In this exuberant solo work the principal idea is an arching melody that explores the full range of the instrument.

The complete set of parts for Ralph Vaughan Williams' String Quartet In A Minor .

Hardback-This volume contains newly edited versions of two of Walton's mature works for orchestra: the Partita for Orchestra written in 1957 and one of ten works commissioned by the Cleveland Orchestra and the Variations on a Theme by Hindemith a work of great colour from 1962-3 and taking as its inspiration a theme from his friend Paul Hindemith. This volume contains newly edited versions of two of Walton's mature works for orchestra: the Partita for Orchestra written in 1957 and one of ten works commissioned by the Cleveland Orchestra and the Variations on a Theme by Hindemith a work of great colour from 1962-3 and taking as its inspiration a theme from his friend Paul Hindemith.

for SATB and orchestra or piano This luscious arrangement opens with a wind and brass introduction. A flowing gently rocking string background sets off the vocal line in the altos while the rest of the chorus sings 'oohs'. This makes the full chorus passage that comes afterwards particularly powerful. Orchestral material is available on hire. This luscious arrangement opens with a wind and brass introduction. A flowing gently rocking string background sets off the vocal line in the altos while the rest of the chorus sings 'oohs'. This makes the full chorus passage that comes afterwards particularly powerful.

for SATB unaccompanied Debra Scroggins' setting of a poem by William Blake is both stunning and gentle. The tight harmonies offer a lush and flowing soundscape that conveys warmth and tenderness perfectly suited to the text 'Little lamb dost thou know who made thee?'. The choral lines are accessible yet sophisticated and the work is suitable for performance in churches and schools. Debra Scroggins' setting of a poem by William Blake is both stunning and gentle. The tight harmonies offer a lush and flowing soundscape that conveys warmth and tenderness perfectly suited to the text 'Little lamb dost thou know who made thee?'. The choral lines are accessible yet sophisticated and the work is suitable for performance in churches and schools.

A beautiful vocalise originally intended with pipa accompaniment (a four-string Chinese instrument with similarities to the lute). The vocalist sings only vowels throughout conveying a sense of timelessness and meditation.

for flute clarinet violin cello and piano Long Zhou's Dhyana for flute clarinet violin cello and piano.

Paperback-for SATB and organ Text from Psalm 100 William Mathias: Make A Joyful Noise Unto The Lord for SATB and organ. Text from Psalm 100.

for solo soprano string orchestra and harpsichord Alessandro Scarlatti's Christmas Cantata for solo soprano string orchestra and harpsichord.

for SSA and keyboard Ellen Gilson Voth An Advent Carol for SSA and keyboard.

for organ These service preludes are well-written accessible melodious and very practical and provide excellent additional literature for church organists. These service preludes are well-written accessible melodious and very practical and provide excellent additional literature for church organists. Don Michael Dicie (b.1941) Don Michael Dicie has been fond of spirituals folk songs and plainsong since he began music lessons in elementary school in Birmingham Alabama. During his formal music training he developed his main musical interests of music theory and composition while studying with William Baxter and Hugh Thomas. From 1966 to 1972 he was the organist and choir director at the Cathedral of St. Paul Minnesota. From 1973 to 1994 Dicie taught reading and vocal music in Nashville public schoolsand from 1976 to 1994 was organist and choir director at St. Paul's Episcopal Church in Franklin Tennessee. He then served as organist and Church Music Director at Trinity United Methodist Church Franklin Tennessee. In January 2005 Dicie returned to St. Paul's Episcopal Church where he is currently the organist and composer in residence. Contents: Westminster Abbey Aberystwyth Slane Middlebury

Larsen writes '. . . I have loosely transcribed bell patterns from a field recording of Russian bells . . . the Communist persecution of the Russian Orthodox Church included the removal and destruction of Russian bells many of which were melted down into ammunition.' The piece is a fantasy memorializing the peals of the bells of Moscow square.

This choral octavo is drawn from Larsen's It I am. This is a lovely hushed and meditative hymn that is simple and eloquent. The brevity and expressive beauty of this piece can be equally used in both sacred and secular settings.

Paperback-for SATB and piano or organ The text is by Timothy Dudley-Smith and is based on a text of St Augustine. The gentle undulating rhythm created by the 6/4 time signature and the subtle harmonic shifts add interest and illuminate the meaning. A central section can be sung by soloists or by small sections of the choir. The text is by Timothy Dudley-Smith and is based on a text of St Augustine. The gentle undulating rhythm created by the 6/4 time signature and the subtle harmonic shifts add interest and illuminate the meaning. A central section can be sung by soloists or by small sections of the choir.

A setting of the familiar psalm text with interpolations from nature writings by the American naturalist John Muir and by Patricia Hennings.

The Chinese character su has the meaning of tracing back to the source or recalling ancient times. SU was inspired by the distinctive qualities of the ancient Chinese q'in a seven-string plucking instrument similar to the zither.

for SATB and small orchestra or piano Orchestral material is available on hire. John Rutter: Twelve Christmas Carols Set 1 for SATB and small orchestra or piano Orchestral material is available on hire.

for symphonic winds tuned water glasses and amplified voice The piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon. The piece consists of nine fully notated sections which surround eight sections of improvised music. Each of the improvised sections includes the reading of a poem which refers to the moon.

Composed during the year between Lance Armstrong's fifth and sixth victories in the Tour de France Yellow Jersey is a short wind sprint for two clarinets. The form of the piece follows how the sprint would go as the cyclist moves through the stages of the race.

for SATB brass quartet timpani and organ Richard Wayne Dirksen's Christ Is Alive! For SATB Brass Quartet Timpani and Organ.