an impressive concert piece. This suite is particularly suitable for Easter and Trinity Sunday. Eleanor Daley sets well-loved texts by George Herbert in this suite of three pieces. They may be performed separately as part of a church service or together for an impressive concert piece. This suite is particularly suitable for Easter and Trinity Sunday.

for SATB and organ or piano four hands or orchestra The new organ accompaniment was transcribed by Peter Stevens for the King's College Cambridge Nine Lessons and Carols service in 2007. The organ part is presented under Wilberg's original choral parts for an effective alternative to the already existing version for piano four hands. Orchestral material is available on hire. Vocal Score to Mack Wilberg's setting of Ding! Dong! Merrily On High for SATB and Organ (or Orchestra).

11 pieces many of which were previously unpublished by the leading figure in Belgian music in the first half of the twentieth century. 11 pieces many of which were previously unpublished by the leading figure in Belgian music in the first half of the twentieth century.